![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
| Tags: advice observations enlightenment, live performance, live sound, rock, technique |
New Reply | Thread Tools | Search this Thread |
| | #1 |
| Gear nut |
I have a show coming up in a few weeks at an outdoor venue. I haven't mixed outdoors yet, so I was just wondering if there were any tips you guys had? Anyone know the frequency of wind?!? |
| | |
| | #2 |
| Lives for gear Joined: Oct 2006 Location: New Jersey
Posts: 1,565
|
Go mix, have fun! I love mixing shows outdoors when the PA is of adequate size and the band doesn't suck.
|
| | |
| | #3 |
| Lives for gear Joined: Nov 2008 Location: Mirfield, U.K.
Posts: 978
|
I know the frequence of my wind - about 80hz......
|
| | |
| | #4 |
| Lives for gear Joined: Apr 2005 Location: New York Friggin' City
Posts: 2,562
|
Hey DBC, Mixing outdoors has a different set of goals. If you mix well indoors, a decent outdoor venue is easier than a bad indoor venue. I do this on a regular basis...the best thing you can do is make friends with whoever is responsible for putting in & maintaining the PA. Ask them how the venue sounds, what the pitfalls are, where there are problems. He'll know. And no one else will, as every venue is different, and wind, temperature, humidity will change ALL of that. If you're in your home area it's not so bad, since you're not on the coast. (I love Atlanta.) Do you know the venue? Are you playing a shed like Chastain Park, or? Hope this helps. JvB |
| | |
| | #5 |
| Gear nut | It's behind the Masquerade, the Music Park. I talked to the venue and they rent a system when they have shows there, no installed system. I'm going to get there early since I live in town and get familiar. Try to help set up and make some friends.
|
| | |
| | #6 |
| Lives for gear Joined: Oct 2006 Location: New Jersey
Posts: 1,565
|
Ah, the Masquerade. I've never been to the Music Park but have played the upstairs room several times. I'll be there on January 17th running sound for Streetlight Manifesto, opening for Reel Big Fish. If you want to come out just let me know and I'll put you on the guest list.
|
| | |
| | #7 | |
| Gear nut | Quote:
Our shows go later than Masquerade, so if you guys are looking for a place to drink after the show, we are close and open till 3. | |
| | |
| | #8 |
| Gear maniac Joined: Jan 2006 Location: Hills of Vermont
Posts: 171
|
"Foamies" over mics cut down wind noise, not eq. Center cluster the subs if you can.
|
| | |
| | #9 |
| Lives for gear Joined: Jan 2008 Location: Midwest
Posts: 4,582
|
If you're comfortable mixing indoors, outside should be a piece of cake. Just watch your headroom, use compensation panning for stage left & right guitar amps, and don't expect the kick to hit your chest like it does inside.
__________________ phantom power doesn't make your voice sound spooky |
| | |
| | #10 |
| Gear addict Joined: Nov 2002 Location: NY
Posts: 418
|
high pass filters are your friend.
|
| | |
| | #11 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
| That's so true. Specially on a windy day. Furthermore, foam pop filters and hairy socks on you important mics are your friends. You cannot leave home without them on outdooor gigs.
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network What about my Facebook Profile? Remoteness on Myspace |
| | |
| | #12 |
| Lives for gear Joined: Aug 2005 Location: Indianapolis, IN
Posts: 2,825
|
My Best advice is do your best to find out how its sounding where most of the listeners are. If you're in a FOH position, the low end may sound very different from where you are than where they are. So, mid way through the show, once you have a good handle on the mix... go down on the floor... err.. the ground... and have a listen. Evaluate, adjust. and have fun!
__________________ |
| | |
| | #13 |
| Gear maniac Joined: Aug 2006 Location: Israel
Posts: 219
| Seperate AUX send for the Subs
I guess that if it suits for you and that's a SR rental installation gig - You might considure using a seperate Aux/Send (Post) to the "Subs", do not forget to ask for an GEQ for this master; For rock you might find it easy to choose which channels you want to be sent to the subs - once balace is achieved, then it is easier to control the subs vs. high-mid components using the GEQ and the Master AUX for the "Sub send". Note that i have mantioned the "Aux" and not the "Matrix" as most of the analog desks does not offer Channel-to-Matrix routings as it intended to mix Audio groups/masters usually. on digital consoles it's different, They offer the option to send almost anything to almost anywhere). Hope you might my tip usuful, Noam. |
| | |
| | #14 |
| Lives for gear Joined: Dec 2008 Location: Chestertown MD USA
Posts: 969
|
And bring or ask for help. Coms are great. Especially if it's festival/combat situation.
|
| | |
| | #15 |
| Gear nut |
Thanks to all for the info, picking up some foam today. Still waiting on the specs for the rental. |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| Tips for classic rock band | tamakid1292 | So much gear, so little time! | 7 | 19th August 2008 01:24 PM |
| Mixing ITB OUTdoors - Anybody Tried It? | ed97643 | So much gear, so little time! | 8 | 8th August 2008 03:21 PM |
| Tips for recording and mixing rock bass guitar | guittarzzan | High end | 20 | 15th January 2008 11:07 AM |
| Tips for recording a samba-rock-whatever band | jangoux | Remote Possibilities in Acoustic Music & Location Recording | 1 | 10th July 2007 01:40 AM |
| Looking for mixing tips. (Hard rock) | TheReal7 | Work In Progress / Advice Requested / Show & Tell / Artist Showcase / Mix-Offs | 11 | 14th June 2004 09:56 PM |
| |