DV Camera with Balanced I/O? - Gearslutz.com

Gearslutz.com

All Advertisers
Go Back   Gearslutz.com > The Forums > Remote Possibilities in Acoustic Music & Location Recording


Tags: , ,

DV Camera with Balanced I/O?

New Reply New Reply Thread Tools Search this Thread
Old 6th March 2010   #1
Gear maniac
 
Nerve Nickels's Avatar
 
Joined: Sep 2004
Location: New York, New York
Posts: 275

Thread Starter
Talking DV Camera with Balanced I/O?

You guys know of a small/portable camera with 1080p or 720p and balanced I/O on the market? SDHC and preferably under $500.00...
__________________
Nerve Nickels is offline   Reply With Quote
Old 6th March 2010   #2
Lives for gear
 
hbphotoav's Avatar
 
Joined: Aug 2008
Location: NashVegas
Posts: 1,044

Nope.

Probably the best you'll do without BeachTek or other adapters (XLR-to-TRSmini) is a good, clean, used Sony A1 or Z1, or something similar, 2-3 years old, from Canon or JVC. It will all be HDV and probably well over a grand. Current models with balanced audio will run you $3,500-$6K, new, just for reference.

If you're looking to run a balanced line level input, an adapter probably isn't the worst thing in the world. The unbalanced portion of the line is short (2"/50mm or so) and the level is pretty hot. Trying to run in a pair of good quality SDC or LDC mics is, however, another kettle of fish.
__________________
Harry Butler
Photography • Videography • Audio Visual Production
www.harrybutlerphotoav.com
hbphotoav is offline   Reply With Quote
Old 6th March 2010   #3
Gear maniac
 
Nerve Nickels's Avatar
 
Joined: Sep 2004
Location: New York, New York
Posts: 275

Thread Starter
Thanks Harry...
Nerve Nickels is offline   Reply With Quote
Old 6th March 2010   #4
Lives for gear
 
Thomas W. Bethe's Avatar
 
Joined: Jan 2005
Location: Oberlin, Ohio
Posts: 3,273

Quote:
Originally Posted by Nerve Nickels View Post
You guys know of a small/portable camera with 1080p or 720p and balanced I/O on the market? SDHC and preferably under $500.00...
Not too many HD cameras in that price range to begin with.

Beachtek and most other adapters of this ilk are not really good for music and we found that out the hard way. We had one here for a couple of days and sent it back after trying it with our RODE NT-4 both through the Beachtek and through the adapter that came with the microphone. The Beachtek sounded distorted and had some missing bass response when we plugged the NT-4 into the Beachtek and then plugged the Beachtek into our Sony FX-1. I am going to evaluate another of their products to see if this one was defective and will report back to you. The one we had cost about $360. If I have to go that way in the future I will probably do it with Jensen Transformers and an external phantom supply . I am sure that the Beachtek sounds GREAT for most applications but not for what we wanted to use it for. I would rather have something that is a bit bulkier and sounds good for music.
__________________
-TOM-

Thomas W. Bethel
Managing Director
Acoustik Musik, Ltd.
Room with a View Productions
Oberlin, OH 44074
www.acoustikmusik.com

Doing what you love is freedom.
Loving what you do is happiness.
Thomas W. Bethe is offline   Reply With Quote
Old 6th March 2010   #5
Gear nut
 
Joined: Jan 2004
Location: Storrs. CT
Posts: 81

Send a message via AIM to Dr Bob
This is probably too elaborate an answer but here goes. Tom is right on the money concerning Beachtek. We have tried them in a couple of situations (last time with Deneke phantom power adapters--about as good as battery powered equipment gets) and they really don't fare well for musical applications.

For non-critical applications on cameras with unbalanced in's I have students use a trusty old m/s electret mic, the Sony ECM MS957. It's unbalanced stereo on a 3.5mm stereo plug but I have had no noise trouble so far using it with HIGH QUALITY cables of up to 50 feet. (Maybe we are just lucky there, but so far so good.) These mics were very popular with "tapers" back in the mini-disk days but they are still available.

Far better is to record the sound separately and sync it in post. Even a Zoom recorder with good mics will sound better than using an inexpensive camera's a/d and sound circuitry. We usually lay in sound during post production that was recorded separately like this even when we use our professional cameras with balanced in's.

It's not too difficult to sync up "by hand" using a clapper or even a hand clap at the beginning of every take, but I am now using PluralEyes (from Singular Software) in Final Cut Pro and it's an amazing time saver. You put in a master audio track and then the software analyzes the audio on that track and on each of the clips you have. It then automatically sync's the clips to the master audio track by "looking at" the audio wave forms and lining them up--kinda poor man's SMPTE. It makes multiple camera shoots of concerts and so on much easier in post.

Bob Miller
UConn
Dr Bob is offline   Reply With Quote
Old 6th March 2010   #6
Lives for gear
 
Joined: Oct 2008
Location: Espoo Finland
Posts: 868

You need to pay over 3k$ for a balanced mic input HDV camera, and they are not SDHC but tape. And I do not know of any prosumer cam with balanced audio outs, audio comes from the 3.5mm plug along with video. So I can safely say that balanced audio I/O videocam at a reasonable price does not exist.

Sony, Pana and recently also Canon (coming soon) have memory card semipro cams which cost around $7-9000 with XLR mic ins as standard.

Sorry...
Petrus is offline   Reply With Quote
Old 6th March 2010   #7
Lives for gear
 
Joined: Dec 2008
Location: Chestertown MD USA
Posts: 969

I have used a small mixer to make the balanced to unbalanced change using the tape outs of the mixer. I had to make a dual RCA to stereo mini plug cable.
__________________
Steve


mixedupsteve is offline   Reply With Quote
Old 6th March 2010   #8
Lives for gear
 
Cursed Lemon's Avatar
 
Joined: Aug 2009
Location: Nashville
Posts: 707

Send a message via AIM to Cursed Lemon Send a message via MSN to Cursed Lemon Send a message via Yahoo to Cursed Lemon
The cheapest HDV cameras are around $500-ish, so I doubt you'll find what you're looking for.

Can you just record the source separately?
__________________
I'll normalize your FACE!
Cursed Lemon is offline   Reply With Quote
Old 7th March 2010   #9
Gear maniac
 
Nerve Nickels's Avatar
 
Joined: Sep 2004
Location: New York, New York
Posts: 275

Thread Starter
Great info guys. Thank you!

Balanced in's are out of the question for me. I know that now.

I moved on to a DSLR with a mic/line in. This seems like the way to go at about $1k. Thomas, I totally agree with you on the beachtek selling point. just wow...

For this project, I don't want to do any post work...zero

-Thanks again
Nerve Nickels is offline   Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
Newbie Help Needed! Balanced, Unbalanced, Pseudo Balanced scrambled_egg So much gear, so little time! 1 27th July 2009 12:52 PM
Unbalanced to balanced using balanced line in VS Level Shifter Connector Box? BouncyJones Mastering forum 12 15th November 2008 11:21 PM
QUAD EIGHT 310 PRE/EQ Mod... Balanced or Un-balanced? mellotronic Geekslutz forum 11 22nd October 2007 09:11 PM
Summing Balanced Inputs to Balanced Mono Output dwmoran Low End Theory 0 16th January 2007 12:57 AM
Fully balanced, Transformer balanced, Active balanced, Impedance balanced Dzoing High end 4 11th November 2005 10:39 AM


All times are GMT +1. The time now is 12:37 AM.

Home - Search Forum - Contact Us - Terms Of Use - Advertise on Gearslutz - All Advertisers - Archive - Top
 
 
Powered by vBulletin®
Gearslutz.com LTD - UK Company Number 7597610.
Registered Office - 35 Ballards Lane, London, N3 1XW.
Hosted by Nimbus Hosting.

SEO by vBSEO ©2010, Crawlability, Inc.