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| Tags: advice observations enlightenment, classical, mikage |
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| | #1 |
| Lives for gear Joined: Jul 2006 Location: Los Angeles
Posts: 3,337
Thread Starter |
Hi GS, I have a Baroque classical piece that I'm currently working on ITB. I haven't decided if I want to go through the hassle yet with real string players, but I definitely want to pair a tenor (male) and soprano (female) vocal duo over what I have arranged ITB. So, I'm wondering what a good mic would be for this kind of dynamic. I'd like to get them in two separate channels for mixing, but not ultimately necessary. In my cabinet I currently have the following: Soundelux e47c Gefell m300 (stereo pair) RCA 47b Junior RCA bk-5 (2, A and B) Sony c37p sm57 Elecrotvoice 635a (2) Granted these are good mics, but I am a bit interested/concerned about the frequency range and if I selected a mic, what would be my reasons for doing so other than the fact that it's expensive, vintage or coveted. Thanks in advance for any input.
__________________ "Exceptional people talk about ideas. Normal people talk about things. Those with limited abilities talk about other people." - Quoted by Jim Coleman |
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| | #2 |
| Lives for gear |
Bag the SM57: they sound tinny and work well only in close. I tried some I got in a drumkit (DMK52) and learned my lesson. Up close for pop vocals they work.
__________________ Nov schmoz ka pop. |
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