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| Tags: portable, recorder |
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| | #31 | |
| Gear Head Joined: Apr 2011
Posts: 32
| Quote:
The H1 while really great sounding, needs some improvement. For starters, Samsontech needs to find out where DISH Network gets THEIR remotes made..... | |
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| | #32 |
| Lives for gear Joined: May 2006
Posts: 719
| No,the D50's mics are cardioid..not sure about others. In the case of the M10,I would imagine the reasoning is because they're fixed,and so in that case omni's would be the most 'flexible'. Of course you could always plug in external mics. |
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| | #33 | |
| Gear Head Joined: Apr 2011
Posts: 32
| Quote:
H1 Mics are fixed and they're condensers. I am aware of at least one model that lets you adjust the mics for "wider stereo"- Oh-that's the Sony PCM D-50 (Just looked in the Sweetwater Catalog) | |
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| | #34 |
| Gear Head |
hi skyy38, yes, I did record that with the zoom H2, imho its not too shabby, OK, so its not as good as using a good cardoid pair, or even better, a pair of omnis, but its what I had at the time. The little wav file is the organ in Durham Cathedral, and comes from Bach's BWV 565BVW 565, at a friends recital there, last year Peter |
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| | #35 |
| Gear maniac |
i have done a whole song recording with the zoom H2 and it's not to bad: Fuzzy retro rock tune - recorded "very" cheap! recorded with zoom H2 |
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| | #36 |
| Gear nut Joined: Jun 2010 Location: The Netherlands
Posts: 112
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| | #37 |
| Gear maniac |
The H1 is fine for what the OP wants to use it for, except that you will need to use a decent windscreen and preferably the Rycote Lyre suspension mount and pistol grip, although they're good for almost any of the small hand-held recorders. The problem with battery drain on a batch of H1s has been resolved, with local distributors replacing where necessary. I carry an H1 in my pocket and have made some exceptionally good effects recordings with it. For the money, it's pretty good, I think. Regards, John
__________________ John Leonard - http://www.johnleonard.co.uk |
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| | #38 |
| Lives for gear |
I've had an H1 for a few months, and it's good, miserly with batteries (single AA) but keep in mind it can also accept 'line-in': when paired with GOOD mics/pre's, gets you 90% of what you could get with spendy converters, etc. Omni's are handy for some things, but in any place that is big (reverberant) it makes for a very non-descript recording. Otherwise, it's a cheap, effective way to document stuff, and if you didn't want to drag out a laptop and more, a good set of mics (where you can choose patterns/characteristics tailored to your recording space) and a reasonable pre can yield damn good recordings. I recently picked up the Q3 (non HD) to document live gigs - they're now just a couple of bucks more than an H1 ($139 Cdn vs. $115 for the H1!) - it also is a damn handy and reasonably good sounding device, WITH the added benefit of basic 640 x 480 video capture, so I'll be UL'ing files to boobtube and the like. Only caveat is there is no ext. line in, so - you use onboard mics. I hope this helps, |
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