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| Tags: acoustic instrument, advice observations enlightenment, bassage, mic placement |
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| | #31 | |
| Lives for gear Joined: May 2008 Location: AZ
Posts: 1,138
| Quote:
do you find you need to do much low / mid EQ'ing with that type of set up? must be meaty!
__________________ The temple bell stops / but the sound keeps ringing / out from the flowers. - - basho | |
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| | #32 |
| Gear Head |
it is a sennheiser md 421. for me the md 441 also works quite well. this gives me a good basic setup to work with. sometimes i have to reduce the bass a couple of db´s (lets say under 150hz or so). you can hear the mic in action: International Friendship Society there is a music-player in which you can click on song 1 ("beside you") |
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| | #33 |
| Lives for gear Joined: Mar 2008
Posts: 976
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Recently, I has very good results with a Sennheiser 8020 (omni) set quite low - a bit under the bridge, 1.5 ft away. A second tube LDC was set higher, with particular attention to the phase coherence, but wasn't used at mix stage. The omni track was just perfect. Note that due to reflexion from the floor, setting a mic that low is tricky. As a general rule of thumb, I've come to the conclusion that the acoustic treatment of the room is even more crucial for acoustic bass than for other instruments, since room modes are by definintion particularly problematic in the low register. Being able to record such an instrument without having to compress the heck of it at mixdown requires a good studio, more than anything else. |
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| | #34 |
| Gear Head Joined: May 2009
Posts: 31
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Try a Shadow Hills Gamma Transducer pickup on the Bridge straight to the DI and a large Diaphram condensor, about 3-4" out from the bottom of the fingerboard. Mix to taste
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| | #35 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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