![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
| Tags: broadcast, gigging or gagging, signal processor |
New Reply | Thread Tools | Search this Thread |
| | #1 |
| Gear addict Joined: Oct 2009
Posts: 317
Thread Starter |
Hi, Is there a big difference between broadcast compressors or compressors for music? |
| | |
| | #2 |
| Lives for gear Joined: Apr 2005 Location: amsterdam
Posts: 1,208
|
Depends; compressors used in broadcast are usually just good sounding compressors, so no difference. (used for speech and music and such) Compressors used in transmission, so the ones that process the complete signal are different beasts. In radio, fairly extreme processors (such as orban optimod) are used to level out the signal, they clip the signal and do other stuff to optimize the signal for analog FM broadcast. Less extreme versions of these devices are usually used in TV, to make sure that all programs (foreign programs and movies usually are mixed to different levels than local programmes) have kind of the same level. These are also complex digital levelling devices, so no simple compressors. New 5.1 HD audio levels is a different story alltogether, I won't get into Dolby Metadata and dialnorm |
| | |
| | #3 |
| Gear maniac |
To sort of quote Gertrude Stein: "A compressor is a compressor is a compressor" It is nice to think that broadcast compressors are high quality units, but in fact, DBX 160a's are the most popular. In my work in tv trucks I have seen everything from Neve to Alessis, quite literally. IN the tv transmission chain limiters are most often employed. In radio stations will use compression to extend their apparent signal range, so sometimes one sees more radical examples of usage. |
| | |
| | #4 | |
| Lives for gear Joined: Jul 2009
Posts: 4,139
| Quote:
They use every trick in the book to make everything as loud as possible without violating the law. This territory is the "ground zero" of the loudness wars. | |
| | |
| | #5 |
| Lives for gear Joined: Jul 2006 Location: Cayucos California
Posts: 1,248
|
slight explanation here Juenger Audio |
| | |
| | #6 |
| Lives for gear Joined: Jul 2008 Location: @$tr@L pL@n3
Posts: 1,511
|
12ax7 got right. Check orban or audia sites to discover the huge signal-chains inside their hardware. Recent software emulations created modular parts of those chains: http://www.lawo.de
__________________ |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| Cool List (with pictures) of vintage broadcast limiter/compressors | XHipHop | So much gear, so little time! | 6 | 21st October 2011 07:10 PM |
| BBC Broadcast Compressors | jimmyz | So much gear, so little time! | 0 | 7th May 2009 01:41 AM |
| Outside Broadcast and general Broadcast audio. | Spettitt3 | Remote Possibilities in Acoustic Music & Location Recording | 1 | 17th November 2007 10:20 PM |
| Cheaper Compressors - YOUR Suggestions & discussing benefits Vs. Digital compressors. | perx | So much gear, so little time! | 25 | 26th March 2007 02:11 AM |
| |