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| Tags: advice observations enlightenment, classical, mic placement, mikage, technique |
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| | #121 | |
| Gear nut | Quote:
Whose Cantate is the first sample? I'm a choral nut and unfamiliar with that piece.
__________________ Colin A. R. Pearce, CEO/Producer/Engineer Pilcrow Media LLC Production Holdings LLC Astoria, NY http://www.PilcrowMedia.com | |
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| | #122 |
| Lives for gear Joined: Jul 2008 Location: France - Toulouse
Posts: 554
Thread Starter | |
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| | #123 |
| Lives for gear Joined: Jul 2008 Location: France - Toulouse
Posts: 554
Thread Starter | Organ with the MC930
Here are some minutes of my last organ concert recording with the MC930 on a marvellous baroque organ File:Orgue des Augustins.jpg - Wikipedia, the free encyclopedia Just a pair of MC930, 7m hight, 12 m ahead in a FR2LE. I like the sound... and the music (my daughter is playing )JMM |
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| | #124 |
| Lives for gear Joined: May 2005 Location: Albany, New York
Posts: 9,509
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That does sound absolutely purely real-- like a good microphone should!
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| | #125 | |
| Lives for gear | Quote:
Was that ORTF or spaced further? :: Mads | |
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| | #126 |
| Lives for gear Joined: Jul 2006
Posts: 2,254
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Beautiful. I can't help but notice from this nice clip, and from recordings I've made, how the on-axis lift at or around 10K and the wonderful off-axis response can cooperate to capture a balanced room sound when omnis wouldn't work, either because the room would be overwhelming or the acoustic isn't great. This hall sounds nice and the balance is good. The rear of the hall is being captured by reflections off of the front and sides, and the balanced off-axis response add just enough ambiance. The proximity effect on this mic, or lack of it, is more like a Schoeps MK22 than anything I've heard from another cardiod. P.S. Nice work. Nice player too! |
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| | #127 |
| Lives for gear Joined: Jul 2008 Location: France - Toulouse
Posts: 554
Thread Starter |
Thanks ! The hall is an old big church converted in an art gallery, with a lot of reverberation. I think a pair of omnis would produce a too much distant and confuse sound (I never had the opportunity to try). So I use cardios nearly 55° and 25cm to have more direct sound. The good think with the MC930 is that I don't have the feeling of missing basses (ok, there are no 32ft stop). JMM |
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| | #128 |
| Lives for gear Joined: Mar 2008 Location: Sweden
Posts: 3,960
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JMM, would that be 55 degree in total or +/-55 degree? /Peter |
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| | #129 |
| Gear addict Joined: Dec 2007
Posts: 432
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| | #130 |
| Lives for gear Joined: Jul 2008 Location: France - Toulouse
Posts: 554
Thread Starter | |
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| | #131 |
| Lives for gear Joined: Jul 2008 Location: France - Toulouse
Posts: 554
Thread Starter | |
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| | #132 |
| Gear nut Joined: Sep 2006 Location: Europe
Posts: 108
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Hi ![]() If anyone is interested Location recording + professional Mix+Mastering = Quality Product? There is a drum-recording-sample of the mc-930's as overhead-mics. Just scroll down to the single-track-links. Peace Middletom |
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| | #133 | |
| Lives for gear | Quote:
Afterwords I took a listen to the mix - oh dear - all the room and air was gone. If I were you I would make a complete new mix, without all that dirty compression, that in this case simply sucks the life out of the track! :: Mads
__________________ ¤ Sound and Visual Art ¤ ¤ Risk Recording ¤ | |
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