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What digitalreverb do you use for acoustic music?

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Old 3rd May 2011   #1
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Talking What digitalreverb do you use for acoustic music?

Hello,

Im wondering what digitalreverb you guys use when you add some extra reverb to your recordings in enviroments with mutch reverbation like a church or hall? I was thinking about when digital reverb is added and designed to match the reverbation in the recording. Just to add some extra reverb in the postproduction.

Personally ive only used the Lexicon 960 so far at school. Its nice i think. Alot of options to design the reverbation with.

Cheers

/Mavro
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Old 3rd May 2011   #2
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Neunaber Wet is fantastic. they're currently working on a stereo version.
also the TC Electronics Hall of Fame ain't bad.
Both pedals.
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Old 4th May 2011   #4
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Im sorry what does UTFS stand for? im new here.

What im wondering is what type of reverb brand/label/model that people use when they add som extra reverb to a recording made in a acoustic enviroment like a church. When its maybe to little reverbation in the recording. Maybe my question was unclear :S
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Old 4th May 2011   #5
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Thanks for links btw, ive checked them out and i got some of my questions answered there.
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Old 4th May 2011   #6
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Im sorry what does UTFS stand for?
Use The Friendly Search

Bargains here: Roland Srv3030d and an ibanez sdr1000
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Old 4th May 2011   #7
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i use SIR II with IRs from lex 960 and 480, EMT plates, and acousticas bricasti M7. selection of the appropriate IR is the key. there are thousands of useless IRs out there. so far, i have found maybe 5 that i like, and only 2 that i actually use.
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Old 4th May 2011   #8
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Use The Friendly Search

Bargains here: Roland Srv3030d and an ibanez sdr1000
Allright thanks.

Ill do that next time. This time i only looked at the sugestions ive got when writing the title of the topic :S
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Old 4th May 2011   #9
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i use SIR II with IRs from lex 960 and 480, EMT plates, and acousticas bricasti M7. selection of the appropriate IR is the key. there are thousands of useless IRs out there. so far, i have found maybe 5 that i like, and only 2 that i actually use.
Sorry for beginner question but what is IRs? :o
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Old 4th May 2011   #10
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Sorry for beginner question but what is IRs? :o
This will give you a start on learning about Impulse Response.

Tho lacking some references, the information is valid...

Some idea of verbs and prices
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Old 4th May 2011   #11
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This will give you a start on learning about Impulse Response.

Tho lacking some references, the information is valid...

Some idea of verbs and prices
Cool thanks!
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Old 4th May 2011   #12
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What is the budget? Can't go wrong with a TC M3000 or M4000. Plus you get two stereo programs for the price of one. thumbsup
The M3000 is dual-engine but the 4000 isn't...
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Old 4th May 2011   #13
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Ahh, use the friendly search.

What is the budget? Can't go wrong with a TC M3000 or M4000. Plus you get two stereo programs for the price of one. thumbsup
I have heared the TC M3000, it sounds great but does it work for this purpose? To make the reverb sound like the revebation in the recording? :o
Atm im not buying a reverb im only curious what people use. :o
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Old 4th May 2011   #14
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Hello,

Im wondering what digitalreverb you guys use when you add some extra reverb to your recordings in enviroments with mutch reverbation like a church or hall? I was thinking about when digital reverb is added and designed to match the reverbation in the recording. Just to add some extra reverb in the postproduction.
I frequently use the Magix Variverb HQ algos.
I find that the A Room HQ algo can mix very well with church natural reverbs when the room size parameter is nearly at max.

JMM
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Old 5th May 2011   #15
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For chamber music in concert halls I'm using a combination of Magix Variverb HQ and ArtsAcoustic reverb. A bit of both, one fed into the other. It's noice. Sounds more natural to me than IR's - there's some movement in it. "Everyone" uses Altiverb but I'm not sure what it's specific benefits are vs any other Convolution verb, except an exceptional library (thats quite a benefit). Me, I just like a good Algo better.
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Old 5th May 2011   #16
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I'm finding it interesting that so many of you use added reverb in a reverb laden space.

I typically don't use any reverb at all in a reverberant environment.
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Old 5th May 2011   #17
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Bargains here: Roland Srv3030d and an ibanez sdr1000
+1, the SRV-3030/3030D really shines at this, but it really helps to be good at editing the presets. There are quite a lot of edit parameters making this machine incredibly powerful in this respect. It does modern short/ER rooms really well.
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Old 5th May 2011   #18
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I'm finding it interesting that so many of you use added reverb in a reverb laden space.

I typically don't use any reverb at all in a reverberant environment.
Two typical cases where I add reverb.
- little concert hall or churches with a lot of first reflections but a too short tail
- big church (cathedrals) where there are a lot of long reverb but no first reflections
So each time the natural reverb is not so good for dosmestic listening. In this spaces I try to reduce the natural reverb when positioning mics.
JMM
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Old 5th May 2011   #19
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IME, mathieujm is exactly correct. Remember that microphones are much more primitive devices than our ear/brain systems. They don't "hear" sounds like we do, so we are limited to what a microphone can transduce.

Add to that the expectations of the customer producer and the listening consumers of the recording and it seems quite clear that it is sometimes the case where no selection and positioning of a microphone will produce the optimal reverb in a given venue. Or you are recording in a practically "run-n-gun" situation where you don't have all morning to try different mics and move them around for optimal results.
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Old 5th May 2011   #20
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I'm finding it interesting that so many of you use added reverb in a reverb laden space.

I typically don't use any reverb at all in a reverberant environment.
I only add reverb if necessary. One time i added some extra was when i recorded in a huge church that was supperdry :S (i have no idea why but it just dident have mutch reverbation). And i needed more for the genre. Another time when i used some extra reverb was when recording a live choir concert with a christmas theme, and i could not use room mices / have the main pair far back in the direct field. so i added some extra to give it more of a feeling of christmas in a church
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Old 5th May 2011   #21
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I've owned a lot of Roland reverbs, most of them I think, and I found that the the SRV330 is easier to use than the SRV 3030, and more logically laid out. Plus the 3030 can not used a latched foot switch which I found unacceptable.

However I still don't know the OP's budget, I found the TC M3000 an excellent value and fabulous for ambient (room sound) type reverbs, miles ahead of the Rolands, accept for the R880 which has beautiful ambient programs.
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Old 11th May 2011   #22
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Quote:
Originally Posted by Mavro View Post
Hello,

Im wondering what digitalreverb you guys use when you add some extra reverb to your recordings in enviroments with mutch reverbation like a church or hall? I was thinking about when digital reverb is added and designed to match the reverbation in the recording. Just to add some extra reverb in the postproduction.

/Mavro
For that purpose the Quantec Yardstick 2496 everytime.
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Old 11th May 2011   #23
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2CAudio Breeze, UAD EMT140 are what I use most of the time for acoustic. Liking Breeze alot.
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