![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
| Tags: advice observations enlightenment, live performance, mikage, sitar harmonium tabla, youtube |
New Reply | Thread Tools | Search this Thread |
| | #1 |
| Lives for gear Joined: May 2006 Location: Taiwan (Canadian Citizen)
Posts: 706
Thread Starter |
I am working with a tabla player now who wants to buy a mic for live use. He is playing over all sorts of different styles and sometimes needs to play with a kit drummer which means he needs a mic that is good for avoiding feedback. As many of you already know this kind of micing can be a bit of a nightmare between the feedback and lack of crisp tone on the tablas. So the priorities for this mic are: Good solid tone, low feedback and if it's good for studio that is a bonus but not a priority. The budget is less than $350 but if there is a mic for cheaper that's great too. Any suggestions would be greatly appreciated. Thanks! |
| | |
| | #2 |
| Lives for gear Joined: Aug 2006 Location: Hyperspace
Posts: 1,066
|
Had a similar problem. Tricky one indeed. Ended up building a custom mike system. Pretty happy with the results, not perfect but in comparison a SM57 is much more prone to feedback. And it has a very crisp attack. Not sure I can share all the details here, send me a PM if you want to know more. Martin |
| | |
| | #3 |
| Lives for gear Joined: Oct 2006 Location: Near Rome, Italy
Posts: 829
|
The AKG has been named here several times for Tabla, but it was for recording (no live) and it isn't less than 350$ (maybe used??). I love tabla, Trilok Gurtu is a genious!!! |
| | |
| | #4 |
| Gear interested Joined: Nov 2006 Location: Nelson, New Zealand
Posts: 26
|
I recently used two Sennheiser e614s on tabla to give a (slightly) stereo effect but one would do fine. They're a nice little mic for the price. Bob |
| | |
| | #5 |
| Gear maniac Joined: Jan 2006 Location: Pune, India
Posts: 270
| A Fan of the EV mics.
I do a lot of Tabla recordings and for live work, it is hard to go wrong with the EV RE16 or the RE27. The 16 is a bit more focussed being hyper card, the 27 is a bit more edgy and has more gain so it is especially useful for giving a nice hi-eq boost (defeatable). The variable-D thing really does do its trick. Highly recommended. As an aside, if you are recording a tabla and have no budget issues, the best tone I have obtained is with a DPA 4011 followed closely by the AKG 414. Of course in a live situation these could give you bleed and feedback. Good luck. Baithak |
| | |
| | #6 |
| Gear maniac Joined: Feb 2003 Location: New England
Posts: 267
|
In my limited live tabla recording experiences I had great luck with an akg c1000. Seriously. I mention this because it is in your budget, at least I think it is. In fact here is a video I "produced" (i.e. playing with new camera) that had Mike Dillon on Tabla: |
| | |
| | #7 |
| Lives for gear Joined: Jan 2007 Location: Washington, D.C. area
Posts: 802
|
I don't have much experience working with tablas, but for bongos, I've had good experience with the Audio Technica AT3031. It's got a well defined pattern, a pretty natural sound, and it has a pad and roll off should you need it. You should be able to get a pair of them in your price range. You might also consider the ATM450 for a budget SDC.
|
| | |
| | #8 |
| Lives for gear Joined: Jul 2006 Location: Germany
Posts: 2,420
|
IMHO a single 414 between the drums is all you need... If the budget won't allow that, get a Beyer M201. Excellent mic for Tabla as well... Daniel |
| | |
| | #9 |
| Lives for gear Joined: Apr 2005 Location: New York Friggin' City
Posts: 2,562
|
I really like the KM184 or KM84i on tabla. In the under $400 range, how about the AKG 451, or 391? For the, the key to no feedback for Tablists is using very low monitoring, careful placement of microphone and monitors, and a lot of experimenting with the player to understand what their particular feel is. Hope this helps! |
| | |
| | #10 |
| Gear maniac Joined: Jun 2006 Location: Sydney Australia
Posts: 209
|
If the music is traditional, any of the previously mentioned mics would be fine for tabla (although not so sure about the C1000). Another mic that works very well because of it's directionality is a 441. If the music requires lots of foldback, clip-on mics are the only way to go. Because tabla is such a relatively quiet instrument, and the player needs to hear himself well, feedback is always a problem when playing with loud instruments. A pair of AKG C418 clip-ons are a little over budget new, but do pop up fairly often 2nd hand for well under the budget. They work very well on tabla. Blair |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| Recording Harmonium & Tabla | sinsay | Remote Possibilities in Acoustic Music & Location Recording | 58 | 28th April 2009 01:53 AM |
| Could you live just with one great compressor ? | ISedlacek | Mastering forum | 71 | 30th January 2008 10:40 PM |
| Great live recordings | mrufino1 | Remote Possibilities in Acoustic Music & Location Recording | 40 | 28th June 2007 03:28 AM |
| Advice needed - Harmonium/Tabla/Tambura | Jim Roberts | Remote Possibilities in Acoustic Music & Location Recording | 1 | 27th May 2005 01:17 PM |
| |