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| Tags: gigging or gagging, organ pipe leslie, show and tell |
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| | #1 |
| Gear Head Joined: Jul 2008 Location: SWEDEN
Posts: 53
Thread Starter |
Hello! What is your opinion on this recording made with Steinberg's MR816 X ? It's only a test recording i did today :P https://sakerlagring.telia.se/USER/F...&Folder=675389 I have a pair of DPA 4003 as main microphones, and 1 pair CM3 Cardioid microphones 2 m behind the main pair. My sound card is not working correctly, there is a noise in the recording. It is certainly my firewire card that does not work like it should!
__________________ ---------------------- //Janne |
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| | #2 |
| Gear Head |
hi Janne, as an organ enthusiast, i like the sound very much, I was just wondering if there was a great need for the "extra pair". I only mention this, as about 98% of the recordings I have (purchased versions) just use a stereo pair of omni's (for the bass extension), or a Soundfield stereo mic, as one of the UK's main organ and choral recording companies use (Priory Records), and from a purely "amatuer" stand point, I have only ever used a blumlein pair or the "Faulkner" technique, with quite good results Peter (organ enthusiast) |
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| | #3 |
| Lives for gear |
Hi Janne, Markus playing is excellent as usual! Could you tell us more about the recording setup? The sound is nice. We should meet up some time and compare notes... I think the use of an ambience pair is very useful for organ recordings. Greater envelopment, sometimes clearer imaging I feel are two things that benefit from hall mics (or directional mics pointing away from the source). I've used a hamasaki square for surround ambience in this cathedral with some success. |
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