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Why Sennheiser MKH8000 mics?

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Old 2nd February 2011   #151
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Originally Posted by nosebleedaudio View Post
Well IF the mic does indeed draw 10ma, the mic would ONLY have 14 Volts left to work with...Not much..Based on the typical 6.8K resistors...
And that does NOT include the current to drive the input impedance of the mic pre...
My question is; do these mics REALLY draw that much OR is it the "Requirement" amount?? Big difference..
Many mics actually drop voltages to ~9-12V for the FET stage and as low as 7V for DC/DC converter, so 14V is no biggie.

Best, M
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Old 3rd February 2011   #152
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The remote cables for 8000 series, how flexible are they?

John? :-)


/Peter
Very flexible, almost as flexible as the thin Rycote S-series XLR tails that I use for isolation.


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Old 3rd February 2011   #153
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Thanks John!

Think I'll buy me a pair of the 3 meters.

I recorded dialog for a short film in a car last weekend and GAC4/1 was less than optimum to work with trying to hide away and tape to the roof.

The MKH8000 remote cables will be nice for use on stage as well with the extension tubes/stands (a must if I remember correct).


/Peter
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Old 3rd February 2011   #154
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Smile

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Originally Posted by Audiop View Post
Thanks John!

Think I'll buy me a pair of the 3 meters.

I recorded dialog for a short film in a car last weekend and GAC4/1 was less than optimum to work with trying to hide away and tape to the roof.

The MKH8000 remote cables will be nice for use on stage as well with the extension tubes/stands (a must if I remember correct).


/Peter
Yes.

I have actually bought several of the 3-metre remote cables which I will cut up (as Sennheiser don't do what I need).

Two of them will be used to make a Y-cable that will feed two heads down a single extension tube - the Y-cable will be about 9 or 10 cm long so I can clip two heads as ORTF or spaced omni on a small stereo bar and feed both down a single extension tube on a single stand.

Another cable will be cut and have an XLR-5M on the end to get the stereo signal out at the other end.

I will then have two spare "out" ends - on one I will have an XLR-5F and on the other an XLR-3F - these will be used for connecting MKH normal mics to the MZD 8000.

I also have a 10 and 3 meter normal remote cable for proper use.
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Old 3rd February 2011   #155
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Okay, these mics have officially lost their credibility

Sears: Online department store featuring appliances, tools, fitness equipment and more
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Old 3rd February 2011   #156
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I am wondering if it ever comes a day when people will need to go to Wallmart to shop for Schoeps, or DPA...

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Old 3rd February 2011   #157
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Very flexible, almost as flexible as the thin Rycote S-series XLR tails that I use for isolation.

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We have quite a few of the 3 and 10 meter cables and find them very flexible.


Quote:
Originally Posted by Audiop View Post
Thanks John!

Think I'll buy me a pair of the 3 meters.

I recorded dialog for a short film in a car last weekend and GAC4/1 was less than optimum to work with trying to hide away and tape to the roof.

The MKH8000 remote cables will be nice for use on stage as well with the extension tubes/stands (a must if I remember correct).

/Peter
The MKH8000 series extension tubes/stands are so elegant.
We used seven of them last week on a two recording at Alice Tully Hall.
They are seriously sexy and a must have on that sort of production.

We have ten bases and a variety of 60 and 120 CM tubes and stands to handle all sorts of sizes.

I'd love to build up the inventory to 12 bases in the very near future.


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Quote:
Originally Posted by Marik View Post
I am wondering if it ever comes a day when people will need to go to Wallmart to shop for Schoeps, or DPA...

Best, M
I don't know, if the price is right, I wonder if it really matters as much to folks these days.
From my experience, I know great service means a lot to only a few.
But what about the masses?
Not too many want to pay for outstanding service let alone good service.
Perhaps we are to blame when it comes to this sort of reseller purchase possibilities.

It is pretty scary either way you look at it, but...
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Old 3rd February 2011   #158
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Hah! No worries.

You can find all sorts of professional audio gear on there. Sears.com is a reseller, kinda like Amazon.
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Old 3rd February 2011   #159
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Hah! No worries.

You can find all sorts of professional audio gear on there. Sears.com is a reseller, kinda like Amazon.
Yeah, I see it is not sold directly by Sears. Just seems very, very odd. Now, I'm off to Macy's to pick myself up a Forssell preamp, they are right next to the CNC milling deparment.
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Old 4th February 2011   #160
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Seems kind of appropriate really, I hope they'd at least shelve them next to the Craftsmen 11/16" socket wrenches ! I've always considered high end mics to be tools of the calibre of precisely made automotive tools, in other words the sort you'd find in the workshop of a auto service technician who's been in business for 40 years and has never had to replace a broken tool, even once. He selects the right implement for the job, treats it with respect and expects it to outlast the initial (seemingly high) expenditure in service to his profession. Same goes for the master chef's knives, the electronic tech's multimeter, the piano tuner's ear, etc etc. Sure we've all been seduced by the $5 adjustable wrench made in China, and then cursed when it broke after a few uses....did we really expect to get more than we paid for ? Extend the analogy to mics, preamps, stand hardware and so on as appropriate....
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Old 4th February 2011   #161
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Originally Posted by studer58 View Post
Seems kind of appropriate really, I hope they'd at least shelve them next to the Craftsmen 11/16" socket wrenches ! I've always considered high end mics to be tools of the calibre of precisely made automotive tools, in other words the sort you'd find in the workshop of a auto service technician who's been in business for 40 years and has never had to replace a broken tool, even once. He selects the right implement for the job, treats it with respect and expects it to outlast the initial (seemingly high) expenditure in service to his profession. Same goes for the master chef's knives, the electronic tech's multimeter, the piano tuner's ear, etc etc. Sure we've all been seduced by the $5 adjustable wrench made in China, and then cursed when it broke after a few uses....did we really expect to get more than we paid for ? Extend the analogy to mics, preamps, stand hardware and so on as appropriate....
Very true - my old MKH 40s are over 25 years old, still going strong, are in perfect condition and worth over double what they were when I bought them.


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Old 4th February 2011   #162
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From the product description on that page (slightly edited):

"Product Description
The cardioid MKH 8040 is suitable for almost any application. This is very helpful when disturbing sounds impinge mainly from the rear."

There surely would be cheaper alternatives for that from the plumbing section?
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Old 4th February 2011   #163
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There surely would be cheaper alternatives for that from the plumbing section?
He, he...toilet humor...dfegad
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Old 8th February 2011   #164
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That price is good, though not great. And if Sears can make a buck selling them... why not? I wonder if they'll give purchasers their Craftsman Tools warranty though? You know... lifetime guarantee if they break?
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Old 8th February 2011   #165
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I did a search for "microphone" and got 6300 hits, among them a genuine U 47-- said something about "made in China" tho.






Just kidding--

Rich
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Old 8th February 2011   #166
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Here is another treasure from Sears-- Heloise & the Savoir Faire Trash, Rats and Microphones Digipack Packaging on Sears
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Old 8th February 2011   #167
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Originally Posted by hbphotoav View Post
That price is good, though not great. And if Sears can make a buck selling them... why not? I wonder if they'll give purchasers their Craftsman Tools warranty though? You know... lifetime guarantee if they break?
They should do as they are tools for a craftsman.


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Old 12th February 2011   #168
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HI, long time lurker here.

redundancy package give me a reason to finally start asking questions!

can anybody tell me how this mike fares on cello / double bass. and which of the three options would be preferable

thanks
J
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Old 13th February 2011   #169
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Originally Posted by whambam View Post
HI, long time lurker here.

redundancy package give me a reason to finally start asking questions!

can anybody tell me how this mike fares on cello / double bass. and which of the three options would be preferable

thanks
J
I've only used these on acoustic. Tried the 8020 but ended up using the 8040 cardioid since the room I was recording in was noisy and wasn't flattering. The omni 8020 extend down to about 10hz as I recall so may be better for your application. All in all great mics though.
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Old 13th February 2011   #170
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Originally Posted by hbphotoav View Post
That price is good, though not great. And if Sears can make a buck selling them... why not? I wonder if they'll give purchasers their Craftsman Tools warranty though? You know... lifetime guarantee if they break?
It looks like Sears is having a special on the MKH800-TWIN. Only $42,319.00.

Sears: Online department store featuring appliances, tools, fitness equipment and more
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Old 14th February 2011   #171
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It looks like Sears is having a special on the MKH800-TWIN. Only $42,319.00.

Sears: Online department store featuring appliances, tools, fitness equipment and more
That is hilarious!
I guess that puts my 800s at a used price of say 25k no?
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