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| Remote Possibilities in Acoustic Music & Location Recording Jazz, Classical, Choir, Acoustic Music environments & beyond + Live Performance, Mobile & Location Production & Broadcasting Moderated by Steve Remote of Aura Sonic Ltd. NYC, NY USA |
| Tags: best of rpiamlr, remote, remotesters |
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| | #241 |
| Lives for gear | I've been meaning to do this...I'm pretty active in the Remote forum these days. Name: Bryan Garris Rank: I own my own location recording biz, Ocean Star Productions (Ocean Star Productions - Location Recording, Audio Mastering, and CD Duplication). It's small but I make a good deal of my income from it. I'm also about to start my fifth year in college double-majoring in Music Education and Music Composition. Specialty: Remote recording of classical and jazz music. I also play flute and piccolo in some local orchestras. Gear: I use a couple of Korg D888s for up to 16 tracks live recording. Backup to Reaper on my laptop. Mics include lots of Oktavas, some AKG, Earthworks, AT, and Shure. It's a bit on the "low-end" but I get great results out of my rig
__________________ Bryan Garris Ocean Star Productions - location recording, cd duplication, and live sound for classical, jazz, and other genres www.oceanstarproductions.com |
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| | #242 |
| Gear interested Join Date: May 2008 Location: Calgary, Alberta, Canada
Posts: 2
| Name: Lazerface (aka another guy named Scotty) Rank: quite frequently, I fart a lot....oh Independent, just a student with a home/location studio getting some gigs and helping out his local artists big and small Specialty: Brass and Choral recordings. I sing bass in a large choir and am a brass musician, so this is a natural evolution. Hoping to move more into straight classical and jazz, maybe a little metal/ska/alt rock to spice it up Gear: Mics: Rode NT5 stereo pair, AT 2020, Shure Beta 58A Pre's/interface: Presonus firepod DAW: Cubase 4 Monitors/Cans: M-audio Studiophile BX5's (not the 5a's), AKG K271's Thought for today: what do I spend my $2000 tax return on? that, and I wish i could find more people like me in canada here. |
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| | #243 |
| Gear interested Join Date: Jul 2008
Posts: 3
| Name: Mark "Splinter" Harder Rank: and file audio human for 22 years. Lots of time on the Metro Mobile Truck out of Chicago, worked at Aura-Sonic for a bit. Staff engineer at Hit Factory 1989 - 1991. Eight years in house post production at Ogilvy and Mather (before there was digital even). Doing some producing. Also doing some work with One Dream Sound and The American Airlines Theater. Specialty: Lots. Only way to stay sane. Remote, studio, music, post production, location audio, all of it. Love it. Gear: You know, you guys all have such nice gear, when I come across a live gig, I'll just rent your stuffz. Deal? Just started the web z may: Decades in Audio… Glad to meet you all. |
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| | #244 |
| Super Moderator Join Date: Aug 2002 Location: NYC
Posts: 4,628
| Mark, If you folks didn't already know this information... Mark Harder is one of the finest recording engineer on location or in the studio. It's really awesome to see you here. Welcome aboard!
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network Remoteness on Myspace |
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