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Name this mic technique
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Old 15th January 2008   #1
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Talking Name this mic technique

Hi guys.

yesterday I was recording some percussion...djembe,bendir,cajon,darabuka,req.

I end up using this technique but I dont know how to name it.

2 omni mics on top of each other, with the diagrams barrelly touching , facing the instrument.

If I use both mics in the middle it sounds great and if I pan them L/R it sounds much better.

Its not like stereo micing but it is really huge sounding...

a name please?
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Old 15th January 2008   #2
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Dual Mono Hard Pan.
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Old 15th January 2008   #3
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Wide Mono?

X-Y(w)ide Mono?
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Old 15th January 2008   #4
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I'll be dipped if I know!
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Old 15th January 2008   #5
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North-South stereo maybe - when conventional spaced pairs are East-West.
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Old 15th January 2008   #6
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The "this sounds better because it is 2x louder than regular mono" techique

I'm not bustin on ya, but this may be the case here.
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Old 15th January 2008   #7
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Big Mono
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Old 15th January 2008   #8
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simon
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Old 15th January 2008   #9
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I like it whoever said "double mono hard pan," that seems to sum it up nicely, eh?
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Old 15th January 2008   #10
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This is a bit reminiscent of the coincident omni vocal mic technique used by Bruce Swedien. In his case, the capsules were pointed different directions. I believe he used DPA's. You get a strong central image with no low-frequency phase problems, but I little bit of stereo "action" at high frequencies, due to pattern narrowing.

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Old 15th January 2008   #11
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Originally Posted by BlueRadio View Post
The "this sounds better because it is 2x louder than regular mono" techique

I'm not bustin on ya, but this may be the case here.

no its not.
Matching the level of one mic at the time with both doesn't give the same mono sound.

I could post some clips if you like
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Old 15th January 2008   #12
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Quote:
Originally Posted by joelpatterson View Post
I like it whoever said "double mono hard pan," that seems to sum it up nicely, eh?
I think that guy was on to something. thumbsup
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Old 15th January 2008   #13
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Quote:
Originally Posted by David Rick View Post
This is a bit reminiscent of the coincident omni vocal mic technique used by Bruce Swedien. In his case, the capsules were pointed different directions. I believe he used DPA's.
I used B&K 4006's (now DPA 4006) extensively and these mics are not omni's from top 'till bottom.

As you can see, a pair of coincident 4006 omni's can be used as a XY or ORTF. The mono-comptablity is also less destructive as with an AB-pair of omni's. Try it at "home" if you have the chance!
I also regularly took off the grids for a less phase-distorted sound at 3.5k and to make it a little more directional.
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Old 15th January 2008   #14
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I like the DMHP moniker. Of course it works because High frequencies are not omnidirectional....




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Old 15th January 2008   #15
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Quote:
Originally Posted by joelpatterson View Post
I like it whoever said "double mono hard pan," that seems to sum it up nicely, eh?
Actually, he said 'dual', not 'double'... You shouldn't put words in the poor guys mouth.
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Old 16th January 2008   #16
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Instead of X/Y, you could call it O/O
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Old 16th January 2008   #17
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Quote:
Originally Posted by slick0 View Post
Actually, he said 'dual', not 'double'... You shouldn't put words in the poor guys mouth.
I must be playing some clever game, with this intentional "mis-remembering what I read," I wonder what I'm up to?
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Old 22nd February 2008   #18
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It would be nice to have some sound clips to listen. By the way, kalispera.
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Old 22nd February 2008   #19
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Kalispera (goodevening) Kosta.

I will post some percussion clips later.
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Old 22nd February 2008   #20
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no intensity or phase difference?

doesn't that mean.... the same?

did the poster mean to say that the capsules were coincident, but crossed?
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Old 22nd February 2008   #21
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You say you like the sound of it? Then I would call the technique "the right one."
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Old 22nd February 2008   #22
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I agree, who cares what it's called if it works. If it sounds good, name it after yourself and spread through out college text books nation wide. Innovation through experimentation. I love it! not enough people think that way any more!!

Can't wait to hear it!

All the best
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Old 22nd February 2008   #23
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Well , why not call it the "The Yiannis something between mono and stereo technique"?

Jörg Jecklin did the same with the Jecklin-disk. And then he patented it and earned money with it. (yes, unbeliveable, but also possible)

Just a joke, of course

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Old 23rd February 2008   #24
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here are some percussion samples guys.

In each zip file is a L-R summing version and the stereo.

files are 24/48

tell me what you think
Attached Files
File Type: zip BEDIR.zip (3.52 MB, 20 views)
File Type: zip REQ.zip (3.41 MB, 12 views)
File Type: zip BONGOS.zip (2.37 MB, 21 views)
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Old 23rd February 2008   #25
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On the bongo's it seems that it is left side heavy. It sounds kinda cool, is the all mid just a mono file of it?
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Old 23rd February 2008   #26
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Quote:
Originally Posted by Spookym15 View Post
On the bongo's it seems that it is left side heavy. It sounds kinda cool, is the all mid just a mono file of it?

the mono file is the two mics placed in the middle
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Old 24th February 2008   #27
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I'll have to check this in the studio but just listening from my vaio I didn't hear a wide stereo. My panning usually is quite hard and I use very wide stereo image. I couldn't get the stereo much. Again, I'll check it in the studio and I'll get back.
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Old 24th February 2008   #28
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Quote:
Originally Posted by joelpatterson View Post
I like it whoever said "double mono hard pan," that seems to sum it up nicely, eh?
You never fail to crack me up Joel, but I believe the correct term for that technique is Momnereo
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Old 24th February 2008   #29
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Quote:
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I must be playing some clever game, with this intentional "mis-remembering what I read," I wonder what I'm up to?
Whoa, maybe there are two of you!
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Old 25th February 2008   #30
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And we each have identical twins!
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