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| Tags: film, location recording, technique |
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| | #1 |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter | Recording Helicopters from My Roof
I'm doing a shoot for a film. It involves helicopters outside the building. Long story short, it'd really help to record helicopters flying overhead above my apartment. It's for a visual piece that uses the sound. I can't always predict it which is the real hard part. If I could activate a switch from down below to catch them that would be sweet, so sweet I'd do it for fun! It wouldn't even have to match the picture. Is there anything anybody can tell me on what I need for this kind of audio capture? Limiting? Mics? Positioning? I think this might be a new hobby for me. Thanks for reading and any advice. Peace, -soupking
__________________ "Exceptional people talk about ideas. Normal people talk about things. Those with limited abilities talk about other people." - Quoted by Jim Coleman |
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| | #2 |
| Gear addict Joined: Apr 2010 Location: Budapest
Posts: 485
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Wouldn't it be easier to take a couple of hours one day, go to an airfield/landing pad of some news stations, or sightseeing helicopter tours where there are regular take offs and general flying around? I mean if it's not necessary to be in your apartment, of course. It would probably be a quicker job than wiring the roof. Just checked out some heli-tours, and there are organized ones from 8am-8pm starting from Compton Woodley Airport.
__________________ some of my songs http://www.myspace.com/thesatellitedogs |
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| | #3 | |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter | Quote:
Yeah, wiring sounds complex, but it I had a quick to trigger set-up that wouldn't get to loud or distort that would be great. | |
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| | #4 |
| Gear addict Joined: Apr 2010 Location: Budapest
Posts: 485
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Well, then you'll just have to do it and see if it works... Does it have to be the roof? Have you tried recording from the window(s)? |
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| | #5 |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter | |
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| | #6 |
| Lives for gear Joined: Jan 2010 Location: The OC
Posts: 525
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This may or may not work for you, but feel free to use it if you want. I own the copyright and give my permission. I guess that applies to anyone, since I'm putting it up here! Those dogs are barking at me, btw. I put my mic on the roof of the car and am flapping my arms at them like an idiot to get them to bark...the house echoes really say "LA" to me. Heli goes by at about :50.
__________________ www.steinbachsound.com |
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| | #7 |
| Gear addict Joined: Apr 2010 Location: Budapest
Posts: 485
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Well, I'd try and ask some film-sound /foley recordists, or classical people who record stereo in large spaces. Don't shotgun mics have a very tight pattern? That might not be helpful at all... |
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| | #8 | |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter | Quote:
That would work really well for a 2nd layer background track. As if there were more helicopters in the area. The dogs really help add to the filler effect for sure. In all, thanks again for posting it PoxyMusic. That's really pretty cool. I'll have to re-visit this link during post for sure. :D | |
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| | #9 | |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter | Quote:
I feel like I need like a really strong PZM or wide-patterend omni style condenser of some kind. I have no idea what would work well though. | |
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| | #10 |
| Gear addict Joined: Apr 2010 Location: Budapest
Posts: 485
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I'd probably start with either a cardioid or hyper-cardioid, trying to minimise direct traffic-noise and the close reflections (if there's heavy motorized traffic) bouncing off the outer wall of the building by positioning, and making sure to get a good "air-to-ground" signal balance too (this of course needs testing when the choppers are circling round), and a mic with smooth off axis-on axis response shift could work well in context. It would also be interesting to hear differences of relatively "dry" airborne helicopter sounds compared to a mix of the airborne vs. outside wall reflected sound. It could well end up giving a very urban sound to the recording, if that's needed. |
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| | #11 | |
| Lives for gear Joined: Feb 2008
Posts: 941
| Quote:
That was fun! And it's a fun stereo image, too. So, you put the mic on the roof of the car. What sort of mic or array did you use? | |
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| | #12 | |
| Lives for gear Joined: Jan 2010 Location: The OC
Posts: 525
| Quote:
Don't use a PZM! Wrong mic for that situation. I'd avoid omins also, unless you want all the background traffic rumble. Try to record everything you want separately, and adjust them to taste later. Don't worry, using a shotgun wont sound like your inside the copter! | |
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| | #13 |
| Lives for gear Joined: Jan 2010 Location: The OC
Posts: 525
| That was a Neuman RSM 191. Its an MS mic, front capsule is a short shotgun, sides are figure 8. The great thing about it is that you don't have to fiddle around getting your angles right, as you would with XY or ORTF. I actually prefer ORTF, but it can be a real hassle to setup sometimes.
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| | #14 | |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter | Quote:
I'd probably just be pointing out the window through the screen up into the air above as it circles. | |
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| | #15 | |
| Lives for gear Joined: Jan 2010 Location: The OC
Posts: 525
| Quote:
Don't fear the mono! Another good thing about MS mics is that if end up deciding to use only mono, simply pan both sides to center, and the stereo component vanishes. MS (and stereo in general) mics will be more expensive to rent though. | |
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| | #16 | |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter | Quote:
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| | #17 |
| Lives for gear Joined: Jan 2010 Location: The OC
Posts: 525
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| | #18 |
| Lives for gear Joined: Feb 2008
Posts: 941
| If you're looking for shotgun, there have been some amazing "blowouts" on the Sennheiser MKH stereo design of some years past. I don't recall the number, but perhaps SeƱor Willett can come up with that. They may be gone by now.
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| | #19 | |
| Lives for gear Joined: Feb 2008
Posts: 941
| Quote:
Anyway, it has a great feel about it. I'm in a high rise in an urban center (with access to the roof, of course!) so I can imagine many interesting scenarios. Yours does sound very LA, and very locale specific. I can almost feel the air. No pops, though, only dogs-no bullets? The dogs contributed to this tense stillness/waiting for something to happen quality about the whole thing. You should post more of these things. Liked it. A great addition to the usual genres here. | |
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| | #20 |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter |
Cool, thanks Poxy and everybody! That'll give me a great start on what to expect when looking for a mic. The best recording option would probably be straight to laptop, so I'll try that first. Peace, -soup |
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| | #21 |
| Lives for gear Joined: Feb 2008
Posts: 941
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| | #22 | |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter | Quote:
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| | #23 |
| Lives for gear Joined: Feb 2008
Posts: 941
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You might just set things up and let them run. You can check later to see if you got anything. Repeat as needed.
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| | #24 |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter | |
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| | #25 |
| Lives for gear Joined: Jan 2010 Location: The OC
Posts: 525
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| | #26 | |
| Lives for gear Joined: Feb 2008
Posts: 941
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| | #27 |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter |
Heh, you guys are pretty quick. |
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| | #28 |
| Lives for gear Joined: Feb 2008
Posts: 941
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| | #29 | |
| Lives for gear Joined: Nov 2009
Posts: 880
| Quote:
L. | |
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| | #30 |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter | |
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