9th December 2008
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#1 | | Lives for gear
Joined: Sep 2004 Location: Salem, Oregon
Posts: 2,025
Thread Starter | Affordable Stereo Ribbon Mics?
I may try to pick up a stereo ribbon mic to adjunct my mic setup for chamber work. i cant afford to spring for a SF12 yet, and will likely need a new preamp with adequate gain for ribbons.
are there any of the chinese stereo ribbon mics that you might suggest?
if i decide i like the way a stereo ribbon supplements my condensers, should the ugrade path be toward royer sf12 or AEA Rxx, or other?
is there any affordable preamp that has adeqate clean gian for ribbons?
thanks.
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jnorman
sunridge studios
salem, oregon
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9th December 2008
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#2 | | Gear maniac
Joined: Apr 2007 Location: Seattle
Posts: 191
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If I were looking into a new pre specifically for ribbons, for under a grand, you can't beat the AEA ribbon pre.
The new Lavry Engineering MP-10 costs a little more but has a some very handy options for remote work. The digitally controlled gain really speeds things up when you're in a hurry. The MP-10 also has very good meters that help when setting levels in a hurry. Actually it seems like everything in remote work is done in a hurry.
Also, ribbons tend to have a 'large' sound and these preamps don't contribute additional size or character, which in this situation is a good thing.
I cannot recommend any stereo ribbons other than an SF-12 (because I haven't used any). SF-12's show up used occasionally though.
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Christopher Wilson
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9th December 2008
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#3 | | Lives for gear
Joined: Nov 2003 Location: Idyllwild, CA
Posts: 2,673
| Quote:
Originally Posted by jnorman are there any of the chinese stereo ribbon mics that you might suggest? | There is an SF12 clone called a Stellar RM-7 that can be found on ebay for $200.00. For a few hundred more, you can send it to Michael Joly and have the ribbons tweaked and upgraded transformers installed.
Brad McGowen posted this in a recent thread: Quote:
I'm glad someone mentioned this. My buddy and I bought one of the Stellar RM-7 stereo ribbons which is essentially the same mic as the Cascade X15. My friend sent his off to Michael Joly for upgrades...re-tension of the ribbons, new transformers, Evidence Audio wiring. We spent some time this weekend comparing it to the stock mic and my Royer SF12 on drum overheads and front of kit. Here's the gist of our impressions:
Compared to the SF12 the Stellar was bigger sounding with a much deeper and heavier low end. We actually ran the tracks through the Schwa Scope plugin and you could see how the Royer started to roll off about 40-50Hz. The modded Stellar kept going all the way down. The Royer seemed to have a bit of a bump at 200Hz that really gave some weight to the snare, but the Stellar had more at 60Hz so the kick seemed way bigger. Up top the Royer started to roll off and shelf at 12k-15k. The Stellars were pretty flat until about 15k, and the modded Stellar had a lot of air in comparison. However the Stellars had a slight dip around 11k. A 3dB boost there fixed this though. The modded Stellar was definitely clearer, more 3D, and more detailed than the stock. Frequency-wise the SF12 was rolled off in the extreme top and bottom and thus sounded boxier. However, what really put the Royer in a different class was the tightness of the figure 8 patterns and it's stereo image. With the Royer each part of the kit could be pinpointed across the soundstage. The Stellar image sounded a little hazy in comparison. It was like I had on the wrong prescription of eyeglasses and couldn't point to the man's nose. It also felt like I was hearing a ghost image from things getting picked up in the adjacent ribbon's rear lobe.
The ideal mic would be the bastard child of the modded Stellar and the Royer SF12.
| I have some Chinese ribbons that I've modified pretty extensively and they sound excellent. I plan to buy one of the Stellar RM-7s soon and do similar mods to it. Since I will do the work myself, it won't cost all that much to check it out.
Cheers,
--
Don
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"What is essential is invisible to the eye." -- Antoine de Saint-Exupéry
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12th December 2008
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#4 | | Lives for gear
Joined: Jul 2006 Location: Santa Clara, CA
Posts: 2,559
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I'd consider a Cascade X-15 with Lundahl transformers.
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12th December 2008
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#5 | | Gear addict
Joined: Dec 2006 Location: seaside, california
Posts: 382
| Quote:
Originally Posted by MichaelPatrick I'd consider a Cascade X-15 with Lundahl transformers. | Ditto! It's a steal, IMHO.
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16th December 2008
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#6 | | Lives for gear
Joined: May 2007 Location: Astoria, OR, US&A
Posts: 2,978
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Have you guys used the Cascade w/Lundahl??
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16th December 2008
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#7 | | Lives for gear
Joined: Jul 2006 Location: Santa Clara, CA
Posts: 2,559
| Quote:
Originally Posted by boojum Have you guys used the Cascade w/Lundahl?? | Yes. I have one.
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23rd December 2008
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#8 | | Gear interested
Joined: Aug 2006 Location: Boston
Posts: 16
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What sources have you used it with? Do you have samples? Opinions?
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28th February 2013
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#9 | | Gear interested
Joined: Feb 2013 Location: New York City
Posts: 6
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Gobble fisher
Which instruments have you recorded with your cascade/lundahl Mic?
I'm considering getting the cascade in either using at stock or having the Lundal mod at purchase.
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28th February 2013
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#10 | | Lives for gear
Joined: May 2007 Location: Astoria, OR, US&A
Posts: 2,978
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I have the Busman ribbon and got the Lundhal xformer upgrade. I have to send it back because one channel has failed. Here is a link to a discussion about this mic and some clips: Busman Ribbon Mic
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Nov schmoz ka pop.
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7th March 2013
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#11 | | Gear interested
Joined: Feb 2013 Location: New York City
Posts: 6
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What was cause of busman channel failure? Quality control? Accident?
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8th March 2013
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#12 | | Lives for gear
Joined: May 2008
Posts: 512
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Can't help with the affordables, but for an end goal the AEA R88 cannot be beat....
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8th March 2013
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#13 | | Lives for gear
Joined: May 2007 Location: Astoria, OR, US&A
Posts: 2,978
| Quote:
Originally Posted by Ribbons rule What was cause of busman channel failure? Quality control? Accident? | I do not know. I still have not sent it off. I suppose I could do that tomorrow.
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9th March 2013
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#14 | | Lives for gear
Joined: Jun 2006 Location: USA
Posts: 791
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Greetings.
I have the X-15 with the stock transformers. I'm always pleasantly surprised with it. Not quite as dull as most ribbons.
Regards,
-0.9
__________________ "Signature-line free since 2006!" |
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15th March 2013
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#15 | | Gear Head
Joined: Nov 2008
Posts: 36
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Have a listen to the Sontronics Apollo, mine is awesome.
Steve
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16th March 2013
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#16 | | Lives for gear
Joined: May 2007 Location: Astoria, OR, US&A
Posts: 2,978
| Quote:
Originally Posted by Soundhunter Have a listen to the Sontronics Apollo, mine is awesome.
Steve | Affordable has gotten a new upper limit in this thread. Partly, I suppose, because "affordable" was never defined.
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16th March 2013
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#17 | | Lives for gear
Joined: Dec 2008
Posts: 2,124
| Se X1R vs. X-15 (stock transformer), Millenia HV-3D vs. AEA TRP
Audio (aac 95 kbit/s, not so bad...  ) extracted from the mp4 Youtube video, converted to wav and RMS level adjusted for better balance between the clips
The Se X1R can be found for less than 100 €.
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16th March 2013
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#18 | | Lives for gear
Joined: Dec 2008
Posts: 2,124
| Quote:
Originally Posted by boojum Affordable has gotten a new upper limit in this thread. Partly, I suppose, because "affordable" was never defined. | Indeed, the Apollo costs nealy as much as pair of Beyerdynamic M 130.
Apollo vs. M 130 shoot-out |
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16th March 2013
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#19 | | Lives for gear
Joined: Jun 2003 Location: Central Europe
Posts: 4,109
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In my experience , for price and sound nothing cannot beat Golden Age Project R1 MK3 active ribbons ... (200 EUR per piece, sound great) |
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16th March 2013
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#20 | | Gear nut
Joined: Mar 2005 Location: San Diego
Posts: 106
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Ivo,
How do the pair of Golden Age Projects compare to the AEA R88?
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16th March 2013
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#21 | | Lives for gear
Joined: Jun 2003 Location: Central Europe
Posts: 4,109
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You can listen to few simple samples here (mono and stereo) www.savitamusic.com/links/r1active.zip To my ears it produces very nice full natural sound (especially in stereo). We found it great for vocals too ...
R88 sounds a bit more "wooly"
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16th March 2013
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#22 | | Lives for gear
Joined: Sep 2004 Location: Salem, Oregon
Posts: 2,025
Thread Starter |
ivo - hope all is going well for savita. perhaps you could possibly post some clips comparing your schoeps mk2 pair to the ribbons? I am a big fan of the mk2 work you do, and my experiences with ribbons have not supported the idea that ribbons are as good for chamber and acoustic material. thanks.
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16th March 2013
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#23 | | Lives for gear
Joined: Jun 2003 Location: Central Europe
Posts: 4,109
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It is definitely not to replace MK2  but just to answer the question about "affordable (good) ribbon" |
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