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| Tags: advice observations enlightenment, brass, mic placement |
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| | #1 |
| Banned Joined: Mar 2008
Posts: 34
Thread Starter |
hellooo guys... i would like to ask if i can record a french horn in a vocal booth measured 4.5 meters * 7 meters approximately. how to mic it "? am i going to face problems while recording ? any useful procedure and tips ? Thanks alot |
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| | #2 |
| Lives for gear |
In this situation your options are limited, so I would place a mic around 4ft from the bell at a slightly oblique angle, not directly down the horn itself. In live situations the sound most often heard is the reflected sound, but this is unlikely to be very practical in your situation. As always be prepared to experiment a little and take advice from the player to get the best possible result. Regards Roland |
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| | #3 |
| Lives for gear Joined: Feb 2008 Location: Oxfordshire, UK
Posts: 5,289
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A French Horn (like most brass) really needs a lot of air around it. I once recorded one in an empty school hall with the mic. about 6 meters away from the horn - wonderful. ![]() If you are stuck for space - try putting a board on the wall where the bell is pointing and record by reflection.
__________________ John Willett Sound-Link ProAudio Ltd. Circle Sound Services President - Fédération Internationale des Chasseurs de Sons (and lots more - please look at my Profile) |
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| | #4 |
| Banned Joined: Aug 2007
Posts: 595
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How big is this booth? Brasses really should have a big(er) room to play in. In small(ish) rooms and where the player is facing strait at a wall you actually get standing waves that cancels out some of the generated sound waves. In the case of the french horn, it is played facing to the players rear and with the right hand inside the bell. From the audience perspective reflected or ambient sound is what is heard. Close micing isn't an option, there's a hand in the way. Off axis would probably be best. Behind and to the right of the player/instrument. In a cramped booth that may not be an option. You might also capture from in front of the player for the ambience side of the sound, assuming a good room. Since what comes directly out of the bell isn't what the audience hears. Not that I have any experience micing one. But I played one for a very short stint in the Army Band. Only one french hornists and his wife just had a baby, and I was an MOS Trombone player with 4 other Trombone players. So I subbed in to give that hornist a day off. And I played a marching french horn in Drum Corps for one season. A completely different animal, but related. |
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| | #5 |
| Lives for gear Joined: Feb 2008
Posts: 941
| Boundary mic
Not knowing exactly what you're recording and the genre: If you're stuck in an overly small place, you could do the opposite of usual: Use a boundary mic on one of your, um, boundaries. That can have the effect of removing the boundary-it can really open up small spaces. You can use any conventional mic, BTW. Worth a try. |
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| | #6 |
| Gear nut Joined: Jan 2007 Location: Los Angeles
Posts: 101
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Try putting a piece of plywood 3-4 feet behind the horn player and mic it from the front.
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| | #7 | |
| Lives for gear | Quote:
French Horn can in smaller rooms can be very, very thick sounding. If the booth is what there is and if the player cannot 'adjust' to it, be prepared to use EQ, [possibly more than you dream of] this can, in my experience really help to open the top [freq wise]. But I would wait and and take that decision in the post-production.
__________________ ¤ Sound and Visual Art ¤ ¤ Risk Recording ¤ | |
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| | #8 |
| Banned Joined: Mar 2008
Posts: 34
Thread Starter | recording french horn
Thanksssssss guys for the help...useful info i will do sometest and let you know ... i will try to post up more info about the vocal booth that might help. thanksss |
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| | #9 |
| Lives for gear Joined: Mar 2004 Location: southeast
Posts: 1,393
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You did not say WHY you are using the booth-- if it is a leakage thing you are MUCH better off to overdub the horn. Since he must use headphones in either case you are no worse off. Otherwise, expect the player to react the same as if you suggested a phone booth, because that is what it will sound like. Rich |
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| | #10 |
| Gear Head Joined: Apr 2008 Location: Bremen, Germany
Posts: 31
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As a professional french horn player, i can tell you that most of the broadcasting stations here in Germany use a cardioid SDC for the french horn section in the orchestra, between the music stands of the 1st an 2nd player, as an overhead mic (h= about 2 meters). Hope this helps. Regards |
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