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| Tags: advice observations enlightenment, drumage, folk, productions, technique |
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| | #1 |
| Gear Head Joined: Aug 2007
Posts: 34
Thread Starter |
Hey, I'm currently tracking a beautiful folk/rock album, (something in between Beck's Sea Change and Bright Eyes Wide awake..) and on one of the tracks we wanted to capture a nice, round bassdrum sound, on which the drummer barely touched the pedal. The thing is, I couldn't get a good sound no matter what I did. I tried various mics (D112, U87, Royer R121, MD421, Rode NT1000, 414) through almost each one of my preamps (API 312, Great River, UA610, my D&R console pre), but everything yielded the same result: A great sound when the volume is low, but cranking it up just a bit introduces a huge deal of distortion. The waves look fine, my lynx converters aren't clipping, the pre looks fine and yet when I turn the volume up, it sounds distorted. I monitor through JBLs (LSR 6inch) and NS10s. The JBLs have a really nice low-end, playing some R&B tracks... What is it? why is everything freaking out when playing really quietly? What am I doing wrong? I looked at the wave with a frequency analyzer and it looks like a nice healthy kick sound... I tried compressing, cutting some lows, mids, everything I could think of. Any ideas? |
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| | #2 |
| Lives for gear Joined: May 2004 Location: Los Angeles
Posts: 605
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You might have picked up a little snare rattle on the track. At low levels that could sound like distortion, on top of your clean kick signal. Just a thought.
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| | #3 |
| Lives for gear Joined: Jul 2006 Location: Germany
Posts: 2,420
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| | #4 |
| Gear Head Joined: Aug 2007
Posts: 34
Thread Starter |
It isn't the snare... It doesn't sound like this kind of distortion it sounds more like the monitors' amp is totally overloading or the speaker itself is under a terrible weight. The whole thing just get heavily squashed and nosy. I'm talking about turning the monitor levels up, not the console fader or the pro tools faders, just the master level. |
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| | #5 |
| Lives for gear Joined: Aug 2005 Location: London, UK
Posts: 1,034
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Just a thought, but I've found that sometimes a softly-played kick drum can contain a surprising amount of sub-bass... which becomes especially obvious when you crank the kick up to what feels like the right level. Could it be sub-bass eating up all your headroom? Maybe try an HPF on it, at about 30-40Hz? If that doesn't work, it's clearly something else |
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| | #6 |
| Gear Head Joined: Aug 2007
Posts: 34
Thread Starter |
well, actually thats what I was thinking, I tried rolling off some lows, but it only works if I cut a really great deal of low end (a 24db slope at 150Hz) which fixes the distortion problem, but leaves me with a useless highmid used-to-be-kick-drum. Maybe I'll upload some of my experiments with it then you can listen and tell me where you think the problem is. |
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| | #7 |
| Lives for gear Joined: Jul 2005 Location: Phoenix, AZ
Posts: 2,169
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Maybe try a multiband compressor, to get the lows under control. you don't want to cut all of the lows, just get them under control.
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| | #8 |
| Gear nut Joined: Sep 2008 Location: NYC
Posts: 143
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Have you considered using the reversed speaker as a mic setup?...You know, cut a hole in the head the size of a 12 " speaker and run that speaker into a pre...I'm certain there is a company that makes this thing stock but I love the idea of ripping out some old Realistic speakers and micerizing them. Might make it more of a factor less of a tractor...I have a friend who records almost exclusively folk and acoustic records and he swears this is the only way to do it right. Much Luck, brendan b brown wheatus.com |
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