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| Tags: advice observations enlightenment, mic placement, orchestra, recording, rehearsal space, technique |
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| | #31 | |
| Lives for gear Joined: Jun 2007 Location: West Hollywood, USA
Posts: 1,492
Thread Starter | Quote:
http://www.fullcompass.com/common/fi...B9600_List.pdf and dangle an overhead mic from it, not too close to the string section. | |
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| | #32 | ||
| Lives for gear Joined: Jul 2008 Location: San Diego, CA
Posts: 1,554
| Quote:
![]() Quote:
I'm sure it would help to get it away from the wall, try to point the mics somewhere in the middle of the orchestra from the conductor position. The poor winds and brass need some serious help. Young wind musicians have a habit of playing into their stands, esp. brass, rather than projecting over the orchestra. It is much easier in a concert hall because the winds/brass are usually on risers. | ||
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| | #33 |
| Lives for gear Joined: Jun 2007 Location: West Hollywood, USA
Posts: 1,492
Thread Starter |
There are advantages to living two miles from the main Guitar Center store in Hollywood :-) I got the stand and it is all set up in my living room. I need to get the auxiliary counterweights which Full Compass sells, but it looks like it will work fine. Now I have to decide which mic to use with it. I need something with a tight pattern. I do have an unused MKH 416 which requires a 12T power supply which I might build and try. I also have a Rode NT1A I could use with it. The conductor said three of her clarinets were absent when this was recorded. And we need to hear more brass. |
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| | #34 |
| Lives for gear Joined: Jul 2008 Location: San Diego, CA
Posts: 1,554
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The Rodes are pretty good for this kind of thing, nice and bright. You might want to get another to use as an XY pair for better coverage (if you are going to sum it to mono, I would not use an ORTF configuration, the space between the mics could cause high frequency phase problems.) I also wouldn't give up on your PZM idea. |
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| | #35 |
| Lives for gear Joined: Dec 2008 Location: Chestertown MD USA
Posts: 969
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| | #36 |
| Lives for gear Joined: Jun 2007 Location: West Hollywood, USA
Posts: 1,492
Thread Starter |
I'm going to try to get some sparkle into the mono recordings first, then try stereo after I'm able to do that. If I go back to stereo, I will go back to the MXL 990s of which I own a (non-matched) pair. Yes, the PZM idea is still going to happen. I've already ordered a Crown PZM. |
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