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| Tags: gig report, live performance, show and tell, video |
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| | #1 |
| Lives for gear Joined: Apr 2005 Location: amsterdam
Posts: 1,208
Thread Starter |
Hii all, This week I went to the olympia club in paris, france to record a concert by a certain eccentric icelandic singer.. Her band had a drummer, acoustic harpsichord, a ten piece brass section and lots of keys and freaky electronic instruments which totalled 64 channels.. We obviously had to record a bunch of ambience mics too, as this was a recording for a dvd and will be mixed in surround.. We brought a bss active splitter, 24 of those channels had the simple version, with only a '0dB' or '20dB' switch, and no attenuation.. I will for sure not rent these again.. All went well, but it's really scary to not be able to attenuate line level sources.. ![]() This is the 48 channel 'good version' we also brought. I would prefer just a transformer, and thus only using a micamp in the truck, but with al this light crap at video shoots, I always go active, mostly to avoid light-buzz problems.. What's your opinion on this? We put out dpa shotguns (nice mics!) a bunch of km140's, and a crown pcc (mid front) for ambi, and recorded to 64 channels madi pyramix, and recorded ambi mics to a chasing REAPER rig, with RME madi card.. worked perfectly!! The RME card has low enough latency to monitor through the machine, and reaper is rock solid.. Obviously I recorded backup to both HDcam and a huge tascam DA rig. ![]() This was one part, there were more machines.. crappy nineties tape crap...I hope to get some X48's for future backup.. ![]() A dpa and neumann, seemingly working wirelessly ![]() I once again had no time to take nice pictures.. mixing and recording took place in our awesome cinevideogroup OBV-15 P1000399.JPG on Flickr - Photo Sharing! huub |
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| | #2 |
| Lives for gear Joined: Jan 2005 Location: NYC
Posts: 635
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Hey Huub, Nice. Thanks for posting. Yeah, I've noticed you seem to specialize in those "little" gigs;-). Pretty cool stuff you end up working on. Will you be mixing for the final release as well? Hope all is well, Silas
__________________ Silas Brown Legacy Sound High-End Location Recording Legacy Mastering Mastering for classical, jazz, and acoustic music |
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| | #3 |
| Lives for gear Joined: Apr 2005 Location: amsterdam
Posts: 1,208
Thread Starter |
Hi silas, I only mix the final product when a gig goes out on live broadcast really.. I mix dvd's every once in a while, but only dutch productions.. The recording/soundsupervision side of things goes pretty well though.. Next week the new mika dvd in paris.. ![]() You're on masscore right? Do you think it's ready for live recording yet? (my guess would be 'no') |
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| | #4 |
| Lives for gear Joined: Apr 2006
Posts: 1,546
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holy shit! bet that was awesome fun though. i love crazy instruments (and crazy singers? lol). breaks the monotony. how was she? good performance i hope. |
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| | #5 |
| Lives for gear Joined: Apr 2005 Location: amsterdam
Posts: 1,208
Thread Starter |
Yeah, the performance was really good.. The crazy electronic instruments included a jazzmutant lemur, reactable and some square thingy with lights that light up when you touch them.. no idea what that was.. (edit: googled it.. it's a yamaha tenori-on.. Tenori-on Joins Björk’s Band » Synthtopia ) The venue was really good sounding and the FOH guy (kevin pruce) mixed really well, so the ambience mics sounded good! |
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| | #6 | |
| Lives for gear Joined: Jan 2005 Location: NYC
Posts: 635
| Quote:
![]() And we don't really have the need for the extra DSP on location. With the sort of things you're doing I would imagine you could use the extra horsepower. FWIW, on my Core2 Duo in the studio I haven't been able to break 20% DSP usage yet on any actual projects. Got up to 40 tracks @ 2fs with multiple auxes and busses and tons of FX and hit 18%. On a QuadCore I haven't seen it go over 10% very often. Enjoy Paris! -Silas | |
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| | #7 |
| Lives for gear |
As I have already let Huub know, but for the information of others, I'm running Pyramix 6 with Masscore. I have used it on a couple of sessions with 10-20 inputs, however I have also run some comprehensive soak tests of 48 tracks 44.1/24 with 48-2 mixers eq and comps on every channel using about 7%. My machine is overspeced on the current "approved" Merging system, however the guys there have started testing the same motherboard type I''m using and are aware of my system being stable. Regards to all Roland |
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| | #8 | |
| Lives for gear Joined: Jan 2008 Location: Rheden
Posts: 558
| Quote:
Are all the mic-signals converted to line level and then reach your mobile when you use this splitter? Build in BSS preamps? I use the same splitters every now and then, and never had problems with em, since everything that reached the mobile was mic-level... Cheers, Sven | |
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| | #9 | |
| Gear addict Joined: Dec 2002 Location: Boston, MA
Posts: 495
| Quote:
All the best, -mark | |
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| | #10 | |
| Lives for gear Joined: Apr 2005 Location: amsterdam
Posts: 1,208
Thread Starter | Quote:
ofcourse it's a shame to not use my awesome lawo preamps, but with long cable runs and lots and lots of dimmed light power cables, it's just necessary to run line level to not get buzz, hum and what not .. Also,the bss pre amps are virtually noisefree and flat, so nothing wrong with em.. But with line level sources I meant keys, laptops, protools backing tracks and such.. | |
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| | #11 |
| Gear Head Joined: Jan 2008
Posts: 67
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Totally off topic here, but a nice story, I think... I was at one of my favorite New York restaurants this past spring and there was a young child running around the place a little bit, playing in her own world as kids do. I was struck by how completely happy and at ease this child seemed and said to my dinner companion, "Wow, she must have great parents that really do things right." Later my dinner companion told me that a certain Icelandic singer was sitting behind me and I turned and saw that certain Icelandic singer and her certain artist husband... and that the child was their own. So it seems they got it right artistically and on the home front. |
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