Can I get a recommandation for a mic split? - Gearslutz.com

Gearslutz.com

All Advertisers
Go Back   Gearslutz.com > The Forums > Remote Possibilities in Acoustic Music & Location Recording


Tags: ,

Can I get a recommandation for a mic split?

New Reply New Reply Thread Tools Search this Thread
Old 22nd April 2009   #1
Gear maniac
 
Joined: Apr 2009
Posts: 235

Thread Starter
Question Can I get a recommandation for a mic split?

Hi guys. Long time lurker, just never found reason to register until now.

Can someone recommend a rack mountable mic split? I can't recommend anything if I haven't installed one before. Until now, I've been asked to recommend and install a split because they are going the way of FOH + Monitor console.

They still haven't decided if they are going 24 ch or not, but most likely are.

I appreciate a recommendation, guys.

Thanks
domokunrox is offline   Reply With Quote
Old 22nd April 2009   #2
Banned
 
Joined: Sep 2005
Posts: 7,099

Do you mean a split snake or a stage box with a split?

Whirlwhind
Redco
Gepco

won't be cheap either....
dbbubba is offline   Reply With Quote
Old 22nd April 2009   #3
Gear maniac
 
Joined: Apr 2009
Posts: 235

Thread Starter
Quote:
Originally Posted by dbbubba View Post
Do you mean a split snake or a stage box with a split?

Whirlwhind
Redco
Gepco

won't be cheap either....
No, there are 3 floor boxes that are going to be installed with mic inputs and monitor outputs on those panels.

The design that is going on in my head is the multi pair wires from those boxes are going to run to a rack mounted split in close proximity to the Monitor console. The split outputs then go to their respective FOH and Monitor console.

I've worked in that sort of environment before, I just never bothered to look at the brand name or anything to get an idea. Or where I could or should buy one from.

Thats basically what I'm asking. Sorry if I wasn't clear enough on my question.

EDIT:

Thanks to dbbubba. I guess what I'm looking for is 3 Whirlwind SPC82's.

Anyone have experience with that or something similar? Or anyone have any other similar recommendations?
domokunrox is offline   Reply With Quote
Old 23rd April 2009   #4
Banned
 
Joined: Sep 2005
Posts: 7,099

Those will do fine.

Ultimately you want something with Jensen transformers, but it isn't an absolute must have thing.
dbbubba is offline   Reply With Quote
Old 23rd April 2009   #5
Lives for gear
 
Mike Brown's Avatar
 
Joined: Nov 2007
Location: Minneapolis MN
Posts: 3,188

Quote:
Originally Posted by domokunrox View Post
No, there are 3 floor boxes that are going to be installed with mic inputs and monitor outputs on those panels.

The design that is going on in my head is the multi pair wires from those boxes are going to run to a rack mounted split in close proximity to the Monitor console. The split outputs then go to their respective FOH and Monitor console.

I've worked in that sort of environment before, I just never bothered to look at the brand name or anything to get an idea. Or where I could or should buy one from.

Thats basically what I'm asking. Sorry if I wasn't clear enough on my question.

EDIT:

Thanks to dbbubba. I guess what I'm looking for is 3 Whirlwind SPC82's.

Anyone have experience with that or something similar? Or anyone have any other similar recommendations?

At the top of the quality scale are: Klark Teknik DN1248 but whirlwind will do the job admirably.
Mike Brown is offline   Reply With Quote
Old 22nd October 2009   #6
Gear maniac
 
noamraz's Avatar
 
Joined: Aug 2006
Location: Israel
Posts: 219

Does anybody here have any experience with LA Audio splitters? (MS1224 for instance)

I have an option to save transportation costs if i will use this splitter but have absolutly no experience with it nor anybody that i know.

Thanks
noamraz is offline   Reply With Quote
Old 22nd October 2009   #7
LX3
Lives for gear
 
LX3's Avatar
 
Joined: Aug 2005
Location: London, UK
Posts: 1,034

In my experience, most if not all monitor-foh splits are hard-wired Y splits without transformers.

I've almost never seen an installation that uses transformers and/or active splits unless they have decided to provide a third recording split as standard.

Not that I'm saying they shouldn't technically use transformers, but I guess most venues and PA companies have never found the need to spend the extra cash.

It's worth carefully investigating the various ways that people build monitor-world patch panels, as there's a bit of an art to it (e.g. worthwhile options like multiway outputs, subsnake inputs, parallel male XLR outs) and because it's so labour-intensive it's something you want to get right the first time.

Radial's custom department can build units like this to your specification.
LX3 is offline   Reply With Quote
Old 25th October 2009   #8
Gear maniac
 
audibell's Avatar
 
Joined: Aug 2006
Location: New Orleans
Posts: 293

Split types

If you are absolutely, positively certain the a.c.power/ground scheme is shared between FOH and MON, then the parallel "Y" split snake box system will work just fine , usually in a fixed situation but also in a temporary/remote setup, too. Some older snakes with two Amphenol/Socapex milspec trunk connectors leaving the box, are wired this way . If the power is not shared, then isolation transformers are pretty much mandatory if you want to avoid amplified ground hums in the p.a. & monitors. WWind makes very good solutions, with and without signal ground lift switches - the Jensen and Lundahl transformers are close $100 each channel but worth it because they preserve HFs and reject RF noise.

Try the different methods with 1in3out boxes first to see which works best under real conditions.

rgds
WalterT
audibell is offline   Reply With Quote
Old 26th October 2009   #9
Lives for gear
 
Joined: Apr 2003
Location: Los Angeles
Posts: 3,323

I'd probably recommend the Radial 8ox before the Whirlwind offerings. More ways to get in and out, Jensens as an option. I own both with and without the Jensens and there is very little difference in sound between them. The Radial transformers and quite good.

--Ben
__________________
Benjamin Maas
Fifth Circle Audio
Long Beach, CA
http://www.fifthcircle.com
fifthcircle is offline   Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
Why do you want to go split that perfectly good mic anyway? Remoteness Remote Possibilities in Acoustic Music & Location Recording 60 11th January 2010 07:20 AM
Need Recommandation: Bass + Amp + Mic simonv So much gear, so little time! 3 17th August 2007 07:46 AM
Split thread - mic vs comps. Drumsound Low End Theory 5 22nd May 2005 02:02 PM
What kind of mic split would be best? Rick Sutton Remote Possibilities in Acoustic Music & Location Recording 6 14th March 2005 12:00 AM
Using a Y to split mic into 2 preamps? Coldsnow So much gear, so little time! 6 2nd February 2004 02:31 PM


All times are GMT +1. The time now is 10:06 PM.

Home - Search Forum - Contact Us - Terms Of Use - Advertise on Gearslutz - All Advertisers - Archive - Top
 
 
Powered by vBulletin®
Gearslutz.com LTD - UK Company Number 7597610.
Registered Office - 35 Ballards Lane, London, N3 1XW.
Hosted by Nimbus Hosting.

SEO by vBSEO ©2010, Crawlability, Inc.