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| Thread | Thread Starter | Forum | Replies | Last Post |
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| Coming up for air... | Remoteness | Remote Possibilities in Acoustic Music & Location Recording | 1 | 6th May 2005 07:31 PM |
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| | #1 |
| Super Moderator Join Date: Aug 2002 Location: NYC
Posts: 4,880
| Ah yes, dastardly deeds that were played on us or that we played on others, especially during live or on location when we rarely have a chance to cover (or recover) ourselves. Has anyone intentionally bagged you or is everyone just as wonderful as expected? ...Any takers out there? This could be a fun thread or a terrible reminder of how stressful our line of work really is. I have plenty of stories to tell, but I'm going to start off with an old trick that was played on our drummer by a rival musician during a multiple band contest we did back in the late 70s... Someone used a small pin to carefully puncture a few tiny holes in our drummer's snare drum, right around where he hit the skin. When done right, (and it was done perfectly) the skin rips upon impact. It was show over for us since we didn't have a second snare drum to swap out... The lesson learned was to always carry backups with you and never leave your stuff unattended especially during a "battle of the bands" scenario. There are plenty more stories I can through at you folks. Some are really funny tales with plenty of sad experiences to tell. What crazy situation can you folks recall?
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network Remoteness on Myspace |
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| | #2 |
| Gear addict Join Date: May 2007 Location: Astoria, OR, US&A
Posts: 357
| ^^^^ You never did anything like that, right?
__________________ Nov schmoz kapop |
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| | #3 |
| Gear nut Join Date: May 2004
Posts: 78
| There was a post on HC a while ago about a monitor guy getting even with a particularly rude guitar player by inserting a pitch shifter (1/4 or 1/2 step, I forget) on the guitar channel and engaging it only when he stepped up to take a solo. ![]() -Dan. |
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| | #4 |
| Gear Head Join Date: Jun 2007
Posts: 72
| i've always enjoyed talcum powder in the hi-hats myself..... |
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| | #5 |
| Super Moderator Join Date: Aug 2002 Location: NYC
Posts: 4,880
| I've done some crazy stuff, but never to sabotage another band or engineer. Unfortunately, there are plenty of folks that play that game all too often.
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network Remoteness on Myspace |
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| | #6 |
| Gear nut Join Date: Aug 2005
Posts: 88
| I think I work for this guy. At least he's done it one one gig that I know of. The offending solo act apologized promptly on hearing his monitor go a few points off after being a PITA for the FOH/monitors engineer. |
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| | #7 |
| Gear interested Join Date: Aug 2007 Location: SW Missouri
Posts: 26
| Much fun can be had with that when you involve an SPX-90 in pitch shift mode, and a vocal quartet. I've have never seen singers glare at each other with such intensity....:-)
__________________ I'll fix the occasional clam, but I'm NOT fixing your 'performance'. |
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| | #8 |
| Lives for gear Join Date: Feb 2008 Location: Oxfordshire, UK
Posts: 1,015
| I loved the one in the old analogue days........ TRD recorder. My friend recorded a reel of tape with 900Hz tone - he then disabled record so it "looked" as if it was recording but wasn't. He then asked a trainee to record 1kHz tone and sort out the problem on the machine. Poor chap - recording 1kHz and hearing 900Hz off-tape. Took him ages to suss it. ![]()
__________________ John President - Fédération Internationale des Chasseurs de Sons (and lots more - please look at my Profile) |
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| | #9 |
| Lives for gear Join Date: Apr 2003 Location: Los Angeles
Posts: 2,299
| Besides pitch shifting monitors (or in-ears), you can also really mess with people by putting delays on them. Singing or performing with a latency can be really rough... --Ben |
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| | #10 |
| Gear interested Join Date: Aug 2007 Location: SW Missouri
Posts: 26
| In my experience, 55 ms is the magic number. How do I know? Many many years ago, I was doing the safety announcement from monitor world before the start of a show, and my FOH guy ran my vocal back into my cue wedge with the 55 ms delay. It not only stopped me dead in my tracks, it's actually disorienting. I was reading from a script I was holding, and I not only lost my place, I forgot exactly what I was supposed to be doing. Very strange sensation, indeed. Of course, this was just one in a series of pranks we pulled on each other, and other crew members.......
__________________ I'll fix the occasional clam, but I'm NOT fixing your 'performance'. |
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