Recording separated Voice and Guitar at the same time - Gearslutz.com Gearslutz.com
 


All Advertisers
Go Back   Gearslutz.com > The Forums > Remote Possibilities in Acoustic Music & Location Recording

Tags: , , , ,

Recording separated Voice and Guitar at the same time
New Reply New Reply Thread Tools Search this Thread
Old 5th January 2008   #1
Gear maniac
 
Joined: Nov 2007
Location: EUROPE
Posts: 175

Thread Starter
Question Recording separated Voice and Guitar at the same time

This year we need to record a singer/songwriter. He cannot play acoustic guitar without singing or VV. We would want to separate the signal as much as possible. Does someone know how to do that? Thought of shielding microphones but strumming hands do not leave much space for that.
Andraes is offline  
Reply With Quote
Old 5th January 2008   #2
Lives for gear
 
zemlin's Avatar
 
Joined: Sep 2004
Location: Indianapolis, IN
Posts: 658

Figure-8 mics are your friend here.
A figure-8 on vocals with the dead plane of the mic pointed at the sound hole on the guitar will give you great isolation on the vocal. If you're getting too much room echo on the back side of the mic, a gobo or small acoustic baffle stuffed up to the backside of the mic can ease that.

If you want to mono-mic the guitar, another figure 8 down there with the dead plane oriented to the sound hole of the singer works fine. Stereo micing can be a little trickier, but I've done find with XY, and MS.

The main thing you want to avoid is significant coloration of the other source in any one mic. I tried the baffle thing between mics once and ended up with colored vox bleed in the guitar. It was light, but the off-color sound was hard to mix into the vox mic.

You're much better off with good sounding bleed, so when placing your mics focus on only on reducing the bleed, but making sure the bleed that's there sounds OK.

a cut and paste from another forum long ago
Quote:

The big lollypop is a baffle. It helps a little, but the difference with the baffle in place was not dramatic. When setting up the instrument mic I try to have the axis of the body pointed right at the singer's mouth. The vocal mic is horizontal with the dead plane pointed at the guitar sound hole.

Here are a couple of untouched samples from the latest session. (185K each)

http://www.cheap-tracks.com/mp3/Davi...Fig_8_Demo.mp3
http://www.cheap-tracks.com/mp3/Davi...Fig_8_Demo.mp3
In later sessions I learned that the round baffle is much more effective just a few inches from the back side of the instrument mic. Here is a track from the completed CD:
http://www.cheap-tracks.com/mp3/chea...d_o_sample.mp3

Here's another clip
http://www.cheap-tracks.com/mp3/kiser_guitar_sample.mp3
This one done with XY AKG Blue Lines on the guitar. A little color in the VOX from bleed in the instrument mics, but overall a pretty good result. The guitar mics were pointed downward a fair bit to minimize vox bleed.

The LD mics in all of these clips are Studio Projects C3s.
__________________
Karl Zemlin - www.sonicartistry.net

I couldn't pick a pocket in a pile of dirty clothes - Chris Smither
zemlin is offline  
Reply With Quote
Old 5th January 2008   #3
Gear Guru
 
joelpatterson's Avatar
 
Joined: May 2005
Location: Albany, New York
Posts: 10,645

Wow! I have those exact same packing blankets! Same dusty dark blue, same baby blue trim, same stitching pattern even!
__________________
Mountaintop Studios
~the peak of perfection~
Petersburgh NY 12138

mountaintop@taconic.net

www.joelpatterson.us
joelpatterson is offline  
Reply With Quote
Old 5th January 2008   #4
Gear maniac
 
Joined: Nov 2007
Location: EUROPE
Posts: 175

Thread Starter
Hi Karl,

What you are showing is great. The thingie, it's position... spot-on. We expect to be needing here and there a little pitch correction. This (and possible other per channel unique processing) is reason why the bleeds should be little as possible. Thanks for picking up that pic!
Andraes is offline  
Reply With Quote
Old 5th January 2008   #5
Gear maniac
 
Joined: Nov 2007
Location: EUROPE
Posts: 175

Thread Starter
Joel,

I think Kylie Minogue used the same blankets recording her first hits in the garage of previous Sweet guitarist. Did'nt you hear that?
Andraes is offline  
Reply With Quote
Old 5th January 2008   #6
urumita
 
7rojo7's Avatar
 
Joined: Nov 2002
Location: Spoleto, Italy
Posts: 2,383

That's about as good as it gets.
For pitch correction do alternative takes of the parts that are out of tune and get out the scissors, it wll sound better too.
A dead gobo is a must in my opinion
__________________
love and light
7rojo7 is offline  
Reply With Quote
Old 5th January 2008   #7
Gear Guru
 
joelpatterson's Avatar
 
Joined: May 2005
Location: Albany, New York
Posts: 10,645

Quote:
Originally Posted by Andraes View Post
Joel,

I think Kylie Minogue used the same blankets recording her first hits in the garage of previous Sweet guitarist. Did'nt you hear that?
I KNEW I'd seen them somewhere....
joelpatterson is offline  
Reply With Quote
Old 5th January 2008   #8
Gear maniac
 
Joined: Nov 2007
Location: EUROPE
Posts: 175

Thread Starter
7rojo7
We are a bit worried that the vocal bleeding on the guitartrack will be audible out of tune with the pitch corrected/new take. It is the kind of singer who is not out of tune when he is but at some moments we should be able to balance.....
Andraes is offline  
Reply With Quote
Old 5th January 2008   #9
Lives for gear
 
zemlin's Avatar
 
Joined: Sep 2004
Location: Indianapolis, IN
Posts: 658

any retakes would have to be done with both guitar and vocal. Fixing one track is not an option.
zemlin is offline  
Reply With Quote
Old 6th January 2008   #10
Gear maniac
 
Joined: Nov 2007
Location: EUROPE
Posts: 175

Thread Starter
Inserting both guitar and voice from a retake? Is it possible to insert a strumming guitar? And a smarter question: As we will not use a click track, will we use the first recording as a guidetrack for the inserts?

I like the suggestion to fix pitch with inserts instead of melodyne....
Andraes is offline  
Reply With Quote
Old 6th January 2008   #11
Lives for gear
 
zemlin's Avatar
 
Joined: Sep 2004
Location: Indianapolis, IN
Posts: 658

I would punch in, letting the performer play along with the original take for a few bars to get in gear, then play/sing through the punch-in region. You might need to tidy up the edges, but if the performance is reasonably consistent punching in should work fine.
zemlin is offline  
Reply With Quote
Old 7th January 2008   #12
Gear interested
 
Joined: Apr 2007
Posts: 26

The link below has some other tips on preventing phase interference when recording a singer/guitarist:

article

brubart
brubart is offline  
Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 

Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
Best Mic for Old-Time Country Voice + Guitar PHILANDDON High end 24 22nd January 2011 04:28 AM
Best Dynamic Mic For Old-Time Acoustic Guitar and Voice Sound bluegrasser High end 2 15th August 2007 05:01 PM
Recording Acoustic guitar and Vocals at the same time johnwayne So much gear, so little time! 3 3rd January 2007 05:08 AM
Recording voice and acoustic guitar Rossco So much gear, so little time! 12 6th March 2006 02:49 AM


All times are GMT +1. The time now is 02:09 AM.

Home - Search Forum - Contact Us - Terms Of Use / Privacy Policy - Advertise on Gearslutz - All Advertisers - Top
 
 
Powered by vBulletin®
Gearslutz.com LTD - UK Company Number 7597610.
Registered Office - 35 Ballards Lane, London, N3 1XW.
Hosted by Nimbus Hosting.

By using this site, you agree to our use of cookies.

SEO by vBSEO ©2011, Crawlability, Inc.