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| Thread | Thread Starter | Forum | Replies | Last Post |
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| | #1 |
| Gear addict Join Date: Dec 2006 Location: seaside, california
Posts: 324
| The Remotester Mic Locker thread inspired this one. It could be a good learning point, actually. Mics to avoid, or at least to listen to before you decide. There's a moral here somewhere.... Okay, mics of my past: MXL 2001, pair. I can't explain why I bought them, and do I really need to explain why they're gone? GAVE them away, even! Earthworks SR71, pair. Decent enough mics, my first matched pair, actually. Proved to be too noisy for classical work, so off they went. CAD E300, pair. These LDC's were bought on a recommendation, and I wanted to try them in a Blumlien array. Hah! The things were the size of a garbage can, and sounded bright as a 1970's transistor radio. Not even the nice case they were in could save them. Gone. Avenson STO-2, pair. NICE mics, neutral, good sounding, but like the EW SR71's, just too noisy for classical work. I sold them just last week. Shure LX-4/SM57. Used it once for a Vegas style show. It then sat too long, and cash was needed, so off it went. Rode NT2, pair. I liked these mics, chose them in their price range over AT's, AKG's, and others in a listening test. They served me very well, and I was sorry to sell them - but, once again, not used enough (any more) and cash was needed. Lastly, Peluso CEMC6, pair. Not bad, but I felt the Shure KSM137 was better - bought them to try them, and the Shures won out. They went to a new home. Okay - fellow remotesters, mics of your past?
__________________ ~Mark~ Pretty Good Recordings www.prettygoodrecordings.com www.myspace.com/mrsteaks |
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| | #2 |
| Gear maniac Join Date: May 2006 Location: SW Ohio
Posts: 283
| Hi Mark, I'll be the first to bite: Neumann KM184. Reason? Schhhhzzzingle!! Way too bright for my tassssste. Bought them assss my firsssst matched pair, then a pair of MK21 ssssshowed me what I was misssssssing. Sold 'em and replaced with Gefell M300. Earthworks QTC1 pair. They were OK mics, really good on organ projects, but beyond that application just seemed too hard and cold (compared to my MK2S pr). They get knocked for being noisy, but frankly that never was an issue with me (organ wind noise always trumped the self noise). Sold 'em and replaced with a pr of 8020. Mike
__________________ Michael Hughes TTL Audio Productions |
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| | #3 |
| Lives for gear | Soundelux U99: never met my expectations for voice. It worked well for quite a few instruments, but was a total loss for virtually all vocals... Funny you mentioned the TC SR71's - I own a pr of TC30k's, and tho I LOVE their detail, I can almost never use them except on loud sources due to that noise issue. Same with DPA 4060/61's. Still kept both varieties because they can do extremely well when mixes are busier. Rode NT-1 (orig.) tho it can sound pretty good, the raspy top end eventually got to me. No more Rode mics for me, unless an NTV (pretty rare) or a Classic fall into my hands. Other than that - I still have every mic I've ever bought and the list is ever growing. That said, if a mic hasn't been used in 5 years, it's time for it to go (new rule, and works pretty good so far!) best,
__________________ Jay PlugHead Productions |
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| | #4 |
| Lives for gear Join Date: Jul 2006 Location: Germany
Posts: 1,425
| Gefell M930: purchased off ebay on a whim, used it once or twice, then thought I didn't really need another cardioid LDC - my 414s serve the purpose well. Sold it with a little bit of profit even. Earthworks SR78: Originally had the Z30XL, which was absolutely stunning on a Sarod, but the body was way too fragile and eventually it didn't work any more. Eric Blackmer was kind enough to offer an exchange for the SR78 at a certain upgrade fee, but I didn't like that mic much. It is way too noisy even to be used as a harpsichord spot... Sold it. No profit whatsoever... ![]() Various AKG CK1 and CK 5 capsules, some separately, some with body (451/460). Too bright. Got two CK3 hypers instead, which are nice. KM 184: Next to go. Not all that bad (if not too close up), but I don't use it much. Tested and returned: Gefell M300. Didn't like these at all. Very unpleasantly coloured off-axis. Not noteworthy otherwise... Gefell M960 (omni): Too bright, unpleasant nervous sound. |
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| | #5 |
| Lives for gear | Neumann U87 ai - extremely ovepriced, not very nice sounding (hyped, scooped, bright) |
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| | #6 |
| Lives for gear Join Date: Feb 2008 Location: Lovin' the 500 series
Posts: 596
| Original Rode NT1 - just plain average Blue Baby Bottle - not bad but time for an upgrade Kept most everything else. Just had a pair of Chinese Mann M11's modded by Ross Giles in Melbourne, Oz - very keen to hear the results - he reckons they now sound 200% better. They wouold have been the next to go but we'll see. ![]()
__________________ ![]() Woodhead Studios www.woodheadstudios.com http://www.myspace.com/woodheadstudios http://www.myspace.com/trackmanmusic "Again the word HOT is excruciatingly painfully recognizable and when you realize that my mixes are straight FIRE then you admit that you will spontaneously COMBUST if you play my tracks in the car... matter of fact, if you BURN my mix to a cd and put it in your gas tank, it will power your car." "illacov" on the Hip Hop forum. |
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| | #7 |
| Lives for gear | I have never really dumped a microphone...! I have three Earthworks microphones (and hopefully more soon). After finding a free program for eliminating self-noise easily...wow I don't think I'll need any other microphones .
__________________ Bryan Garris Ocean Star Productions - location recording, cd duplication, and live sound for classical, jazz, and other genres www.oceanstarproductions.com |
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| | #8 |
| Gear addict Join Date: Dec 2006 Location: seaside, california
Posts: 324
| I forgot one. AKG C414B XLII - not bad, but not good enough. I had heard the earlier 414's and thought that's what I'd be getting. No. Head to head against the Shure KSM44, I felt the 44 was the better mic (smoother, especially on voice, and had better pattern control). Sold the 414 for I bought it for, it was worth trying. I like the idea of five years in the locker and if not used, gone. I use a similar system. One year of no use, or if I hate it, I sell it (them). Some I'll never sell. Throw them in my casket along with me!
__________________ ~Mark~ Pretty Good Recordings www.prettygoodrecordings.com www.myspace.com/mrsteaks |
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| | #9 |
| Gear addict Join Date: Dec 2006 Location: seaside, california
Posts: 324
| Hey, Bryan - may I ask what program?
__________________ ~Mark~ Pretty Good Recordings www.prettygoodrecordings.com www.myspace.com/mrsteaks |
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| | #10 |
| Lives for gear Join Date: Mar 2006 Location: Montreal
Posts: 847
| 1)Soundelux U195 I found nothing special about it and it didn't have much over the C1 I had at the time. I sold it 2 weeks after buying it. 2)Peluso P12 It didn't have much over the C1 I had at the time and when I bought my Telefunken M16 MKII I found the latter to be everything the P12 should have been. That being said, I love my modified Peluso 2247. |
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| | #11 | |
| Lives for gear Join Date: May 2005 Location: Gearslutz.com....
Posts: 586
| Quote:
__________________ Loud Wars Episode IV - A new hope ![]() ...I find your lack of dynamics disturbing... | |
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| | #12 |
| Lives for gear Join Date: Mar 2006 Location: Montreal
Posts: 847
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| | #13 |
| Lives for gear | Reafir, one of the free plugins that come with Reaper. After I discovered the best way to use it I don't worry about excess noise due to mics or terrible recording halls anymore! Frankly, anyone who has tossed their EW mics or others due to self-noise is missing out big-time! Oh yeah I forgot I actually did dump one mic set, the MXL 990/991 set. But that hardly counts, I got them practically for free just to try out and sold them the next week for what I bought them for. I won't touch them (MXL) anymore.
__________________ Bryan Garris Ocean Star Productions - location recording, cd duplication, and live sound for classical, jazz, and other genres www.oceanstarproductions.com |
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| | #14 |
| Lives for gear Join Date: Jul 2003 Location: Chicago
Posts: 1,908
| I dumped: AKG TLII--liked them until I used them next to some Pearl CC22's on chorus. The AKG's rendered much less detail and got me actually quite mad. Sold them to a dude in France. Earthworks--dumped from a moving Cadillac on to Harlem Ave. in Chicago. Episode described here on GS. This junk was noisy as noted. Furthermore, the designer's son had just appeared at a Chicago EARS meeting a few days before the dump. He was so full of nonsense and bs, that I HAD to dump out his product in his honor. After I did it, a few Gear Sluts IM'ed me to know the location of the dump. Maybe one of them got the mics. Neumann KM88--too bRITE, too brittle----sold to a gospel mang Km53---back in the day I needed the money---I am an idiot! 2 M49s---see above I kept everything else. |
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| | #15 |
| Lives for gear Join Date: Mar 2006 Location: Montreal
Posts: 847
| Matched pair of C12A's .... cause I was hard up for cash and stupid U47 Fet ........................ cause I was hard up for cash and stupid |
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| | #16 | |
| Lives for gear | Quote:
![]() If not, well good day sir. As noted I love my Earthworks mics, and if you have a pair you don't want I will PM you my address.
__________________ Bryan Garris Ocean Star Productions - location recording, cd duplication, and live sound for classical, jazz, and other genres www.oceanstarproductions.com | |
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| | #17 |
| Lives for gear Join Date: May 2005 Location: Gearslutz.com....
Posts: 586
| I'm about to dump some Gefell M300's finally. They are just too bright for acoustic applications I'm doing. I may use the funds to pick up a Josepheson 617-Set Omni.
__________________ Loud Wars Episode IV - A new hope ![]() ...I find your lack of dynamics disturbing... |
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| | #18 | |
| Gear addict Join Date: Nov 2005 Location: Brisbane, Australia
Posts: 437
| Quote:
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| | #19 |
| Lives for gear Join Date: Mar 2006 Location: Montreal
Posts: 847
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| | #20 |
| Gear maniac Join Date: Dec 2005
Posts: 269
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| | #21 | |
| Lives for gear Join Date: Jul 2006 Location: Germany
Posts: 1,425
| Quote:
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| | #22 |
| Gear addict Join Date: Sep 2004
Posts: 444
| i have dumped: neumann km184s - way bright and harsh neumann tlm103s - horrible in every way, i truly hated these mics rode NTKs - not bad mics, just didnt use them, replaced them with AT4050s gefell m300s - better then km184s, but not by much at4041s - swapped em for pair of AT4051s which i love shinybox and cascade fatheads - impedence problems rode NT5s - too bright, much like km184s akg C391b's - should have kept them, great for the money naiant teeny omnis - gave them away - too noisy for anything and here it gets interesting - royer r-121 pair - oddly inconsistent Schoeps CMC64s - great as a ORTF pair, but too boomy as spots DPA 4006s - just didnt like the way they sounded DPA 4011s - probably the best mics i have ever used, sold them due to family medical crisis, started using AKG C481s instead for less than half the price, and liked them almost as well. my next mics wll be schoeps cmc6/mk2 pair or sennheiser mkh8020s.
__________________ jnorman sunridge studios salem, oregon |
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| | #23 |
| Lives for gear Join Date: May 2005 Location: Gearslutz.com....
Posts: 586
| haha no doubt. They're great mics, just not for my specific application.
__________________ Loud Wars Episode IV - A new hope ![]() ...I find your lack of dynamics disturbing... |
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| | #24 | |
| Gear maniac Join Date: Dec 2005
Posts: 269
| Quote: ![]() | |
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| | #25 | ||
| Super Moderator Join Date: Aug 2002 Location: NYC
Posts: 4,880
| Great thread idea! I love the concept even though I have a seriously hard time dumping anything electronic. Quote:
Quote:
For a minute I thought I was on another audio board... It just didn't feel like Gearslutz without some TLM103 bashing. I'm surprised about the Royer R121. I was just talking about them yesterday during a two day live recording with the Charles Tolliver Big Band. I was saying how I wish I had at least two more of these (R121) mics. I love them on trumpet -- We used my two R121 on lead trumpet and Tolliver's trumpet. The other three pets got Beyer M260s.
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network Remoteness on Myspace | ||
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| | #26 |
| Lives for gear Join Date: Feb 2003 Location: Atascadero, CA
Posts: 1,843
| AKG "The Tube" It was a turd. |
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| | #27 |
| Super Moderator Join Date: Aug 2002 Location: NYC
Posts: 4,880
| Rick, you said it. I forgot about that mic. Man, that was a serious mistake right from the start.
__________________ Steve Remote AuraSonicLtd.com |