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| Lives for gear | Advice on mixing powerful ethnic drums I am in the midst of recording a CD full of ethnic drums ("Chakra Breathing"). In certain passages I would like to reach, poweful, punchy, breath taking sound, with many drums and percussions participate (mostly recorded one by one in playback layers). I wonder whether during mixing it would be better to treat each drum separately (with compression, "powering", EQ, etc.) or to treat just the whole plain drum submix. The drums are djembe, darbooka, conga, various ethnic drums and percussions. Which compressor etc. would be the best to use for such a purpose ? (I have many plugins plus Millennia Origins). So far I like Voxengo Analogue Flux quite a lot. http://www.savita.cz/show/drums1.jpg http://www.savita.cz/show/drums2.jpg |
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| | #2 |
| Lives for gear Join Date: Jul 2004 Location: Orygun
Posts: 5,699
| If the player are good and the recording was done more than 3 inches from the head, try and use no compression. Let the drums stand out on their own. The quiet is quiet and the loud is loud... -tINY |
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| | #3 |
| Gear maniac Join Date: Aug 2004 Location: berlin/germany
Posts: 172
| if you wish to compress probably its better to do this track by track first and then compress the submix with more subtle compress rates to melt the instruments together. but if you wanīt to get some powerful drums in some cases you will reach rather if the drums are reduced to some few elements. unfortunately i donīt know a lot about digital compressors. for the analogue world iīd prefer urei 1178, distressor, api 2500 or neve 33609 for bus compression. hope this helps a bit. ![]() |
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