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| Tags: advice observations enlightenment, decisions decisions decisions, mikage |
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| | #1 |
| Lives for gear Joined: Jul 2003 Location: Europe
Posts: 2,428
Thread Starter |
It's taken me several years to acquire this modest lot but I now have the following carefully chosen mics in my locker: - Brauner Phantom AE - Microtech Gefell M930 - Microtech Gefell M300 (matched pair) - Avenson STO-2 (matched pair) - Shure SM7B - Shure SM57 - Beyer M160 I'm planning to get out more later this year with my Metric Halo/Mac laptop rig and try to record small electro-acoustic jazz ensembles, small world music groups, folk, grand pianos, maybe some chamber classical and vocal group stuff. I don't expect to be doing rock bands, large orchestral stuff or TV broadcasts etc. This will not be my daily bread, so I'm not investing heavily to recoup my money or make a profit - I just love recording good musicians and good music. I do also track stuff in the studio so obviously I've half an eye on the usability of a mic in a studio situation, but almost all of these mics I'm sure will work well in all locations. I think I'm reasonably well set (and I'm also good for cables, bags, DI's etc), so if it were you what mic would you be looking to supplement this lot for a maximum of €1,000? (I prefer to purchase my mics new so FleaBay prices aren't of interest.) I feel I need another matched pair of something but I don't think I can stretch to another really good pair right now, unfortunately. Obviously I lack a Fig 8 mic if I want to try M/S, so for maximum versatility I was thinking a classic: - AKG C414B-XLS would always be useful in some capacity. Then again, either or both the following might be useful if the SM7B is usually going to be tied up on bass duties: - Sennheiser MD421 or 441 - Electrovoice RE-20 or I could just skip straight to high-end and break the bank for a: - Schoeps CMC6 with MK4 or MK2 (but which capsule?) These are my thoughts to date but I'd welcome your suggestions. I realise these discussions can be a bit vague and hypothetical because even I don't exactly know what I'll be recording one or five years down the line, but it's the sort of thing we might chatter about over a drink in the pub, and if you're anything like me you love helping other folks spend their money on gear, hence my post! Thanks for your time, James
__________________ James Lehmann Voice-Over Artist - Project Studio Jockey www.jameslehmann.net · Use your real name - keep Gearslutz authoritative, accountable and courteous. · Stop the superlatives madness - just say no to gear threads with the word 'best' in the title. · Words or WAVs? The former are interesting, the latter are convincing. |
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| | #2 | |
| Lives for gear Joined: Mar 2009 Location: Carolina is where they'll bury me.
Posts: 7,096
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Id say you need a pair of "upper tier" omnis Gefell mk221 with josephson c617 bodies DPA 4006 schoeps cmc62 (or cmc62h or 62s) Quote:
__________________ "I would shoot a man if he put me through autotune" - Charlie Louvin | |
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| | #3 |
| Lives for gear Joined: Jul 2003 Location: Europe
Posts: 2,428
Thread Starter |
OK guys, I'm going to order something in the next few days. I think the basic decision is between another M160 or an M130 - I can't afford both. Might have to just flip a coin! ![]() Here's my small mic road-case so far - room for a few more slots for nice mics over time I hope! What would you put in there? |
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| | #4 |
| Lives for gear Joined: Oct 2006 Location: New Jersey
Posts: 1,565
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Go for the second M160 to use them as drum overheads.
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