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| Tags: decisions decisions decisions, mikage, ribbons galore |
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| | #1 |
| Gear addict Joined: Apr 2008 Location: Wales, UK
Posts: 317
Thread Starter |
So I'm trying to put together a sort of "all round" mic locker and I'm having a hard time deciding between either a pair of Beyer MC930's, or a pair of M160's. I'd say about 80% of the time, they'll get used as drum overheads in either my studio, which is 3 x 4 x 2.5m, or in clubs with probably low ceilings! Studio pic is attached below. However, I wouldn't mind the ability to have a good stereo pair for "classical" recording - ie, choirs, orchestras (though nothing too large), small string or brass sections etc. I'm leaning towards the m160's because of the drum overhead application.. but the MC930's seem a bit more flexible in *all* situations. For reference, I have (or will have) the following other mics: MD421 m88 sm57 AT4050 2 * ACM3 (royer 121 clone) 2 * Naiant MSH1 Omni mics 2 * Naiant MSH2 Omni mics I guess for the odd time I'll be recording "classical" stuff the omni's might be okay... but not sure if I'd want to really trust them... Cheers! Gareth! |
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| | #2 |
| Gear addict Joined: Apr 2008 Location: Wales, UK
Posts: 317
Thread Starter |
Just a thought... I could probably just about afford one m160 and a pair of mc930's, so I could use the m160 and one of the royer clones in m/s... Does that seem like a better suggestion?! Gareth |
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| | #3 |
| Lives for gear Joined: Jan 2009
Posts: 555
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That's a tough choice. Can you test them both out in the room?
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| | #4 | |
| Gear addict Joined: Apr 2008 Location: Wales, UK
Posts: 317
Thread Starter | Quote:
I'll check out the local hire companies to see if they have them around, but I could probably do with them for a studio session I have over summer. Though, it may be worth making do for that session in order to try both out in the club. Even then though - I'm guessing the 160's would suck for choir/orchestra stuff... | |
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| | #5 | |
| Gear nut Joined: Aug 2005 Location: Lancaster, OH
Posts: 90
| Quote:
But, I was curious what they would sound like in in a classial setting about a month ago and threw them up as an x/y pair in addition to my normal M/S set up on a wind ensemble session. They were not very impressive, not horrible, but I was glad I was not really using them on the session. Maybe someone else can suggest mics that would be better at both jobs. | |
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| | #6 | |
| Gear addict Joined: Apr 2008 Location: Wales, UK
Posts: 317
Thread Starter | Quote:
Maybe I'll make some of these for the odd time I'd need them DIY Cardioid Microphone If anyone has any other suggestions though, my budget is around £500 - £600 Cheers Gareth! | |
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| | #7 |
| Gear addict Joined: Jan 2006 Location: Florida
Posts: 498
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I own a pair of both and I would always reach for the M160's first for drum OH duties.
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| | #8 |
| Lives for gear Joined: May 2008 Location: AZ
Posts: 1,138
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also, make sure you have a pad for the mc930s. they are hot!
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| | #9 | |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
| Quote:
Very cool. How many of you started using M160s post the start of the Remote Possibilities forum, and of course how many pre this forum? I remember when very few were even interested is using these mics for drum O/Hs. I have seen a serious change since the forum became popular. Just wondering.
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network What about my Facebook Profile? Remoteness on Myspace | |
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| | #10 |
| Gear nut Joined: Aug 2005 Location: Lancaster, OH
Posts: 90
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| | #11 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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Was it because you heard about it on Gearslutz? If you're interested in commenting on this please consider voicing your opinion and vote on the poll I started here > beyerdynamic M160s for drum overheads! Now, back to the original thread topic. |
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| | #12 | |
| Gear addict Joined: Apr 2008 Location: Wales, UK
Posts: 317
Thread Starter | Quote:
Any suggestions on the original question Steve? Cheeers! Gareth | |
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| | #13 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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Believe it or not, I'm glad it's still a best kept secret. With regard to your original question it's a tough choice. If it was my decision I would grab both of them. If I had to pick only one pair it would be the M160s. I can never have enough of those mics. I'm seriously considering buying another four of them. I wouldn't have picked the MC930s because I have plenty of SD mics with that sound timbre. Decisions; decisions; decisions... Since you say roughly 80% of the time, they'll get used over the drum kit I would go with the M160s. With that said, MC930 would sound nice as your "classical" recording mics, but like you said, it would only be about 20% of the time. Right? |
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| | #14 | ||||
| Gear addict Joined: Apr 2008 Location: Wales, UK
Posts: 317
Thread Starter | I agree - Selfishly, I hope its kept that way ![]() Quote:
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I say 80% of the time, because my prefered music (to listen to) is rock and jazz. I've hopefully also got a regular gig recording rock/alternative bands in a club. I have been involved in recording more classical-type things though, such as wind bands and brass bands. I've also been asked to do a choir recording for a friend of a friend - so wouldn't like to rule out this type of work just because I don't have the right mics. Will have to look in to hire rates for SDC's to see if its justifiable to hire them in for the odd gig I do that really does need them. Cheers for the advice - I think its probably going to havet to be the m160's for my situation. I won't be buying for another month or so, so keep suggesting/giving opinions if you can ![]() Thanks for everything so far! Gareth | ||||
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