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| Tags: church cathedral, gig report, location recording, show and tell |
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| | #1 |
| Lives for gear Joined: Jan 2007 Location: NY New York a wonderful town
Posts: 725
Thread Starter |
Hi all I was privileged to work with producer Jeff Lunden and Engineer Christopher Greenleaf on a recording of the Dessoff Choir at St Georges Church on 16th Street. This church is where Lincoln's funeral was held in NYC and was also the church that Dvorak attended when he lived here. I actually remembered to bring my camera (for once) so I figured I'd post a few pic's.
__________________ "Everybody gets so much information all day long that they lose their common sense." - G. Stein 1946 The reputation of a thousand years may be determined by the conduct of one hour. - Japanese Proverb "Look into his face and hear the music of the ages. Don't pay too much attention to the sounds--for if you do, you may miss the music." - George Ives http://www.andersonsoundrecording.com |
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| | #2 |
| Lives for gear Joined: Jan 2007 Location: NY New York a wonderful town
Posts: 725
Thread Starter |
Here is a view of the main mic's and the choir "section" mic's. You can also glimpse the piano mic's. The mains are a pair of DPA 4006TLX's - modified and tweaked specifically for Christopher at DPA. The Soprano and Alto mic's are TLM 193's and the Bass and Tenors have TLM 103's. The piano spots are KM143's.
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| | #3 |
| Lives for gear Joined: Jan 2007 Location: NY New York a wonderful town
Posts: 725
Thread Starter |
Here is a view of the control room. All of the mic's were running through Millennia HV-3 preamps except for the Soprano and Alto spots which were running through an MP-2b. We were running 96kHz/24-bit. The "A" machine was an HD24 which was being fed from an AD16 and the "B" machine was an HD24XR which used its own converters. These were connected to the pre's via Y-cables. The Mackie 1202 monitored the B machine and the 802 (on top of the racks) monitored the A machine. The KRK's were just for playback for the conductor. The reference mixes were fed through a Mytek Stereo96ADC to two HHB CD-recorders, and Christopher monitored on a Stereo96DAC Last edited by RobAnderson; 10th March 2009 at 06:16 PM.. Reason: Changed 44 bi to 24 bit. 44 bit?? I didn't know that we had such resolution! |
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| | #4 |
| Lives for gear |
looks like that was a fun gig - thanks for posting the shots.
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| | #5 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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Awesome -- Congratulations!
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| | #6 |
| Lives for gear Joined: May 2006 Location: SW Ohio
Posts: 545
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Very cool. I have a gig this weekend with a conservatory chamber chorus that I'm greatly looking forward to ... in a nice auditorium, so a bit o' 'verb on the backside might be warranted. Am curious what mods make for a "TLX" ... never heard of that before. Cheers!
__________________ Michael Hughes TTL Audio Productions |
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| | #7 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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Michael, From what I understand it's an upgrade for the classic 4006. The upgrade the latest components and transformerless preamplifier design.
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network What about my Facebook Profile? Remoteness on Myspace |
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| | #8 | |
| Gear Head Joined: Jul 2008 Location: SWEDEN
Posts: 53
| Quote:
DPA Microphones :: Products | |
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| | #9 |
| Lives for gear Joined: Jan 2007 Location: NY New York a wonderful town
Posts: 725
Thread Starter |
I have to admit - they sound REALLY good.
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| | #10 |
| Lives for gear |
Christopher has amazing ears and does beautiful work. I worked with him at the Oberlin Conservatory when he came to make a recording. Say hi for me.
__________________ -TOM- Thomas W. Bethel Managing Director Acoustik Musik, Ltd. Room with a View Productions Oberlin, OH 44074 www.acoustikmusik.com Doing what you love is freedom. Loving what you do is happiness. |
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| | #11 |
| Gear addict Joined: Mar 2007 Location: Montréal/New York/wherever the tumultuous winds of academia blow me...
Posts: 356
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Wow, looks like a sweet gig, man! Good stuff. Yep, we just got ours back. They're pretty much my new favorite "clean" omni. To me, the 4006's were never something I'd write home about but I loved the 4003's. Now, 4006-TL(X) all the way!
__________________ Brett |
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| | #12 | |
| Lives for gear Joined: May 2006 Location: SW Ohio
Posts: 545
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This site is confusing .... it says "upgrade for 4006TL". Is the "TLX" just a 4006 modded to become a 4006TL, or is a 4006TLX something different from a 4006TL altogether? Quote: | |
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| | #13 |
| Gear maniac Joined: Nov 2006 Location: NYC
Posts: 227
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How is the noise level there?
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| | #14 | |
| Gear addict | Quote:
The TLX is the catalogue number for the upgrade of a 4006 to make it a 4006TL. Larry | |
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| | #15 |
| Lives for gear Joined: May 2006 Location: SW Ohio
Posts: 545
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Thanks!
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| | #16 |
| Lives for gear Joined: Jan 2007 Location: NY New York a wonderful town
Posts: 725
Thread Starter | |
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