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| Tags: advice observations enlightenment, jazz, trio |
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| | #1 |
| Gear addict Joined: Oct 2007
Posts: 390
Thread Starter |
Got this gig on a very short notice and I need to make some decision very fast . small club/bar non smoking( ) always a plus for my mic3 piece: Grand piano (backing vocal) Drum(with a lot of percusions gizmo) Vocalist (with some acoustic Guitar with piezzo) The piano lid cannot be open as there is a glass top on it. there is a mic inside against the sound board ,probably a 58 .I'm not able to confirm . I'll rather have my own mics on it . I have a mic splitter for all the singers and the one inside the piano. this is the list of mic I can use : Neumann: U87 U67 pair of KM184 AKG: C12vr pair of 414 Peluso 2047 LE Pearlman TM1 RODE : NT1 pair of NT5 AUdiotechnica: ATM25 shure : three 57 I'm trying to keep it around 10 channels max, stereo pair on the piano (AKG 414 ?) 2 or 3 mic on the drums (the 2 km184 stereo OH and u87 in front?) maybe a pair of ambience mic (???) 2 vocals(they use theirs a 58 and an AudioTech. ) direct box on the acoustic Gt(Martin). Any suggestions would be greatly appreciated The preamps is probably going to be an octopre and 2 channel of Weiss pre, no EQs going to protools thru 192 i/o.trying to keep it light. Thanks Francois
__________________ Francois Mad Dog Productions |
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| | #2 |
| Gear Guru Joined: Feb 2004 Location: Sacramento, CA
Posts: 10,229
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How can you put a 414 pair on the piano if you can't open the lid? No bass? Sounds like an almost minimalist approach is the best.
__________________ All the best, Henry Robinett http://www.henryrobinett.com/ http://soundcloud.com/henry-robinett |
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| | #3 |
| Lives for gear |
I've had good success by putting a mic under the piano near the soundboard. You might experiment with that.
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| | #4 |
| Gear addict Joined: Oct 2007
Posts: 390
Thread Starter | |
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| | #5 |
| Gear addict Joined: Oct 2007
Posts: 390
Thread Starter | |
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| | #6 |
| Lives for gear |
I usually use an SDC but if your KM84s are already in use the 414 would be fine. You'll have to experiment with placement.
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| | #7 |
| Gear addict Joined: Oct 2007
Posts: 390
Thread Starter | |
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| | #8 |
| Lives for gear |
Yeah you could, one under the soundboard at the crook and one in the back under the piano. It's going to sound very dark but with a little EQ it might be okay.
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| | #9 |
| Lives for gear Joined: Jan 2005 Location: NYC
Posts: 635
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I agree with Bryan. I'd put a pair of mics under the piano. You can get respectable sounds from under there (I've done this with a pair of 414s once). It can get boomy and thunky under there fast...Hopefully you can baffle the mics a bit so whatever other sound (drums...) that gets caught under the piano can be minimised a bit. If there is a lot of drum bleed try fig.8 with a close baffle behind it (like our eminent moderator does) - much better side rejection than cardiod. With a glass cover....guess that stops the drinks from spilling inside ![]() I wonder how they tune / regulate it - or if they tune it... I guess they never have to replace strings or add felt etc. Speaking of which, it would be quite fun to be there when one of those bass strings snaps and meets the glass cover on its way out. At least from a very safe distance behind a safety screen.... -Silas
__________________ Silas Brown Legacy Sound High-End Location Recording Legacy Mastering Mastering for classical, jazz, and acoustic music |
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| | #10 |
| Lives for gear | |
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| | #11 |
| Gear nut Joined: Jan 2007 Location: Los Angeles
Posts: 101
| Just a question: You have some nice microphones on your list. Do you really want to take a U67 into a bar?
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| | #12 | |
| Gear addict Joined: Oct 2007
Posts: 390
Thread Starter | Quote:
Of course no sound check... the pianist is opening by himself for an hour,that should give me some time to tweak the piano mics. | |
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| | #13 |
| Lives for gear Joined: Feb 2008
Posts: 941
| piano mic'd from below |
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