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| Tags: piano, ribbons galore |
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| | #1 |
| Gear maniac Joined: Sep 2005 Location: Central Pa
Posts: 150
Thread Starter |
Wondering if anyone has used a pair M160's to mic a grand piano in a live recording? Did you like them and are they conducive for jazz piano? Are there Mp3's of anyone playing with this set up? Thanks very much Jim |
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| | #2 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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I never used M160s on piano. I tend to use my M160s for drum overheads and such... percussion, etc. As you may already know, they are hyper cardioid mics so you don't want to get them to close (to any one string) inside the piano sound board. Are you going for a warm sound that you can get from a ribbon mic? I bet they could sound very nice. I have used 4038s on piano with differing results. One time they made this bright piano sound wonderful. Another time it made the piano sound dark.
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network What about my Facebook Profile? Remoteness on Myspace |
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| | #3 |
| Gear interested Joined: Nov 2003 Location: Newton, MA
Posts: 7
| Re: M160s on piano...
I've used mine for this application, and it works well as a spaced pair in the right place on the piano. As Steve said, you have to watch your distance from the sound board, which bring isolation issues into play. Always liked them on quiet ensembles though, espescially with the piano on full stick. If in doubt, use them and use a second micing setup that you're used to using.
__________________ -Matt Malikowski Chief Engineer, Curbside Recording http://www.curbside-recording.com Newton, MA |
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| | #4 | |
| Gear maniac Joined: Sep 2005 Location: Central Pa
Posts: 150
Thread Starter | Quote:
thanks -jim | |
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| | #5 |
| Lives for gear |
Yes, I have used them as part of a M/S pair, Jim. They are wonderful in that context imo..they are a bit brighter than a lot of ribbons, but still have that ribbon flavor..if you are finding that you dont like the tone ever, Steven Sank does a wonderful modification on them that replaces the stock ribbons with RCA ribbons. Ive sold my beyers, and now use Coles 4040, which are breathtakingly beautiful. I do miss the beyers though, and will definitely be buying more of them when I get back stateside, and get things in order.
__________________ I think it is wrong to make everything equidistant from the listener with too many mics. The pasting-on effects end up like bad Photoshop work on graphics & photos - too unbelievable.-Tony Faulkner http://www.last.fm/user/TeddyBullard/ |
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| | #6 | |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
| Quote:
They have been my secret weapon for two decades... Did I mention how much I love those mics on drum overheads? | |
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| | #7 |
| Lives for gear Joined: Apr 2004 Location: Poland
Posts: 518
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| | #8 |
| Gear addict Joined: Jan 2006 Location: Florida
Posts: 498
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I'm using a M160/M130 M/S set up for drum OH. Looking forward to trying it on piano.
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| | #9 |
| Lives for gear | |
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| | #10 |
| Lives for gear Joined: Oct 2002 Location: New York, NY
Posts: 748
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I've tried M-160s on piano and have liked the sound of 414s a little better due to the increased amount of reverberant sound and depth they had. The position for both sets of mics was about 2 feet over the strings with one on the high end and the other on the low end each about 1/3 of the way in from the sides. |
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| | #11 |
| Lives for gear Joined: Apr 2004 Location: Poland
Posts: 518
| That's good to know. I've got a solo piano project coming up in the new year and I'm hoping to use the 4040s. I reckon Coles should endorse me - he he!
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