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| Tags: decisions decisions decisions, iem, live sound, location recording, speaker |
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| | #1 |
| Gear Head Joined: Sep 2007
Posts: 57
Thread Starter |
Hey slutz, Sorry if someone already covered this in another thread, but I couldn't find it in the search. If they did, please give me a link to the thread. Anyway, obviously there are some benefits to in-ear monitors on location recordings; - no monitor bleed into mics - don't have to worry about monitor volume messing up your FOH mix - don't have to worry about feedback - don't need speaker management hardware (ie graphic EQs) - don't have to have heavy speakers, amps, and speaker cables The only down sides I can think of is; - need to replace batteries - need to worry about using the right radio frequencies - small earpieces damaged more easily than stage monitors So, my question is; Do you guys find that artists want to use in-ears or stage monitors more? How often have you guys worked with an artist who refused to use in-ear monitors?
__________________ www.hipaudio.com Last edited by thefunkybeat; 12th May 2008 at 08:01 PM.. Reason: more info |
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| | #2 |
| @iamjoshstevens Joined: Dec 2006 Location: Hollywood
Posts: 241
| ?
It really depends. What I have found is younger bands and artist are more willing to try in-ears. But most of your old ones who have been doing this for years seem to want the monitors and want them blasting!!!!!!! It's all defferent with each act. I still haven't decided if they want them because the like the vibe better or their just losing their hearing. Oh well. haha
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| | #3 |
| Gear Head Joined: Mar 2008
Posts: 40
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In ears are awesome!!! even if the band wants to hear the crowd, you can alway set up a crowd mic. Makes stage volume a whole lot less of a freakin monster!
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| | #4 |
| Gear maniac Joined: Dec 2006 Location: Northampton, MA
Posts: 212
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Some artists love in-ears and some hate them. For some, all they need is a little of the vocal or main instrument in their wedge, so why bother getting suited up with in-ears and then needing a full mix in the ears. You have to remember that once the ears go in, pretty much every channel needs to go in the ears. Musicians tend to get much more picky about tone and dynamics once they are on in-ears, so you have to be prepared for that. The band I'm mixing now has 2 guys on ears and 4 on wedges. While I wish the lead singer would use ears, I understand his reluctance to use them. No matter how many audience mics you put up and how great the mix is, you are still somewhat removed from everyone around you. |
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| | #5 | |
| Gear Head Joined: Sep 2007
Posts: 57
Thread Starter | Quote:
![]() I'm never giving in and just giving the artist stupid amounts of monitor volume ever again. I don't care if they don't like it. It damages their hearing, it f*&ks up my mix, and I'm not paying for blown tweeters in those stage monitors! tutt | |
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| | #6 | |
| Lives for gear | Quote:
Regards Roland | |
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