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| Tags: advice observations enlightenment, gigging or gagging, location recording |
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| | #1 |
| Lives for gear |
Has anyone experience with recording in Masonic Temples? The ones I have seen are seemingly classic: shoe box shaped, high ceilings, wooden floors and usually plaster walls. I think many were built in the golden era of the Masons, the late 19th and early 20 centuries. So they seemingly have a good acoustic space. How agreeable are the Masons to outsiders using their space? How has it worked? I ask because there is an old Masonic Temple in my town. We do not have a lot of places with great recording potential so I am on the lookout for whatever I can find. If anyone has experience here I would like to hear of it. Thanks.
__________________ Nov schmoz ka pop. |
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| | #2 |
| Gear addict |
In Detroit, the Masonic Temple actually has shows there and is a legit venue (and one of the better sounding ones in the area) The Historic Masonic Temple of Detroit - Your spot for Concerts, Weddings, Receptions, Graduations and Parties - Olympia Entertainment It wouldn't hurt to call them up and ask! |
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| | #3 |
| Lives for gear Joined: Oct 2004 Location: Indianapolis, IN
Posts: 544
| The Lodge http://www.thelodgestudios.com/ Here they turned on old masonic lodge into an actual recording space. Pretty nice too.
__________________ www.snapjoint.com |
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| | #4 |
| Gear addict Joined: Dec 2009 Location: CALIFORNIA
Posts: 471
| can do
they usally charge a fee...the local illuminati lodge here charges $1700 for a night or day in the mainhall
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| | #5 |
| Lives for gear Joined: Nov 2005 Location: Australia
Posts: 1,323
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Our local Masonic hall has superb acoustics, shoebox, plenty of diffusion in the ornate ceiling and nicely reverberant. They knew a thing about acoustic design. We have recorded some beautiful concerts there. Just don't put your mic stands on the G spot. |
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| | #6 | |
| Lives for gear | Quote:
Some of these halls are just what seems to be perfect to me. I do no think they had recording venues in mind but it sure seems they loend themselves to that purpose. And, oh yeah, I'll be careful about that G spot. | |
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| | #7 |
| Gear Head Joined: Feb 2009 Location: Chicago
Posts: 42
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have the non-profit approach them as a community awareness thing or the grand lodge. there is probably a fee (usually a couple hundred)as the old buildings have high upkeep costs. Most of the guys I know, here in Illinois, are open minded about these things, the older guys get a little skittish about liability, I hope to be doing things at the Ottawa, willmette and evanston lodges, maybe kankakee as I get to know them better. I have recorded in my lodge (Batavia). Believe it or not, masons are proud of their buildings and like to show them off! From the grand lodge you can get the Master and Secretary's contact info if it is not locally available. Pm me what ever details and I might be able to find out more for you.
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| | #8 |
| Lives for gear | A colleague of mine has his recording/rehearsal space in a Masonic Hall for 2+ decades. I'm sure he'd let you use it for nothing. ![]() The only problem is the location: 1000 miles north of Vancouver.... ![]() It is a wonderful space, and depending how 'full' it is, can be a very live, or (in his case, a compulsive hoarder with zillions of pieces of gear) very dead. BTW @ the Detroit Masonic Hall - I saw Laurie Anderson and Jean-Luc Ponty there many, many moons ago - nice hall! |
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| | #9 | |
| Lives for gear | Quote:
Edmonton? Somewhere with ten months of good sledding and two months of bad. I lived in Montreal for awhile. I do not need that much snow and cold in my life again. Great town. Canada is great, just 1,000 kilometers too far north for me. Anyway, I will try to see if the non-profit can approach these folks. We need a good venue to record in. We have one that is OK but the Masons are right across the street. I would love to try it out. And my grandpa was a Shriner. I think the other one was a Mason, too. Thanks for the encouragement. | |
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| | #10 |
| Gear Head Joined: Feb 2009 Location: Chicago
Posts: 42
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which town is the lodge in?
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| | #11 |
| Lives for gear |
The one under my avatar: Astoria, OR. I found the state webpage and a link to the Astoria contact. I will give the fellow a ring this evening or tomorrow. ;o)
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| | #12 | |
| Lives for gear | Quote:
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| | #13 |
| Lives for gear Joined: Mar 2009 Location: Carolina is where they'll bury me.
Posts: 7,096
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Yall behave. As the GS resident Master Mason, i'll not tolerate any conspiracy or illuminati talk. tuttthumbsup I have done some nice recordings in my lodge. Beautiful acoustics, designed according to very sound geometric principles, and always built the same. and yes, the Lodge is normally very good about working with "outsiders". We are there to benefit the community, after all. thumbsup I bet it wont be a problem at all unless there is some function or other happening on the dates you have planned.
__________________ "I would shoot a man if he put me through autotune" - Charlie Louvin |
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| | #14 | |
| Lives for gear Joined: Mar 2009 Location: Carolina is where they'll bury me.
Posts: 7,096
| Quote:
Boojum, if you pm me his info, ill gladly put a word in with him on your behalf. I like talking to my brothers in other states anyway. | |
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| | #15 |
| Lives for gear |
^^^^ Teddy, that is very kind of you to offer. But at this juncture I have a few fellows doing the same already. If there is an onslaught it will look a little strange. I will keep you offer in mind, though, and I appreciate it.
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| | #16 |
| Lives for gear |
Most of the Cleveland Orchestra's recordings were done in the Cleveland Masonic Hall and they all sound GREAT!
__________________ -TOM- Thomas W. Bethel Managing Director Acoustik Musik, Ltd. Room with a View Productions Oberlin, OH 44074 www.acoustikmusik.com Doing what you love is freedom. Loving what you do is happiness. |
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| | #17 | |
| Lives for gear Joined: Apr 2009
Posts: 583
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| | #18 |
| Gear Head |
my masonic temple is OK, but has a barrel vaulted ceiling, and has a wee bit to much echo. Fraternal greetings from the UK |
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| | #19 |
| Lives for gear |
Well, it seems there is an additional dimension to GS! FWIW - I have been contacted by a few members and have just gotten off the phone with the district coordinator for my area. He was most helpful and encouraging and is going to give me some names to speak with. All connected with the F & A M have been kind and courteous. More than one has kindly suggested I join. If I can learn their kindness and ethics it is a good idea. Cheers. |
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| | #20 | |
| Lives for gear |
All's well that ends well... Best of luck with it - we're rooting for ya! thumbsup Quote:
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| | #21 | |
| Lives for gear Joined: Feb 2004 Location: Graham, NC
Posts: 661
| Quote:
BTW... Teddy, you aren't the sole brother here, mate.
__________________ Good shit ain't cheap, and cheap shit ain't always good. The finished studio: www.darkpinesstudio.com Studio build blog; dm mobile.com A Rod Gervais designed studio | |
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| | #22 | |
| Lives for gear Joined: Mar 2009 Location: Carolina is where they'll bury me.
Posts: 7,096
| Quote:
good to know you brother! The reason I said that was I actually did a little thread for all the brethren, so we could link up...none chimed in so I figured i was alone. | |
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| | #23 | |
| Lives for gear Joined: Feb 2004 Location: Graham, NC
Posts: 661
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Been kinda' head down gettin' the new digs up and runnin' as well as tryin' to keep TheBoss happy... (cause' if grandma ain't happy... ain't NOBODY happy!) PM me when you get a chance... | |
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| | #24 |
| Gear Head Joined: Feb 2009 Location: Chicago
Posts: 42
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And here I thought I was the only traveling man around here Teddy, I have a Fulks gig in Annapolis in a couple weeks, how far from I 70 are you? If possible, we should get together when i pass thru Ohio.
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| | #25 |
| Lives for gear |
Masons and others, the latest is that the local Masons seem interested. And, it turns out the chroale director was quite interested in the recording characteristics of Masonic temples, and she is in the Order of the Eastern Star. I explained the reasons the temples are good: shoe box shape, wooden floors, plaster walls with ornate decorations and high ceilings. She wants to do more serious recordings in a studio setup where retakes are possible. The mic stand may be becoming a problem for the paying public, even though I have shrunk it down to two DPA 4061's on a carbon fiber rod about the size of a bass rod. I think we will be doing both live and studio. If we could do some live performances in the Masonic Lodge it would be really good. I like live performances because warts and all they are more alive. The director likes the more controlled studio. Either way I think this new direction will be a good one. Thank you, all of you, for your continued help, suggestions and patience. thumbsup Last edited by boojum; 2nd September 2010 at 09:11 PM.. Reason: syntax |
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| | #26 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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frans, I appreciate your candor, but this is not the platform, place or time for this sort of discussion. Let us get back to the original topic. Thank you for understanding and deleting your two posts. That's very strong of you to do and I appreciate it very much.
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network What about my Facebook Profile? Remoteness on Myspace |
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| | #27 |
| Lives for gear Joined: Mar 2004 Location: southeast
Posts: 1,393
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Most of the Chicago Sym recordings (except for a few such as the Mahler 7 in Champaign and Mahler 8 in Vienna) were done in Medinah Temple in Chicago after the 1966 Symphony Hall fiasco. In fact they did an entire season there while "Symphony Center" was being built. Unfortunately that wonderful space is now a department store. Plush can fill in all the details. The Masonic Temple spaces I have scouted (Nashville and others) were probably all excellent before the carpet went in and rendered them pretty lifeless. Rich |
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| | #28 |
| Gear Head Joined: Feb 2009 Location: Chicago
Posts: 42
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Medinah was a very special place, the Scottish Rite Cathedral just north on dearborn also had some wonderful rooms and Dr Aylesworth playing the 1875 hook & hastings pipe organ in the cathedral are memories I will always cherish. Wish I had been able to record before we sold it. Our new building is going to have an *ahem* electric organ.
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| | #29 |
| Lives for gear |
Fellows, attached is a short clip from Mendelssohn's Elijah I did. 24 bit, 88.2, DPA 4061's > SD 788T. Mixed in SAM 11. Remember the chorale is all amateur. The orchestra was hired and played with no rehearsal as the non-profit chorale could just barely afford the $240 per musician for the performance. As it was it came to ~$5K which left the chorale in the red after paying hall rental and so on. The hall is not all that bad but just as musicians are never happy with their performances I believe we have the same curse: the search for perfection. I realize it is not too close to where I am now but I am advancing in the right direction. What I was doing a couple of years back was not so good as this. |
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| | #30 |
| Gear addict Joined: Nov 2006 Location: Los Angeles
Posts: 342
| Old temples and broad spaces.
I have always loved tracking in temples, cathedrals, marble halls etc as it has been both a challenge and a optimal result for the project. Haven't found a single plug or outboard reverb effect that can simulate the real verb I can get out of the Vibiana in downtown Los Angeles. Having said that though... Most active temple's or cathedrals will NOT let you record in their space without a seriously expensive temporary filming permit. I have done movie shoots and music video's in some nice open cathedral type spaces but the film company producing them paid for the permits. The Vibiana is a deconsecrated Catholic diocese so these rules do not seem to apply. I would suggest that you find deconsecrated cathedrals in your town to get the same quality of recordings but be fully prepared to have to eq and refine the quality of the sound you want to record to extreme measures. These spaces take all signal thrown at it and reflect it back to you in the same ratio's so it can be a nightmare...it can also be the most amazing choir sound ever recorded (as I did at the Notre Dame.) Just realize that you will always have to get the harmonic stacking and frequency phasing under control. Mic placement is KEY in these environments so move them around at will. I was taught that the mics should be at 30, and 60 degrees off of walls that the sound source was reflecting from...in circular and oval hallways you will have fun with this. Masonic temples have their OWN set of rules, I have tried on multiple occasions to track at a magnificent Masonic Temple here in LA only to be met with huge in house fees (that have nothing to do with permits) delays, postponements and an overall attitude of not wanting to deal with my requests until I go away. This may not apply to your city or Grand Chancellor if they don't have as much to hide. I am not trying to imply a conspiracy or anything...
__________________ "sic gorgiamus alos subjectatus nunc" |
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