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| Tags: advice observations enlightenment, location recording, mikage, recorder, stereo |
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| | #91 |
| Gear maniac Joined: Apr 2004 Location: Walnut Creek, CA, USA
Posts: 249
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I have no idea if this mic will meet the need, but Shure is claiming 4 dB of self noise for the new KSM44A. Shure Americas | KSM44A Multi-Pattern Large Dual-Diaphragm Side-Address Condenser Microphone | Premium, Acoustic, Studio, Live Sound Fran
__________________ E ho`okani pila kakou ma Kaleponi Slack Key in California - www.kaleponi.com Homebrewed Music - recording fingerstyle acoustic guitar at home |
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| | #92 |
| Lives for gear Joined: Jul 2011 Location: Stroud,Glos,UK
Posts: 816
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LDCs are hopeless for exteriors There are no Rycotes for these mics and they are more susceptible for wind noise than SDCs. |
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| | #93 | |
| Gear addict Joined: Jul 2011 Location: Europe
Posts: 421
| Quote:
NTG3 compared to CMIT 5U: CMIT is far more focused and dry sounding off-axis. Just perfect for typical film/dialogue use. So when I go out to capture ambient nature sounds I mostly use the Røde, while the Schoeps is used primarily on set, or even in the theatre to pick up soloists at a distance. Both are very beautiful microphones and in between them I see no reason of owning a Sennheiser 416. | |
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| | #94 |
| Lives for gear Joined: Feb 2008 Location: Oxfordshire, UK
Posts: 5,288
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The MKH 416 is a 40 year old design and I certainly would not recommend it for nature recordings nowadays. The NTG3, as I understand, is Rode's attempt to copy this old design. Compared to the MKH 60, the 416 is low output and noisy. The MKH 60 is much better and much quieter and the new MKH 8060 is better still. My personal choice would be between the MKH 8060 and the Schoeps SuperCMIT. The RF condenser MKH mics are the safest in the wet (law of physics), but the Schoeps do hold up better than most AF condensers in the damp. If you seriously want a quality low noise mic. for nature recordings, I would choose between:- Sennheiser MKH 8060 Sennheiser MKH 60 Schoeps SuperCMIT Schoeps CMIT 5U The SuperCMIT does have the added advantage that you can record two channels - the first being the gun capsule which is identical to the CMIT 5U and the second being the more directional processed version - so you can choose at a later date. Posted via the Gearslutz iPhone app
__________________ John Willett Sound-Link ProAudio Ltd. Circle Sound Services President - Fédération Internationale des Chasseurs de Sons (and lots more - please look at my Profile) |
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| | #95 | |
| Lives for gear Joined: Nov 2005 Location: Australia
Posts: 1,323
| Quote:
½-inch Low-noise Microphone system 5Hz to 20kHz, Externally Polarized - Brüel & Kjær 5.5dBA noise floor, 1.1V/Pa !!! All titanium. Love it. I want two. | |
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| | #96 | |
| Lives for gear Joined: Feb 2008 Location: Oxfordshire, UK
Posts: 5,288
| Quote:
I noticed on the Neumann titanium capsule that they specifically said not to be used outdoors. | |
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| | #97 | |
| Lives for gear Joined: Nov 2005 Location: Australia
Posts: 1,323
| Quote:
These are certainly much more substantial environmental credentials than any Sennheiser studio mic for use outdoors. | |
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| | #98 | |
| Lives for gear Joined: Mar 2008 Location: Sweden
Posts: 3,960
| Quote:
Not what I was looking for right now but it looks very interesting, thanks for the tip. I'd like directivity and higher SPL capability though. Would not mind trying those B&K as ambience and room mic's though. /Peter | |
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| | #99 |
| Lives for gear |
Does anyone have a ballpark idea of what the ambient noise level is for these nature recordings? The mic noise levels are getting very low in this thread. I use a 4061 for recording music with a live audience and the ambient noise covers whatever mic noise there might be. I am wondering if there comes a time when the noise level is a moot point? A level that it is lower than ambient noise.
__________________ Nov schmoz ka pop. |
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| | #100 |
| Lives for gear Joined: Jul 2011 Location: Stroud,Glos,UK
Posts: 816
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Depends on your location,as ever. High canopy rainforest can be spookily quiet during daytime ,like a hushed cathedral and at dawn/dusk/ night ,noisy as hell, complete with all animal and bird noise and the fall of heavy branches and trunks. Deserts can be incredibly quiet, especially at night when the sky is magical and sats and meteors evident but mute. In the tundra its quiet too, high flying aircraft have a special wonder as their engines phase and echo with one another. It is possible to hear The Northern Lights crackling and fizzing. Glaciers calving, superb. Insects are a problem in the tropics and semi tropics, cicadas, noisy buggers. Mostly its wind noise, in trees and grass and on the Rycote, that is most evident. The parabola cuts through most of this for Bird Song. For atmospheres in MS, I like wind noise. Spent may hours recording it in all known locations. Even undersea noise is evident , shrimps chatter like cicadas and Tankers and container ships drone like busses. Under sea ice recordings sound like a cathedral, with fab reflections. One a field trial for the first Sony pro DAT, which had excellent pres, I was in Tobago recording a dawn chorus across a large lake with an MKH 40/30 MS rig. The Parakeets and Howlers etc had risen to a huge crescendo and then all went deadly silent, seconds later 2 Tornados screamed across the lake flat out. A true test of mic pres... They passed. Roger |
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| | #101 | |
| Lives for gear Joined: Feb 2008 Location: Oxfordshire, UK
Posts: 5,288
| Quote:
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| | #102 | |
| Lives for gear Joined: Mar 2008 Location: Sweden
Posts: 3,960
| Quote:
The lowest noise directive mic's I have are the MKH8040 and MKH8050 and sometimes I hear that noise (13dBA) and therefore I would like something with lower noise than that. MKH8060 (11dBA) is only 2dB down and I'm not sure I would feel that is enough of an improvement. The MKH8060 is much more sensitive though so that means I would get by with less preamp gain which could translate to slightly lower noise. /Peter | |
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| | #103 |
| Lives for gear Joined: Jul 2011 Location: Stroud,Glos,UK
Posts: 816
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| | #104 |
| Lives for gear |
Ahhh--but it's already been backed up on analog tape (BASF 911) right?
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| | #105 |
| Lives for gear Joined: Jul 2011 Location: Stroud,Glos,UK
Posts: 816
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The BBC used to print its FX disc to 45 rpm for easy use Also to carts (BBC PEG machine excellent) My friend and I would compete for the silliest tracks on an FX disc. Mine was a genuine track of Piranha grunting, we were in Suriname catching Piranha to eat,chicken bones are thrown in the water and and a machete used to impale the massing predators (quite difficult..) The fish lying on a plate, waiting to be cooked, were grunting, this I recorded. He recorded 'Gold Fish crying', this was a total fabrication. Both got used in a comedy programme. |
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| | #106 |
| Lives for gear Joined: Apr 2009
Posts: 821
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| | #107 |
| Gear Head |
I don't know about the "quietest" but Sennheiser MKH800 is VERY quiet and give VERY strong signal.
__________________ perfect and reasonable priced recording, mixing and mastering http://www.leorec.com |
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| | #108 |
| Voiding warranties Joined: Feb 2004 Location: beautiful Carlsbad, CA
Posts: 10,070
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If you want a hyper cardiode mic that's very quiet and cheap, look at a MCA SP-1. Those sell for under 50 bucks. Self noise is around 9~10 db, but with low noise transistors and upping the polarization voltage they lower to around 5~6 db. They are flat to 7 k and lift smoothly + 3 db at 20 k hz. If you get soaked recording in a rain storm (why I would never know) you can drop another 50 bucks and replace it. With a mic that quiet, I usually always hear random air movement noise over any electronic hiss. Then you need to address the EIN (equivalent input noise) specs of the mic preamp. If that is also not very low, the preamp will add more hiss than the mic as usually nature recordings are done from distance at high gains. Look to mic preamps with -129 db EIN or more at 150 ohms. That will eliminate nearly all transformer coupled designs. Some do better than that with lower source impedances. As an example, that cheapo MCA mic is 22 ohms output impedance, active without iron. That lowers the EIN of some designs to below -133 db EIN, quite good. It's the combination of a low noise mic and a low noise preamp that will make or break these recordings. Off axis rejection can also lower ambient sounds you don't want to pick up, so consider a shotgun for those situations. |
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| | #109 |
| Lives for gear Joined: Jul 2011 Location: Stroud,Glos,UK
Posts: 816
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JW are you taking the piss ? That Chinese duplicate will never withstand the rigours of rain ,wind and humidity.... Parabolas for Bird Song MS shotgun RF SDC for atmospheres. Roger |
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| | #110 | |
| Gear maniac Joined: Sep 2004 Location: Paris
Posts: 295
| Quote:
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| | #111 |
| Lives for gear Joined: Dec 2009 Location: hull
Posts: 733
| I think one of his points might be that, considering other expensive mics could also get damaged, replacement costs make this mic an interesting option.
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| | #112 |
| Lives for gear Joined: Jul 2011 Location: Stroud,Glos,UK
Posts: 816
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What is the point of Kleenex Mikes Use once and throw away is not a pro attitude. |
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| | #113 |
| Lives for gear Joined: Dec 2009 Location: hull
Posts: 733
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