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| Tags: mikage, orchestra |
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| | #1 |
| Gear nut Joined: Dec 2007
Posts: 104
Thread Starter |
Hi there, Im looking for a some mics to record an orchesta, in decca 3 or XY... I was looking for schoeps, but is really expesive, so im looking for some small brothers...something modded maybe, a cheaper mics with almost similar results. Akgs???....oktavas??? I dunno. And what about ribbons, are they ok for this purpose or they color too much. Is the first im doing this...so im lost Is there a pencil mic, which works ina studio and stage???? Thanks for your help guys |
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| | #2 |
| Lives for gear |
oktavas are nice for that application, especially modified ones... check oktavamod.com for the modded ones sold by michael joly... i have used them a few times and they are stunning at that price range...
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| | #3 |
| Lives for gear Joined: Jan 2007 Location: Washington, D.C. area
Posts: 802
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Checking over at the Remote Possibilities forum will probably yield some productive answers to our question. For stereo setups, you could try: Beyer MC930 Shure KSM141 or KSM137 AKG C460 or C480 For stereo recording, an ORTF setup might work better than XY. |
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| | #4 |
| Gear nut Joined: Dec 2007
Posts: 104
Thread Starter |
thanks guys, I was considering the peluso cemc6 pair...but it seems so similar than oktavas, I was wondering a decca 3 with XY in the middle....the orchesta should be around 45 musicians |
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| | #5 |
| Lives for gear Joined: May 2008 Location: AZ
Posts: 1,138
| Yup.
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| | #6 |
| Gear addict Joined: Dec 2008
Posts: 488
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You may have a bit more luck finding info about a Decca "Tree" mic array when you search. IMHO, you will certainly need a bunch of mics to record a group that large. While the Decca Tree array or an X-Y or ORTF pair may get you a nice POV from the conductor's podium, you will certainly want some spot mics here and there... unless you feel confident you will catch it all with the previously mentioned techniques. What are you planning to do with the recording... Film score...? I just did the Doresy mod to a pair of Oktava MK-219s I got for next to nothing. They sound like more expensive mics to me and may work for you, depending on what you decide to do. I can't imagine recording an orchestra without spot mics all over the place. Solo passages, Woods, FHs, Pno, Harp, misc. perc.... and more. With that many folks gathered, it's a shame to not get as much as possible for max flexibility in the mix. I guess it depends on the music and the purpose. YMMV |
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| | #7 |
| Lives for gear Joined: Aug 2009 Location: in your cellar
Posts: 1,733
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Can see the benefits of spot mics, but with a great orchestra in a great hall, it seems a bit of a sin to be putting spot mics up. Depends on the scenario though I guess. ORTF would be my first port of call, or spaced omnis. |
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| | #8 |
| Lives for gear Joined: May 2006 Location: (visiting) Lake Elsinor
Posts: 7,874
| Core Sound — Jecklin Disk and Schneider Disk microphone mounts that and pair of SDC if you really kick ass at mic placement and room dimensions I go with the Decca tree
__________________ matt H.think ... it will help with the stupid problems. boom boom is not Rhythm spinny mic tecnology |
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| | #9 | |
| Gear addict Joined: Dec 2008
Posts: 488
| Quote:
Much better to have and not need... Sounds a bit dangerous to be recording a 45 piece group and not have a bit more solid experience to help with the recording than it seems to me the OP may have. I say that with no intended offense meant to the original poster. Gearslutz advice is not going to be enough when the baton comes down. | |
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| | #10 | |
| Lives for gear Joined: Aug 2009 Location: in your cellar
Posts: 1,733
| Quote:
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| | #11 |
| Gear nut Joined: Dec 2007
Posts: 104
Thread Starter |
Hi guys, thanks for your answers....im just getting crazy looking for the stuff and the money, a silly one: is it OK to record in a studio with a senheiser mkh 416??? I think i ve never saw a ortf, xy.....with a shotgun but as I said im still lost ethanks indeed for your lessons guys, I think ill go for 3 oktavas mod but I need to ask about all the posibilities. oktavas are for studio....and mkh416´s are for stagen and ONLY for stage??? |
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| | #12 |
| Lives for gear Joined: May 2008 Location: AZ
Posts: 1,138
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I'd skip the oktava mods of large diaphragm condensers... you are recording an orchestra in a hall? we need to be clear about this. For the money, a pair of beyerdynamic mc930 are hard to beat for versatility and quality of sound. They are cardiod mics and are forgiving of poor acoustical spaces, more so than omni mics would be. Cardiods you want to set up ORTF. You can buy them for I think around $700 for the pair in the USA from a store called Full Compass. You have to call for that price. If you are looking for a cheap omni, I can recommend Audio Technica 4022. Not the cleanest and clearest sound, but still quite good for an affordable omni. A pair of either of these would be great for an orchestra.
__________________ The temple bell stops / but the sound keeps ringing / out from the flowers. - - basho |
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| | #13 | |
| Lives for gear Joined: Jul 2008 Location: France - Toulouse
Posts: 554
| Quote:
JMM | |
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| | #14 |
| Gear maniac Joined: Mar 2009 Location: Germany
Posts: 266
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I don´t know where you´re from, but if you´ll be able to get your hands on them, check some Haun mics from germany: MBHO GmbH Mikrofonbau Haun - handmade microphones Bang for bucks, especially for orchestra if schoeps is too expensive. I personally prefer ORTF over XY every time when it comes to record classical stuff. |
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| | #15 | |
| Gear maniac Joined: Nov 2009 Location: Mancester
Posts: 201
| Quote:
I'm going to purchase a bunch at once which will hopefully cover a full spectrum for all types of recording, just beginning my research and saving-up so please excuse my jumping in and jumping the gun. taking notes on real paper! | |
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| | #16 |
| Gear interested Joined: Apr 2004 Location: havelock
Posts: 2
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I make recording in Decca Tree configuration with Avenson omni, it sound good, I prefer now to record in MS configuration there's no problem with phase in mono and give the possibility to play with the perspective.
__________________ great sound |
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| | #17 | |
| Lives for gear Joined: Dec 2009 Location: hull
Posts: 733
| Quote:
Rich | |
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| | #18 | |
| Lives for gear Joined: May 2008 Location: AZ
Posts: 1,138
| Quote:
I would recommend perusing the forum, http://www.gearslutz.com/board/remot...ion-recording/ Lots of knowledgeable and friendly folks over there regarding classical music and acoustic instrument mic'ing. | |
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| | #19 |
| Lives for gear Joined: May 2008 Location: AZ
Posts: 1,138
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| | #20 |
| Lives for gear Joined: Dec 2008 Location: Toronto, Canada
Posts: 662
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Used to record large choirs all the time. The Sennheiser MKH40 & e914 pencil mics are absolutely phenomenal for this application. Check them out
__________________ |
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| | #21 |
| Lives for gear Joined: May 2006 Location: (visiting) Lake Elsinor
Posts: 7,874
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Image or sound quality or both,
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| | #22 |
| Lives for gear |
How about swinging on by the Remote forum (http://www.gearslutz.com/board/remot...ion-recording/)...? They even have a tag for discussions about orchestras: http://www.gearslutz.com/board/tags/orchestra/ And here's a thread about bargain choir mics: http://www.gearslutz.com/board/remot...y-cheaply.html |
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