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| Tags: choir, church cathedral, classical, location recording, show and tell, youtube |
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| | #1 |
| Lives for gear | Here we go. It's a concert recording from Hortlax church outside of Piteå where I study. It's made with two of these and two DPA 4011 as spots on harpsichord. Some M6000 reverb as well. RME Octamic preamp into Pro Tools. As you can hear, these mics do sometimes benefit from bass filtering; now it's straight up-no filters. I have some other recordings with these mics that may or may not be of interest. I think they're nice for chamber music. Please let me know what you think. |
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| | #2 |
| Lives for gear | And some more recordings with CM402 & 4006 Here's a recording in Gammelstad church outside of Luleå (basso's hometown!). This is the child choir of the church plus a string ensemble from the School of music in Piteå. Both the Thuresson CM402 and DPA 4006 (non-TL) are omni in this case, CM402 set one step away from full omni action and 4006 with far field (black) grid and angled straight forward instead of aiming at the ensemble. Also had some Schoeps CMC62s but I didn't like them compared to these. |
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| | #3 |
| Lives for gear | Wow these sound excellent. Related thread did not include pricing info, I'd be interested to know what they sell for. |
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| | #4 |
| Lives for gear | You have PM. Did you compare the CM402 to the 4006:s? There's a slight amount of 4015 support micing on the choir as well, but it's very tiny. |
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| | #5 |
| Lives for gear | I did, it seemed like the 402 was a bit more full sounding, but I'm not at home and just have some earbuds so that could be off-base. |
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| | #6 |
| Lives for gear Join Date: Nov 2005 Location: Australia
Posts: 1,264
| Stunning sound and recording JonesH, fantastic acoustic. Those mics sound wonderful. What's happened to Basso? I miss his lovely organ recording posts? |
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| | #7 |
| Lives for gear | Thanks david! I'm still studying so I have access to a lot of nice mics. It's quickly making me a brat ("oh, I can't have the TLM50? Oh well, I'll settle for 4003:s through Millennia") ![]() ![]() I also miss basso. Hmm, I could upload some recordings with a decca tree + hamasaki from Luleå cathedral though. I made some experiments with distance to organ which I guess could be interesting to hear (stupid academic training makes me want to test everything). |
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| | #8 |
| Lives for gear Join Date: May 2007 Location: Astoria, OR, US&A
Posts: 2,133
| This mic has been quite talked about. I understand an outfit in Memphis or Nashville has them for rent. The sound is lovely alongside of the 4006's. I wonder how they would compare to the TL's. Also, could you post some more comparisons? I do not have the budget for a pair of these but am sure interested in them. Found this later: microphone - condensor
__________________ Nov schmoz kapop. |
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| | #9 |
| Gear Head Join Date: Jun 2008 Location: Sweden
Posts: 60
| I think I would have preferred the 4006 with the silver grid on this recording. |
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| | #10 |
| Lives for gear | Thanks for your comment. I started with the silver grids, of course, but found them lacking in the treble department. That's why i changed them to the black ones and angled them off-axis. You find there's still too much treble? |
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| | #11 | |
| Lives for gear | Quote:
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| | #12 |
| Lives for gear Join Date: Dec 2008
Posts: 1,666
| Thank you very much. I hear a bit of harshness on the 4006s that is not on the CM402s. (For instance on the tus of the first Sanctus). A pair of these mics might be a nice addition to my collection.. ![]() |
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| | #13 | |
| Gear Head Join Date: Jul 2008 Location: SWEDEN
Posts: 53
| Quote:
Hijacking the thread a bit! This is what I do at the moment, some videos for youtube. YouTube - Markus Wargh play his arrangement on Jean Sibelius - Finlandia.
__________________ ---------------------- //Janne | |
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| | #14 |
| Lives for gear Join Date: Dec 2008
Posts: 1,666
| The CM402s sound much better than the 4006s. May be because they are a bit more directive, which can help against the strong reverberation. |
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| | #15 |
| Lives for gear | Yes, that might be a factor. I had the mics at around 3,85 meters height as to not drench the childrens choir who were seated behind the string quartet. I now own my own pair of 402's and have mostly used them for ambience channelse as of late but I'll try to make more comparisons. Take care. Edit: After listening to the 402:s and 4006's from the choral recording again, I also prefer them. The lessened sibilance is nice. Also the tonality is better, less hyped in the treble. Next time I try the black grid trick, I'll have to be even more careful. |
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