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| | #1 |
| Gear addict Join Date: May 2008 Location: Tucson, AZ
Posts: 311
| Hi sluzz I am looking to do some guerilla recording. Toss my laptop, a Duet, and X microphone in my backpack and head to the woods. Can someone recommend a good bastard of a microphone that can take a shake and bake? Something that will get knocked around in a bag (in a case of course), and still be of nice enough quality that it will sound good. Also, fair price. Something that if I broke, I wouldn't be as beat up as the mic. Of course, 57 comes to mind... Recommendations? THX. ![]() David |
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| | #2 |
| Gear addict Join Date: Mar 2007 Location: Athens, Greece
Posts: 466
| I have seen a photo, from maybe the 70s, from a guy in Africa carrying a small open reel recorder and he was walking between tribe members, having a ridiculously satisfying grin in his face and he had two Senn MD421 (the cream ones), one on each of his hands, spread one from the other about a meter or so. That's field recording. ![]() Other than that a Zoom H2 or H4 is more practical. |
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| | #3 |
| Gear nut Join Date: Aug 2005 Location: Sydney, Australia
Posts: 139
| how about an M88.. not cheap for a dynamic (at $500), but a worthwhile investment - it can take a beating (i played a gig as a guitarist a year or so ago, and the soundy's girlfriend had thrown it at him in a fit rage - out the window of a second story apartment. The mic worked on the kick that night! ![]() It has extended high and low end response (30Hz-20KHz) and is pretty flat - great in the studio for kick and bass amp, as well as many vocalists. Around the $200 price though maybe you'd consider buying a chinese condenser and just call it a throwaway? Either way, i'd probably be making a bubble-wrap pouch for it if i were you. |
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| | #4 |
| Gear nut Join Date: Feb 2007 Location: Graceville FL
Posts: 90
| For rugged and cheap, I'd consider a pair of dynamic omnis, like the AT804. They're designed to take the abuse of news gathering and field use.
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| | #5 |
| Gear Head Join Date: Feb 2005
Posts: 70
| 421 57 as dynamics and try the rode nt5 as condensers. not very expensive, well built and good sounding. |
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| | #6 |
| Lives for gear Join Date: Jul 2002 Location: Bucktown. Chicago, IL
Posts: 506
| This one's a no-brainer Electrovoice 635A Omidirectional. Resists wind noise. Holds up in extreme weather conditions, and could probably survive a nuclear blast. |
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| | #7 |
| Gear Head Join Date: Oct 2007
Posts: 42
| The Rode NT4 is so sturdy and robust you could use it as a weapon if needed. Its a bit heavy though but sounds quite good. I've used one for field/nature recording on a few occasions. Another good stereo mic is the AT 825 - less money and less robust, a lot less weight than the NT4 but certainly not fragile. I personally prefer the AT for most field applications that are "backpack" oriented (primarily because of the lighter weight). |
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| | #8 | |
| Gear addict Join Date: Sep 2005 Location: Portland Oregon
Posts: 485
| tough dynamics Quote:
EV RE-50, same as above but with less handling noise. Proof against inept location talent who point it at their bellybutton and talk. EV RE-85 lav in the same spirit. Cheers.
__________________ “Why of course the people don't want war. ....Voice or no voice, the people can always be brought to the bidding of the leaders. That is easy. All you have to do is tell them they are being attacked, and denounce the peacemakers for lack of patriotism and exposing the country to danger. It works the same in any country.” -Herman Goering | |
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| | #9 |
| Lives for gear | +1 for the Rode. I've used it before in this application and was pleased with the results. Also comes with a pretty good windscreen. I have also used an SM-81 outdoors, but it got a lot of problems from the wind. If you don't have wind though I think it sounded wonderful. On a higher-end scale, I used an Earthworks QTC-1 in the woods for a location film shoot. Sounded stellar.
__________________ Bryan Garris Ocean Star Productions - location recording, cd duplication, and live sound for classical, jazz, and other genres www.oceanstarproductions.com |
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| | #10 |
| Gear addict Join Date: May 2008 Location: Tucson, AZ
Posts: 311
| Damn, tons of great suggestions. I'm grateful. That electrovoice 635 looks like something a night security guard would crank into someone's skull! Thanks, folks! |
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| | #11 |
| Lives for gear Join Date: Jul 2008 Location: Virginia
Posts: 512
| The SM57 can take a beating, but it won't get you the sound you want in the field. Take a look at the MXL 993. You can get a pair cheaply, and they aren't delicate. Rode NT5s might be good too. I'd stay away from any LDC that have grills that can get dented in your backpack. |
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| | #12 |
| Lives for gear Join Date: Apr 2005 Location: Wailuku, Maui, Hi
Posts: 758
| To record guerillas, I would recommend an AK-47. You will be able to provide covering fire when needed to keep them at a distance. If they are friendly guerillas, then a lavolier would suffice. If it's gorillas you want to track, then a Sennheiser MKH-416 P48 would be the mic of choice. Directional, relatively impervious to moisture and other elements, and with a zepp or big windscreen and pistol grip suspension very handy & well protected. Avoid yellow, banana colored windscreens.
__________________ Aloha, Jonathan Starr Big Gorilla Sound Twixt reef & jungle Wailuku, Maui |
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| | #13 |
| Lives for gear Join Date: Dec 2002 Location: El Lay
Posts: 1,966
| Wait, what are you recording? Someone playing music in the woods, or forest ambience, or wood gnomes skittering through the brush? If it's music are you close micing or getting a little ways out in front of teh ensemble? These things all lead to different mic choices.
__________________ Purveyor of fine sounds since 1961. My very incomplete IMDB list: My very incomplete IMDB list I'm all ears. |
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| | #14 |
| Gear interested Join Date: Jul 2008 Location: College Station, Texas
Posts: 6
| I'm new here and I just stumbled across this thread. I'm a live sound guy, and I thought I would throw another vote for the EV 635a. I have one that lived outdoors as a football stadium "crowd mic" for about 30 years (as far as anyone can remember they weren't really sure, but all agreed it had been a long, long time)! It didn't sound right any more, so they bought another one and when we went up to replace it we found that it had some dirt dauber nests built on it. We replaced it anyway and I kept the old one. After a cleaning it sounds just fine! They really are that tough.... BTW, I usually use it as a talk back, or sometimes will hang it in front of a guitar cab too.... |
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| | #15 |
| Super Moderator Join Date: Aug 2002 Location: NYC
Posts: 4,880
| I don't believe they make the 635A anymore, but the 635B is available.
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network Remoteness on Myspace |
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| | #16 | |
| Gear Head Join Date: Jun 2008 Location: Los Angeles
Posts: 33
| Quote:
![]() Full Compass has the 635A on their site for $100. May be NOS, but I get the feeling it's still in production. So, it appears that the three mics from the 635 family that are currently available are the 635A, the 635A(B), and the 635N/D-B. As I understand it, the 635A & 635A(B) are the same mic, just different colors ("fawn beige" and "semi gloss camera black"). The 635N/D-B is black and has a neodymium magnet structure and thus a higher output. I haven't tried the neodymium one, but I'm quite familiar with the other kind and like it a lot. As has been mentioned, it's damn near indestructible (been dubbed "the Buchannan Hammer" because of this trait). I've heard that sales reps, in rather extreme demonstrations, have literally driven nails with it without effecting the mic's sound or having it fall apart! This is the first mic I thought of for the original poster's situation.
__________________ ". . . I want to be a force for real good . . . " - John W. Coltrane Last edited by Arkestry; 18th July 2008 at 06:07 PM.. Reason: Clarity | |
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| | #17 | |
| Lives for gear Join Date: Feb 2003 Location: Atascadero, CA
Posts: 1,843
| Quote:
As far as I remember the 664 sounded so poor that the best use for it was as a carpenter's tool. Very popular as a general duty mic in the public schools in the sixties. "Attention students, there will be an assembly today in the gym at 2pm." | |
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| | #18 |
| Gear interested Join Date: Jul 2008 Location: College Station, Texas
Posts: 6
| Heh, yeah I've got one of those too. It sits on my bookshelf on it's official EV desk stand looking pretty. Thats about all it's good for. It is just "the hammer". The 635 is the "Buchanan hammer". 635A(B) - Electrovoice |
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| | #19 | |
| Lives for gear Join Date: Feb 2003 Location: Atascadero, CA
Posts: 1,843
| Quote:
Now if we want to remember some really bizarre EV mics the 644 was really a POS that looked like some kind of obstetrics device. Although useless as a hammer, the 644 proved itself useful in poking insulation into tight spaces in walls. Geez, I swear at one time or another I've owned some of the most worthless mics in the world! | |
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