![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
| Tags: gadget, help please help, technical techiness |
New Reply | Thread Tools | Search this Thread |
| | #1 |
| Gear nut Joined: Jan 2007 Location: Exeter Devon UK
Posts: 87
Thread Starter |
Help! I need 10dB of Attenuation for a K6 ME66 Mic going into a Sony Z1 as I have heard that the K6 has dangerously high output. No time to purchase as the shoot is a last minute thing. I know its gonna have something to do with resistance, but in what configuration? Really should have done an electronics module at uni. cheers James |
| | |
| | #2 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
|
PM me your email address and I will send you my attenuator calculator. It's an Excel file and I could not upload it to this forum. It calculates T, O, H, Pi, L and U type attenuators.
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network What about my Facebook Profile? Remoteness on Myspace |
| | |
| | #3 |
| Gear nut Joined: Jan 2007 Location: Exeter Devon UK
Posts: 87
Thread Starter |
Sweet! You are a star. Have you built one before? If so have you got any tips? Thanks again James |
| | |
| | #4 |
| Gear nut Joined: Jan 2007 Location: Exeter Devon UK
Posts: 87
Thread Starter |
I just found this. http://www.dplay.com/book/pgs2e/pads.pdf Do you know if the XLR to XLR balanced +4dBU to -10 dBV line attenuator equals 10dB of reduction? I am a bit confused? Could anyone explain why the ME66 is so HOT and why a Z1 cant handle it? I presume they are both balanced. Is it impedance inconsistancy? Thanksin you James |
| | |
| | #5 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
|
I just emailed you the calculator. Did you get it? Let us know how it worked out!!! |
| | |
| | #6 |
| Gear nut Joined: Jan 2007 Location: Exeter Devon UK
Posts: 87
Thread Starter |
Hey man! Got the e-mail and I am about to build. But first...... is the Z value the Nominal impedance in Ohms? And am I right in assuming I want the H Type Attenuator for an XLR to XLR? I have seen some manufactured devices that quote 200 (Mic) 600 (Line) and the H types Z Value was set to 600 when I opened the document. Thanks again James |
| | |
| | #7 |
| Lives for gear Joined: Dec 2004 Location: Finland
Posts: 3,756
| |
| | |
| | #8 |
| Gear nut Joined: Jan 2007 Location: Exeter Devon UK
Posts: 87
Thread Starter |
Wow! Thanks Matti! Who need to go to college when you have the internet. Cheers James |
| | |
| | #9 |
| Gear nut Joined: Jan 2007 Location: Exeter Devon UK
Posts: 87
Thread Starter |
Can you guys spot the problem? ME66 Pick-up pattern super-cardioid/lobar Frequency response 40–20,000 Hz ± 2.5 dB Sensitivity (free field, no load) (1 kHz) 50 mV/Pa ± 2.5 dB Nominal impedance 200 Ω (with K6) Min. terminating impedance 1000 Ω (with K6) Equivalent noise level A-weighted (DIN IEC 651) 10 dB CCIR-weighted (CCIR 468-3) 21 dB Max. SPL (1 kHz) 125 dB (THD = 1 %) Dimensions in inches .88 x 8.7 Weight 2.29 oz Sony Z1 XLR audio input XLR 3-pin female x 2, 327 mV, -60 dBu: 3 kΩ, +40 dBu: 10.8 kΩ, power supply: approx. 40 V |
| | |
| | #10 | |
| Lives for gear Joined: Jan 2005 Location: NYC
Posts: 635
| Quote:
If memory serves the loss / gain with +4 <-> -10 is about 11.5 dB. [EDT: just saw the precise value in a table from Matt's links. its 11.79dB] Best, Silas
__________________ Silas Brown Legacy Sound High-End Location Recording Legacy Mastering Mastering for classical, jazz, and acoustic music | |
| | |
| | #11 | |
| Gear nut Joined: Jan 2007 Location: Exeter Devon UK
Posts: 87
Thread Starter | Quote:
I did it! With a little help from Jim the gardener (who used to be a physics teacher). I used the closest to ideal resitors I could find. 4 x 54's and 1 x 120 gave me about 11 dB of attenuation. I built an H-type balanced circuit on a piece of circuit board and inserted it at the Male end of the XLR. I then made a loop in that end of the XLR and cable tied the circuit into the loop so as to keep the joint as safe as possible. It did the job well and I proceeded to make a good recording. If I hadn't built this pad in to the cable then the recording could quite easily have been a distorted one. Thanks to everyone for their pointers. Remember everyone: Sennheiser ME66 Mics are to hot for the Sony Z1. The Z1 just doesn't have the dynamic range. Cheers ![]() James | |
| | |
| | #12 |
| Gear interested Joined: May 2009 Location: Vancouver
Posts: 9
|
I just bought a bunch of resistors from radioshack. I want to build a -15db pad for my API preamp. Does anyone have a detailed diagram and what resistors to use? thanks |
| | |
| | #13 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
|
Check this post out... Five components to a successful location recording & much more (The Beginners Guide) |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| HELP PLEASE --HOW TO MAKE A XLR FEMALE UNBALANCED TO XLR MALE BALANCED | ToneRexx | Geekslutz forum | 9 | 13th January 2008 12:07 AM |
| |