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| Tags: backline, foh, live sound, technique |
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| | #1 |
| Lives for gear Joined: Jan 2008 Location: Midwest
Posts: 4,583
Thread Starter |
This theory has been on my mind for sometime now...it's standard practice to time align your mains to your subs; but what about delaying all of your FOH to be aligned with your drums and guitar/bass amps? There's the obvious variation of backline depth, but in theory wouldn't an average depth delay "tighten" up the overall mix? Just wondering if anyone has an experience with experimenting with this.
__________________ phantom power doesn't make your voice sound spooky |
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| | #2 |
| Gear addict Joined: Jan 2007 Location: Portland, OR.
Posts: 442
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i do that all the time. i have a d show that we use at my church, and i not only delay the mains, but also individual channels if need be. it is great to have your sound come at you in a unified front rather that just the mains, if that makes sense. it especially makes sense in any venue where the stage is close enough to the audience to "interfere" with what your doing, like ours. try it out. just calculate, and then nudge back and forth till it makes sense. K |
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| | #3 |
| Lives for gear Joined: Apr 2005 Location: New York Friggin' City
Posts: 2,562
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Very standard practice with some PA companies, as well as shows that have a 'theatre' approach like Celtic Woman, as well as most if not ALL Broadway shows- everything time aligned to stage.
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| | #4 |
| Lives for gear Joined: Feb 2008
Posts: 941
| Delaying Mains
Several "art music" groups that I know of delay the mains so that the audience gets the acoustic first.
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| | #5 |
| Lives for gear Joined: Jan 2008 Location: Midwest
Posts: 4,583
Thread Starter |
ok...so i'm gonna give this a whirl this weekend. thanks for confirming my thoughts!
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