![]() | All Advertisers |
| |||||||
| Tags: jazz, rhythm blues soul |
Similar Threads | ||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Live vocal mic for male singer w/sibilance | MichaelT | Remote Possibilities in Acoustic Music & Location Recording | 17 | 1st October 2008 03:09 AM |
| Recording Solo Male Jazz Vocal - advice? | Surreal | Remote Possibilities in Acoustic Music & Location Recording | 4 | 20th August 2006 02:24 PM |
| Saxophone: Tenor & Baritone | john caldwell | Remote Possibilities in Acoustic Music & Location Recording | 8 | 6th August 2006 02:24 AM |
| Vocal Chain & Printing Eq | Playback | So much gear, so little time! | 7 | 27th September 2005 09:46 AM |
| Vocal mic for remote jazz quartet | bongo | Remote Possibilities in Acoustic Music & Location Recording | 9 | 19th October 2004 10:12 PM |
![]() |
| | Thread Tools | Search this Thread | Rate Thread | Display Modes |
| | #1 |
| Gear maniac Join Date: Mar 2005 Location: Los Angeles
Posts: 248
| Baritone R&B/Jazz singer ideal vocal chain...? Hello all, Looking to improve my vocal chain. I do R&B/jazz/crossover, and I'm naturally in the low-baritone register. Have a nasty habit of having a slightly nasal sound and some boominess on the low end. Things I am working on with daily practice and loads of coaching... Any ideas? My last CD was tracked using a Rode NTK mainly (or Blue Blueberry) --> Avalon 737 --> Apogee Rosetta --> Cubase. Any mic, mic placement ideas? Preamps to consider/avoid? EQ settings? comps? Thanks loads! Samples available on my website, if interested... |
| | |
| | #2 |
| Gear maniac Join Date: Mar 2005 Location: Los Angeles
Posts: 248
| A couple of parameters.... Mics Sony C-800G, out of the question. Neuman u87, possible, any feedback on how this sounds on similar singers. Braumer Phantom...? AKG 414, never sounded good on my voice. Neuman TLM 103, definite possibility Pres 1073, API, VoxBox, considering Groove Tubes Brick, definitely considering Comps DBX 160? All-in-one boxes are cool/preferable, I really like my Avalon, maybe just a U87 would do the trick? I never used one. |
| | |
| | #3 |
| Lives for gear Join Date: Jul 2003 Location: Europe
Posts: 1,189
| Notwithstanding the fact that obviously your singing technique is 10x more important than anything in the recording chain... I'd definitely demo the Brauner Valvet - this is a superb mic that will give you a lovely mellow sound that I think would definitely suit any material where a warm, intimate sound is required. It's by no means neutral (not necessarily what you want here anyway) but it's a very musical mic that will definitely flatter most voices. Given that the Valvet already has a distinctive and very pleasing warm sound of it's own I'd be tempted to pair it with a clean-sounding, transparent pre, rather than anything else that would colour the sound further, so that what you hear really is just the sound of the your voice and the mic; Cranesong and Grace Designs pre-amps come to mind as contenders here (of the pre's I've tried). My $0.02
__________________ James Lehmann Voice-Over Artist - Project Studio Jockey www.jameslehmann.net Stop the superlatives madness! Abolish gear threads with the word 'best' in the title. |
| | |
![]() |
| Bookmarks |
| Thread Tools | Search this Thread |
| Display Modes | Rate This Thread |
| |