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| | #1 |
| Gear Head Join Date: Nov 2009
Posts: 34
Thread Starter | I just found this forum. Never knew it existed. So i wanted to know what you guys think of my cables. They are all wired with Neutrik connectors. These are the cables i've been using since i got into pro audio. Gepco: GLC20, XB20UB, M1042 Canare: L4e6s, GS6 The M1042 I use because the xlr cables are exposed to hostile stage environments and travel a alot. I was wondering is there any other cable you would recommend. Also for short runs, like from mixer to effects and between effects i am using XB401. The shielding seems to be a bit weak. Do you think it's okay? Or should i use a different kind? |
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| | #2 |
| Lives for gear Join Date: Jul 2008 Location: San Diego, CA
Posts: 1,465
| Anything by Canare or Gepco are usually fine. Gepco is probably the most popular cable for broadcast installations, and Canare is on par with Mogami with their quad designs. It seems you are using the right cable for the right applications, so I wouldn't worry. You really only have to get picky when it comes to digital applications. That being said, all REAL audio engineers use this stuf Pear Cable Audio Cables - Home Audio - Anjou Analog Interconnect kidding... |
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| | #3 |
| Gear maniac Join Date: Aug 2006 Location: New Orleans
Posts: 283
| Didn't that bearded guy sell cameras down on Market in the 80s? Gotta get some of these, kick some but, WT |
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| | #4 |
| Lives for gear | Wow--oh my RROOOOOOOTTTTT!! PEAR audio cables---$1600 per meter. Gotta get some, otherwise I'd feel inferior and my erection might suffer. To actually help the OP, it looks like your cables are good standard issue cables. I use some GEPCO here and I like them. However, recently I have noticed that they allow more interference noise to enter the system than some other cables. I noticed this while some GEPCO was lying on top of an electrical extension cord. I had a buzz and when the cable was moved away from the extension cord, it went away. Here we use Mogami 2549 and Gotham GAC-3. These are the top choices in my opinion.
__________________ Atelier HudSonic, Chicago EARS-Chicago (Engineering And Recording Society) visit me at https://public.me.com/hudsonic1 to hear recordings and ephemera |
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| | #5 | |
| Super Moderator Join Date: Aug 2002 Location: NYC
Posts: 7,311
| Quote:
I'm partial to this brand of cables... Audioquest Sky Audio Interconnect Cable with 72V DBS Act now - closeout pricing available with this special limited time offer! Let us wire a 96 track recording studio with this stuff! ...or NOT!
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network What about my Facebook Profile? Remoteness on Myspace | |
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| | #6 | ||
| Lives for gear Join Date: Feb 2009 Location: QLD - Ozstraya
Posts: 560
| hey Steve do those guys charge u more for the XLR feature?? i would have thought that perhaps 2 XLR would be a couple of hundred bucks or so extra... not to devalue the quality of any RCA equipped stuff one might have?
__________________ A city built on Rock'n'Roll may be structurally unsound Quote:
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| | #7 |
| Super Moderator Join Date: Aug 2002 Location: NYC
Posts: 7,311
| You can click on the drop down window and change it to XLR. At those prices does it really matter? ![]() |
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| | #8 | |
| Gear Head Join Date: Jun 2009 Location: Vancouver
Posts: 57
| Quote:
On another note Canare Star Quad is good bang for your buck. | |
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| | #9 | |
| Gear Head Join Date: Jun 2009 Location: Vancouver
Posts: 57
| Quote:
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| | #10 | |
| Lives for gear Join Date: Feb 2007
Posts: 2,602
| Quote:
2c, L | |
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| | #11 | |
| Lives for gear Join Date: Mar 2008 Location: Sweden
Posts: 3,860
| Quote:
Professionalism (is that a word?) is about using the right tools for the job and sometimes that might be unbalanced stuff like 1/4" jacks or RCA with coaxial cables. /Peter | |
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| | #12 |
| Super Moderator Join Date: Aug 2002 Location: NYC
Posts: 7,311
| I use phono (RCA) connectors every time it's necessary to use them. |
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| | #13 | |
| Lives for gear Join Date: Feb 2007
Posts: 2,602
| Quote:
Recently during an orientation on the new sound system installation at the club where I work, the installer droid responded to my question about how do I connect my HD24 recorder to the directs, when all it has is XLR output jacks... his snooty reply was, in high end audio we don't use quarter nch jacks, you'll just have to adapt to XLRs. His attitude was very like an audiophile saying, "well you can't hear jitter on those cheap speakers" - both statements arrogant and alienating! Either one reduces respect and trust in the person and their company. I remaind silent but wanted to say, this is a music club, not a high end living room! Of COURSE we'll use what we need for the time and application... and professionalism is indeed a word! A very important one... Lou | |
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| | #14 |
| Lives for gear Join Date: Jul 2008 Location: San Diego, CA
Posts: 1,465
| I remember a story I read a while back where an electronics store had a comparison between high end video cables, (I think they were Monster) and a mystery cable. Most people could not tell the diference in video quality and some even picked the mystery cable as better. The mystery cable was an unwound clothes hanger made into a cable. Kind of makes you question many makers claims. |
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| | #15 |
| Lives for gear Join Date: Feb 2009 Location: QLD - Ozstraya
Posts: 560
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| | #16 | |
| Gear Head Join Date: Nov 2009
Posts: 34
Thread Starter | Quote:
where can i get this gotham cable? And why is it so good? | |
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| | #17 | |
| Lives for gear Join Date: Feb 2007
Posts: 2,602
| Quote:
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