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| Tags: advice observations enlightenment, board console desk, build for remote, not sucky, preamplifier, signal processor |
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| Thread | Thread Starter | Forum | Replies | Last Post |
| What's missing! Here's a great idea... | C Heat | So much gear, so little time! | 4 | 18th July 2006 01:17 AM |
| Great cans for location setups? | zemlin | Remote Possibilities in Acoustic Music & Location Recording | 39 | 26th June 2005 09:16 PM |
| Great Idea for a new pluggin | dhughes | So much gear, so little time! | 10 | 24th September 2004 05:08 AM |
| great idea for a controller | RobAcid | Music computers | 0 | 23rd July 2003 07:50 PM |
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| | #1 |
| Lives for gear Join Date: Mar 2003 Location: Palma+Stuttgart
Posts: 817
| ![]() -No, this is NOT an SSL product. This project is the culmination of more than a decade of research by a pool of audio engineers, here made to fit into SSL's existing product line (unmodified XRACK chassis) -Yes, SSL is well aware of this project -SSL is working on *something*...mmm, just as a few other 1st class manufacturers out there... ---------------------------------------- EDIT: more specs descriptions What you are seeing here, Top Image: The base 24 channel (16+8) expandable, fully featured, automatable Superanalogue Mixer. Each channel sports 1stereo Cue and 2-5 FX sends, switchable balanced Inserts, selectable pre/post Direct Outs with independent send level, dual stereo main busses routing, mute+solo switches and "Virtual On-Line" topology. The mixer does include full talkback and listenback, 2-way A+B foldback, and sophisticated monitoring sections with dual speaker outs, AFL-PFL everywhere, LED and big VU meters for the dual busses, tally, 2 ext inputs, inserts for Master Busses, dual assignable headphone outs.. etc, etc, and of course, Total Recall. The 4st inputs (additional 8) have each also access to either cue or Fx busses, dual mix bus routings and solo+cut. All this in a 6U standard 19" rack. Center Image: Same as above, plus full 8 Bus Routing for every channel and comprehensive dedicated Metering per channel and busses, bus send level with AFL, along with 16+1 standard 100mm audio faders. 8U 19" rack. Bottom Image: Same as above, but this time the fader unit has 16+1 true Moving Faders to the analog mixer. The faders and rotary knobs are also used to simultaneously control and automate DAWs. 8U 19" rack. Simple. Elegant. Multifunctional. Powerful. High class. And very affordable. |
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| | #2 |
| Gear maniac Join Date: Apr 2007
Posts: 259
| looks good to me, wake up SSL! |
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| | #3 |
| Lives for gear Join Date: Oct 2004 Location: right coast
Posts: 3,810
| add an expandable meter rack and counr me in! |
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| | #4 |
| Moderator Join Date: Feb 2004 Location: Boston,MA Providence,RI
Posts: 10,150
| Where are these from? |
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| | #5 |
| Lives for gear Join Date: Mar 2005 Location: Brooklyn
Posts: 1,186
| That's exactly why SSL didn't my $ yet... They will once THIS is released! |
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| | #6 |
| Gear maniac Join Date: Feb 2007 Location: Geneva CH
Posts: 184
| Somethin à la ToneLux system from SSL? Yeah, that would be great!! |
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| | #7 |
| Lives for gear Join Date: Dec 2004 Location: Germany / Frankfurt
Posts: 969
| Nice pictures but there's Tonelux! Why do you need SSL to do this? ![]() |
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| | #8 |
| Gear Guru Join Date: Jun 2002 Location: New York City
Posts: 11,239
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| | #9 |
| Lives for gear Join Date: May 2004 Location: DC
Posts: 1,054
| It's like " The Mustard is ala Ketchup"...
__________________ Paul Wolff www.tonelux.com...or .be or .de or .uk or .eu or .org or .net or .jp or .cn or .asia "When I look behind me, I clearly see my past getting really, really, further and further and further away" |
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| | #10 |
| Lives for gear Join Date: Mar 2003 Location: Palma+Stuttgart
Posts: 817
| some more info on the subject -this is a project of a pool of european audio and software engineers based in germany, to whom im a member -those images were made 1 year ago -the project summarizes more than a decade of marketing and development research. some of the intial concepts and drawings are more than 10 years old -the project was codenamed "Baby9K", as the main goal was to obtain an SSL9000K in an extremely flexible, modular and user configurable fashion -the mixer is designed to NOT be restricted to recording studios. it pretends to cover everything, from live applications, location recording, theaters and fixed installations, broadcast, transfer rooms, professional recording facilities and personal/producer driven studios -the entire project is summarized in a 50+ pages PDF document, which includes all concepts, drawings, diagrams, signal flows, connectors, images, etc -the project is NOT restricted to SSL. SSL was taken as the reference, as it's one of the few manufacturers who can offer snap recall of all parameters (total recall) more to come... |
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| | #11 |
| Moderator Join Date: Feb 2004 Location: Boston,MA Providence,RI
Posts: 10,150
| So, in reality this is just ideas... the things in the images don't exist... and this has nothing to do with Solid State Logic, other than using them as a "reference"... This thread is at the very least confusing, and at the worst misleading since this is not an SSL product... especially when you are using words like Total Recall and SuperAnalogue, which are SSL trademarks. You said this is not an SSL product... but, the title of the thread is "What SSL forgot to introduce at AES NYC". ![]() |
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| | #12 |
| Lives for gear Join Date: Mar 2007 Location: Sweden
Posts: 1,566
| Yeah, a little confusing. But from the looks of it, it could be something good (and expensive), Keep us posted! |
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| | #13 |
| Lives for gear Join Date: Jan 2004 Location: Highlands of Scotland
Posts: 1,107
| Whilst I wish you and your colleagues every success, may I give you some advice from someone (me) who has done something very similar a long time ago - and in Germany too. Start small. Don't build the big system, but build something like a rack of mic-pres with phantom that can double as splitters. When they start to sell, find a wholesale outlet, because despite all good intentions, engineers are not salesmen and the stuff does not sell itself. Now you have a product and distribution. Then build a filter bank and perhaps one or two other things such as a summing box. Remember that marketing and distribution is AT LEAST as expensive as manufacture for quality items in audio! Stands at the AES and the Musikmesse? Magazine ads? Salesman's commission? Shop markup? Also please remember that SSL has a marketing department with people who know how to conduct surveys and calculate the cross-price elasticity of demand of the various models for themselves and the competition. They have experts in cost analysis and every other aspect of business and can tell you more about the structure of, say, DigiDesign than most people at DigiDesign. This is normal for a medium sized company like SSL. If they 'failed' to build something, then there will be a reason.
__________________ http://www.the-byre.com |
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| | #14 |
| Lives for gear Join Date: Mar 2003 Location: Palma+Stuttgart
Posts: 817
| The thread is misleading? The post starts with these very same words: "-No, this is NOT an SSL product..." The industry has changed enourmosly. Demand for big pricey consoles has pretty much vanished, but not demand for hi-quality tools. All big console manufacturers have realised this, and are therefore releasing smaller, cheaper and more flexible (configurable) products catering to the current audio market needs. After thoughtful marketing and product R&D spanned along more than a decade, this german based group has designed a new unparalleled product that has real customer demand. The project (and adaptation to its current product line) has been presented to SSL. There's nothing like this on the market. This thing brings big-console like quality in an extremely configurable and relatively affordable package, to a very broad range of customers. Besides other applications on the field or in fixed installations, the "B9K" was conceived to be the centerpiece of any DAW based recording studio, regardless of its size. With its modular and expandable architecture it is designed to work along existing outboard items or stand alone, and grow in time as demand dictate. Anything can be built, from a smaller RESETABLE tracking and mixing device for a composer's studio to a truly automatable, fully analog mixer for an ICON facility. As for SSL, the "B9K" as it was presented fully integrates and compliments its existing product line, and it only requires 2 XRACK modules and a master unit to happen. Prices would be in line of similar XRACK units. |
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| | #15 | |
| Gear maniac Join Date: Sep 2007
Posts: 151
| Quote:
Ok, so what exactly are you doing/selling?? Do you have a product line similar to the SSL X-rack line? .... other than that, the idea would just be ... ummm ... buying products from the SSL X-rack line!! I don't get it. | |
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| | #16 | |
| Lives for gear Join Date: Mar 2003 Location: Palma+Stuttgart
Posts: 817
| Quote:
it's presented here to GS people to gather opinions. | |
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| | #17 |
| Lives for gear Join Date: Jan 2004 Location: Highlands of Scotland
Posts: 1,107
| What market research have you done so far?
__________________ http://www.the-byre.com |
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| | #18 | |
| Lives for gear Join Date: May 2004 Location: DC
Posts: 1,054
| Quote:
__________________ Paul Wolff www.tonelux.com...or .be or .de or .uk or .eu or .org or .net or .jp or .cn or .asia "When I look behind me, I clearly see my past getting really, really, further and further and further away" | |
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| | #19 | |
| Lives for gear Join Date: Mar 2003 Location: Palma+Stuttgart
Posts: 817
| Quote:
we're talking about building a 9K-style modular and RESETABLE mixer to cover all grounds of audio production. my comments about "attractive price points" are related to a comparison to the older desks. there's still demand for high-end units, just not in the half a million $ mark anymore. prices in the XRACK category for the units in the pics above are ok. the moving fader option will be of course more expensive, but not as much as one might think, because it would be based on DCA (just like current SSL desks) where audio doesnt go thru the fader. this allows: -cheaper and less manteinance of the unit -number of faders doesnt have to equal number of automated channels -faders can simultaneously be used for other tasks, like DAW automation | |
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| | #20 |
| Gear nut Join Date: Oct 2007 Location: Brooklyn, NY
Posts: 132
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__________________ ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() yay! |
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| | #21 |
| Lives for gear Join Date: Sep 2005 Location: Camarillo, CA
Posts: 1,215
| I really wouldn't want to sit in front of that all day. If your going to spend that much cash, why not go the extra mile and get a sexy console? I always wonder on these threads where people say "I'd buy that right now" how many of them would really plunk down the cash? ![]()
__________________ Dave EscobarSo-Cal Sound Design My New Website My Myspace Page Rock City Studios Orange Whip Recording |
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| | #22 |
| Lives for gear Join Date: Aug 2004 Location: Kent, WA
Posts: 1,403
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| | #23 |
| Gear maniac Join Date: Oct 2007
Posts: 203
| I hope SSL will work toward making this a reality... It could be a bit more sexy though... since it'll probly cost as much as a nicely-styled coupe |
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| | #24 |
| Lives for gear Join Date: Nov 2006 Location: Oxford, UK
Posts: 702
| Just to have a say on this.... Jdinrich did email me this direct. No, it is not an SSL product. However, I am more than happy to receive considered suggestions and feedback from users. Don't flame a guy just for posting an idea. I thin khe simply wanted to get some feedback... |
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| | #25 |
| Gear addict Join Date: Aug 2004
Posts: 336
| I'm a little confused, what exactly did you guys create?
__________________ Sam Clayton |
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| | #26 |
| Lives for gear Join Date: Nov 2006 Location: Hickory, MS
Posts: 757
| Good luck... It's a little harder than it all looks... JR |
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| | #27 |
| Lives for gear |
__________________ |
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| | #28 |
| Lives for gear Join Date: Mar 2003 Location: Palma+Stuttgart
Posts: 817
| ok, let me reword this. would you be interested in an automatable, modular system like this one, and how much would you pay for it? What's on the image below is essentially a 16ch (16mono+4stereo) version of the AWS900+, minus Preamps, EQs and the st comp, but with everything else, including Total Recall (TM). (those faders dont move, but could optionally) ![]() (PS: for the sake of comparison, let me say SSL could build and offer this at around half the price of a comparable Tonelux mixer, Total Recall included) . |
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| | #29 | |
| Lives for gear Join Date: Oct 2005
Posts: 507
| Quote:
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