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| | #1 |
| Gear interested Joined: Nov 2008
Posts: 3
Thread Starter |
Hi, new here, new to the live sound thing too. I was just interested in the history of it, mainly live desks if anyone knows anything, or some nice old ones, bit of a improvements timeline etc. Would be great. (I know live sound doesn't have much of a history) Thanks! |
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| | #2 |
| Lives for gear Joined: Nov 2007 Location: Minneapolis MN
Posts: 3,188
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That's a tall order. Try google for most of that or be more specific. |
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| | #3 |
| Gear interested Joined: Nov 2008
Posts: 3
Thread Starter |
Oah I didn't want someone to just answer it all, just if anyone has good knowledge in the area wants to add a bit.
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| | #4 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,234
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| | #5 |
| Lives for gear |
Do a search on: Consoles: Midas, (Jim) Gamble, Harrrison, Soundcraft Sound Companies: ShowCo, TFA or TFA Electrosound/Electrotech, Clair Brothers
__________________ AnalogTubes.com - Cutsom Tube Sets Guitar-Tubes.com Crank it up A studio is a financial black hole with good acoustics. It's only vintage if it works. Other wise it's just old crap. JS Bach or Beethoven never used auto-tune or comp tracks, nor an eq, a compressor/limiter, a reverb or a delay an analog or digital mix system. All that was achieved in the writing and performance of the music. Obviously Bach and Beethoven were doing it wrong. |
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| | #6 |
| Gear interested Joined: Nov 2008
Posts: 3
Thread Starter |
Thanks everyone thats great.
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| | #7 |
| Lives for gear |
Sounds to me like a college / university question.. But google will help you |
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