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| Tags: live sound, mono, stereo |
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| | #31 | ||
| Lives for gear Joined: Nov 2007 Location: Mountain View, CA
Posts: 706
| M/S Line Array System Quote:
K3 @ Groove Tubes How about a line array of these:
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| | #32 |
| Gear Head Joined: Sep 2008 Location: Sunny San Diego, CA
Posts: 47
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It may very well depend on the style of music. I have been to a few electronic industrial shows where the keys and tracks were all hard panned. The room was long rectangular and I stood very near the right cluster. Believe it or not, I could still hear the left side when hard panned sound effects came from the left, it was actually a very cool and unique experience to have these sounds coming from different directions. It really only works with that sort of music though. I tend to slightly pan using different techniques depending on the venue and the act. I like to walk the room if I get a chance to get to know it better, that helps to give everyone a good mix. |
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| | #33 | |
| Lives for gear Joined: Dec 2007 Location: Vegas, Norcal
Posts: 3,608
| Quote:
__________________ Congratulations 2010 World Champion SF Giants!!! "There is no crying in baseball, there are no rules in recording!!!" www.myspace.com/beyeraudio Michael Beyer | |
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| | #34 | |
| Lives for gear Joined: May 2005 Location: good ol´germany
Posts: 1,553
Thread Starter | Quote:
Depending on the setup, the singers will have good monitoring even when they don´t stand in front of their wedges. (of course not at the drum riser) It worked great for stages up to 40 or 50 feet width. And the audience benefits from that as well. | |
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