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| Tags: build for remote, gigging or gagging, mobile unit |
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| | #1 |
| Gear maniac Joined: May 2009 Location: Melbourne Australia
Posts: 199
Thread Starter | Ok so I am putting together a studio in a large caravan with an annex of the side until I finish my actual studio which is taking way too long.. The caravan itself is about 13 meters long and about 2.5 meters wide, and 7 foot ceiling it is a huge caravan, I am using one end as the control room and the other end as a sort of a guitar iso room. The annex of the side is about 3.5 meters wide and 6m long with about a 7 foot ceiling at one end that slops down about a 6 feet.. this is the drum room So now I need to treat this odd setup and I just don’t now the best way to do it, I need to make it as good as I can and would like to make as much of the acoustic treatment as I can to save cash.. Any ideas?? |
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| | #2 |
| Gear addict Joined: Oct 2007
Posts: 353
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I thought you were talking about a Dodge Caravan, which would be crazy: But besides the low ceiling, seems like it shouldn't be too bad, dimensions-wise... -Free |
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| | #3 |
| Gear addict |
To my mind, it's a bit too small to divide into separate control and iso rooms. You'd be (acoustically) better off tracking with headphones. Sound insulation is going to be very difficult, most caravans have a rather flimsy outer shell. So you might need to drive into the field to mix at reasonable volume :-)
__________________ Our new Blog: http://blog.spreemusik.com |
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| | #4 |
| Lives for gear |
Yeah...don't divide it. I've seen a couple of situations like this work pretty well, but both of them have been post or network trucks. Frank
__________________ Frank |
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| | #5 |
| Lives for gear | You are Crazy
Well you asked! However, chances are that a caravan would work pretty well. The walls are flimsy and are probably actually quite good at bass trapping. I would buy or build RFZ/Cloud panels. A good 4 inch Cloud with a gap above would be advisable with such a low ceiling. Make them well, or buy the commercial one, they will be equally useful in the final build. DD |
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| | #6 |
| Gear maniac Joined: May 2009 Location: Melbourne Australia
Posts: 199
Thread Starter |
cheers for the advice! i will post up some pic once it is done |
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| | #7 |
| Gear maniac Joined: May 2009 Location: Melbourne Australia
Posts: 199
Thread Starter | |
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| | #8 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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Some of you folks may already know that I've built six mobile units for Aura-Sonic; well, four and a half, since Elroy is so darn close to being finished (I can smell the bread baking) and Cosmo is still in the works. In any event, I’ve learned a few things along the way. To create enough isolation you need mass and that weights a lot. Considering that fact that most remote trucks are built with MDF panels, lead or sound deadening vinyl – that stuff is seriously heavy. Don’t forget all the racks of equipment and ancillary gear you will be hauling. You must make sure the vehicle’s suspension can handle it. If not, you’re in a heap of trouble if you don’t modify the suspension to handle the extra load. I designed a second room for Cosmo, but the dividing wall will be a movable and removable soft wall system that will separate the (noisy) machine room and entrance way from the control cabin. We shall be using custom made quilted fiberglass absorber panels for the dividing wall. Four of these panels shall be mounted on a track system, so they can be moved into place creating the dividing wall or wall with entrance way or completely out of the way. Each panel shall have a transparent vinyl window. This will not completely stop the sound of a Marshall stack, but (in my case) will help isolate all the fan noise and such. Elroy was designed to be a mobile studio, not just a control room. We have tracked four to seven piece bands in there. We’ve done vocal, brass, strings, percussion overdubs in there with no problems whatsoever. We have thrown in a few Tube Traps, but there are no walls to isolate the instruments, just good mic’ing techniques. I hope this helped! Good luck on your mobile build-out project.
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| | #9 |
| Gear maniac Joined: May 2009 Location: Melbourne Australia
Posts: 199
Thread Starter |
thanks for the info, my set up is not mobile though the caravan is in a permanent so its just a matter of getting the best sound out of a small space
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| | #10 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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That's a whole other story. Do you have any pictures you can show us? |
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| | #11 |
| Gear maniac Joined: May 2009 Location: Melbourne Australia
Posts: 199
Thread Starter |
I will post some soon, cheers
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| | #12 |
| Lives for gear Joined: Jan 2004 Location: Perth, Australia
Posts: 2,709
| John Sayers' Recording Studio Design Forum • View topic - Studio in a Container Its only slightly smaller than your caravan so you could do the same kind of thing. Actually the container was only recently sold. http://www.gearslutz.com/board/austr...udio-sale.html |
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| | #13 |
| Lives for gear Joined: Feb 2008 Location: Oxfordshire, UK
Posts: 5,288
| That car looks more like a Chrysler Voyager to me. ![]() At the PLASA show yesterday I did see a mobile studio with a massive Calrec desk built into a caravan.
__________________ John Willett Sound-Link ProAudio Ltd. Circle Sound Services President - Fédération Internationale des Chasseurs de Sons (and lots more - please look at my Profile) |
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| | #14 |
| Gear maniac Joined: May 2009 Location: Melbourne Australia
Posts: 199
Thread Starter | |
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| | #15 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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| | #16 |
| Gear maniac Joined: May 2009 Location: Melbourne Australia
Posts: 199
Thread Starter | |
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| | #17 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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No worries. I'm intrigued by your build-out project. |
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| | #18 |
| Gear maniac Joined: May 2009 Location: Melbourne Australia
Posts: 199
Thread Starter | well of course the camera doesn’t work!!!!!! will borrow a mates and get some snaps asap. look forward to hearing some ideas on how best to work with the space |
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