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Italian Opera recorded with DPA4060 / Paintpot / Nagra LB

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Old 7th January 2010   #1
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Talking Italian Opera recorded with DPA4060 / Paintpot / Nagra LB

I recorded an Italian Opera with DPA4060 / Paintpot / Nagra LB using the internal converters of the Nagra LB @ 24 Bit / 44.1 kHz.

Comments please.
Attached Files
File Type: mp3 Puccini Love Duetto.mp3 (3.99 MB, 168 views)
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Old 7th January 2010   #2
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It's a little silent
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Old 7th January 2010   #3
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Quote:
Originally Posted by Gaston69 View Post
I recorded an Italian Opera with DPA4060 / Paintpot / Nagra LB using the internal converters of the Nagra LB @ 24 Bit / 44.1 kHz.

Comments please.
couldn't find it
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Old 7th January 2010   #4
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Quote:
Originally Posted by mljung View Post
couldn't find it
Sorry for that my sample exceeded the upload limit, give me a few minutes and I will select a smaller sample (within 6MB)
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Old 7th January 2010   #5
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Gaston,

Am I right in assuming that you have decided that the Nagra LB's own internal preamps are not good enough for this kind of work?

If so, do you think that buying one has been overkill for what is now essentially a convertor, recording and monitoring device?

Just curious as I am considering one but am still not convinced by the preamp quality and would find it hard to justify the cost of the unit otherwise,
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Old 7th January 2010   #6
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Regards the recording:

Through cans (+mp3 of course) it sounds nice and clean and open. A touch of tizziness in the higher hz perhaps and a touch close in terms of balance for me (particurly apparent with the vocals).
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Old 7th January 2010   #7
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I believe it's fine, but operatic voices [unless it's one a few magical ones] simply stands in the way for musical experiences with my ears, so I can't make anything near an objective criticism.
[that said I do agree about the tizziness mosrite mentions]



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Old 7th January 2010   #8
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Quote:
Originally Posted by mosrite View Post
Gaston,

Am I right in assuming that you have decided that the Nagra LB's own internal preamps are not good enough for this kind of work?

If so, do you think that buying one has been overkill for what is now essentially a convertor, recording and monitoring device?

Just curious as I am considering one but am still not convinced by the preamp quality and would find it hard to justify the cost of the unit otherwise,
Pre-amps are fine of the Nagra LB, please do not worry about this to much however the Paintpot sounds even more "transparent" gives a little bit more depth.
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Old 7th January 2010   #9
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Quote:
Originally Posted by mljung View Post
I believe it's fine, but operatic voices [unless it's one a few magical ones] simply stands in the way for musical experiences with my ears, so I can't make anything near an objective criticism.
[that said I do agree about the tizziness mosrite mentions]



Mads
I am Dutch and not familiar with the word "Tizziness" can you please explain?
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Old 7th January 2010   #10
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hi gaston - can you please provide a photo, or description of how you mounted the 4060s for the recording?

tizziness is perhaps an overemphasis of high freqs, resulting in a bit of harshness or graininess in the top end. have you tried removing the front grid on the 4060s? from what i have read, it makes them a bit flatter in response...
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Old 7th January 2010   #11
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Hi Gaston,

That's a really good balance for an opera recording with 2 mics.

As for quality of sound, I am afraid that the effects of the coding are already quite strong - it would be very interesting to hear a shorter example encoded in a higher resolution.

Dirk
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Old 7th January 2010   #12
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really wonderful sounding !

Bravo Monsieur G. !
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Old 7th January 2010   #13
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If this is a 2 mic recording of opera, that is seriously impressive!. A touch much in the highs I agree. What was the position of the mics in regards to the orchestra/stage? The orchestra was in a pit I presume?

Edit: Those crookwood preamps are fantastic, gotta get me one!
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Old 7th January 2010   #14
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This is very nice, especially considered that only two mics are used. Would you please descibe how the ensemble was laid out and how you placed your microphones?

Impressive bass on those little tickers. Did you do any EQ work on them afterwards?

Again, very good!
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Old 7th January 2010   #15
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Verrry nice. Puccini is soo romantic. Just great. How about posting a FLAC at level 8 <highest compression>?
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Old 7th January 2010   #16
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Quote:
Originally Posted by rumleymusic View Post
If this is a 2 mic recording of opera, that is seriously impressive!
I concur.

I've never heard an opera live (or a musical) that sounded as balanced as this. Was this a session recording?
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Old 8th January 2010   #17
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Quote:
Originally Posted by boojum View Post
Verrry nice. Puccini is soo romantic. Just great. How about posting a FLAC at level 8 <highest compression>?
What is FLAC?
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Old 8th January 2010   #18
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Quote:
Originally Posted by JonesH View Post
This is very nice, especially considered that only two mics are used. Would you please descibe how the ensemble was laid out and how you placed your microphones?

Impressive bass on those little tickers. Did you do any EQ work on them afterwards?

Again, very good!
No EQ used, what you hear is what you get, straight out of the box.
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Old 8th January 2010   #19
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Quote:
Originally Posted by rumleymusic View Post
If this is a 2 mic recording of opera, that is seriously impressive!. A touch much in the highs I agree. What was the position of the mics in regards to the orchestra/stage? The orchestra was in a pit I presume?

Edit: Those crookwood preamps are fantastic, gotta get me one!
All musicians where on the stage with a singer on each site of the conductor, mic approx 3m. hight and about 1 m. behind conductor.
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Old 8th January 2010   #20
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Niiiiice. thumbsup
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Old 8th January 2010   #21
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Quote:
Originally Posted by Gaston69 View Post
What is FLAC?
Gaston, Free Lossless Audio Codec.

go here: FLAC - Free Lossless Audio Codec

You can use foobar : foobar2000 as a front end. It is kind of a Swiss Army knife of player/ripper/burner/labeler suites with a tiny footprint and small load on the CPU.

FLAC is lossless, that's the beauty.

Cheers
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Old 8th January 2010   #22
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Quote:
Originally Posted by Gaston69 View Post
All musicians where on the stage with a singer on each site of the conductor, mic approx 3m. hight and about 1 m. behind conductor.
Gaston, a pretty standard textbook setup. There is a reason it is recommended so often. Did you have the grids on and not take out the bump in post??
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Old 8th January 2010   #23
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So Gaston this was not an opera configuration but an oratorio configuration and it explains this great balance with only a pair of mics.

Bravo
JMM
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Old 8th January 2010   #24
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Quote:
Originally Posted by Gaston69 View Post
I am Dutch and not familiar with the word "Tizziness" can you please explain?
Sibilant sounds - a little dirty edge on S and T [on the male singer].
But since I know the mic I think it's the singer or/and acoustics, more than the microphone.
Was it the usual ONNO setup?

Best,
Mads
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Old 8th January 2010   #25
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The balance is really great!!!
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Old 8th January 2010   #26
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Quote:
So Gaston this was not an opera configuration but an oratorio configuration and it explains this great balance with only a pair of mics.
Bummer...I was getting overly excited there.
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Old 9th January 2010   #27
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Quote:
Originally Posted by mljung View Post
Sibilant sounds - a little dirty edge on S and T [on the male singer].
But since I know the mic I think it's the singer or/and acoustics, more than the microphone.
Was it the usual ONNO setup?

Best,
Mads

Grids taken off and in ONNO setup.
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Old 9th January 2010   #28
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it really sounds very balanced, the music is wonderful!

i noticed some artifacts like small clicks or glitches (1:42-1:43). is it a mp3-thing?
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