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| Tags: gigging or gagging, portable, recorder |
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| | #1 |
| Gear maniac Joined: Sep 2008
Posts: 160
Thread Starter |
The price is pretty decent and the track count is good but as usual I'm concerned with the quality of the pre's. In particular... how quiet are they?
__________________ Jason Kanter NYC -End of line. |
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| | #2 | |
| Gear addict Joined: Dec 2005
Posts: 328
| Quote:
Im in search of a new recorder instead of my FR2. But after reading page 3 in that thread, I think Im going for a Sounddevices. Best wishes, Mikkel | |
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| | #3 |
| Lives for gear Joined: Dec 2005 Location: San Francisco area
Posts: 2,422
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I was sorry they didn't make the DR680 a little more expensive and allow BWF recording w/ an external TC input, as well as ext clock (like HDP2). Close but no cigar. The PSP82 is too expensive re: the price of an SD 788, which does WAY more and is much smaller. Philip Perkins |
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| | #4 |
| Gear addict Joined: Mar 2006
Posts: 350
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I was actually interested in several of these this to replace a bunch of aging HD24XRs at the same price point for 12 channels @ 24/96 (2x$999 for each 12channels) w/o any moving parts involved recording to Class 6-10 SDHC until the dreaded epiphany of: 1. Unbalanced outputs 2. Converters are substandard and not AKM grade (confirmed by Sweetwater) 3. Preamps are what? Nobody knows. 4. Can only use two units in tandem just like the limitations of the Korg MR2000S, one master and the other slave for MTC control of transport fucntions 5. The reassurance that Tascam customer support still sucks and always will... ... appeared ~skygod~ PS. But for $5499.00 you can have the balanced outputs in the next model. Now isn't that grand?
__________________ http://skygodproductions.com/BLOG4.html |
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| | #5 |
| Lives for gear Joined: Dec 2005 Location: San Francisco area
Posts: 2,422
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Check this thread on the Tapers forum--a bunch of those guys are pretty happy with their DR680s. It turns out to be much more versatile than I had originally thought. http://taperssection.com/index.php?topic=131128.105 Philip Perkins |
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| | #6 | |
| Lives for gear Joined: Jun 2009 Location: Melbourne, Australia
Posts: 2,991
| Quote:
The user guide for the MR2000S v1.5 update gives as an example, the wiring harness configuration to synchronize four units for simultaneous record/repro of eight tracks. It may be possible to do more - I haven't tried. | |
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| | #7 | |
| Lives for gear Joined: Mar 2004 Location: southeast
Posts: 1,393
| Quote:
The 680 shines for non-session stuff. The Tapers appear to be using the 16bit paradigm of recording levels. This thing is "composite" and is what it is and costs under a grand. The SD and Nagra VI are truly professional devices and cost accordingly. Rich | |
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| | #8 |
| Lives for gear |
I have to say this little box was a perfect thing for me. On small-scale classical archival recordings, I often mix three or four mic's to 2-TR live through an API 3124. Most of the time it comes out just fine, but there are some times that I wish I were able to re-balance things after the fact. Now I do my usual thing, but I also run the direct outs from the API to the line inputs of this little box. It's already saved my arse a couple of times where I did not get a sound check, but needed spot mic's. I grant you that the converters on this thing are NOT in the same category as Mytek, but they are really not bad. I can't say for sure, but I think you can clock it externally using the SPDIF input. For the price, it's hard to beat. It's light-weight and small. Check out this pic from a recent gig. This 680 is under the HD-P2
__________________ "Everybody gets so much information all day long that they lose their common sense." - G. Stein 1946 The reputation of a thousand years may be determined by the conduct of one hour. - Japanese Proverb "Look into his face and hear the music of the ages. Don't pay too much attention to the sounds--for if you do, you may miss the music." - George Ives http://www.andersonsoundrecording.com |
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| | #9 |
| Lives for gear Joined: Jul 2006
Posts: 2,254
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| | #10 |
| Lives for gear |
Thanks Michael! For these little archival gigs, I can't really justify the cost of a Nagra or SD788, and for the larger multi-track gigs, there are other options that are better and more cost effective (per track count) for my needs. At this price point and for this function, this Tascam box has been just the ticket for me. |
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| | #11 |
| Gear maniac Joined: Jan 2010 Location: Taipei
Posts: 167
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Maybe just bad luck, sounds like I got a lemon. Waiting Tascam service email reply. I got apparent digital clocking noise on channel 2. There's lower leve in channel 3 as well. There're this kind of noise on every channel, but much lower level. The sound file was boosted by 40dB. Trim level on DR 680 is +17. Input gain at low. Any one experience similar noise? |
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| | #12 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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Everyone seems to be very happy with the ones I had in stock. No issues were reported as of yet.
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network What about my Facebook Profile? Remoteness on Myspace |
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| | #13 | |
| Gear maniac Joined: Jan 2010 Location: Taipei
Posts: 167
| Quote:
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| | #14 |
| Gear maniac Joined: Aug 2006 Location: Israel
Posts: 219
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| | #15 |
| Gear maniac Joined: Jan 2010 Location: Taipei
Posts: 167
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