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| Tags: advice observations enlightenment, sacd, technical techiness |
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| | #1 |
| Lives for gear Joined: Nov 2005 Location: Australia
Posts: 1,323
Thread Starter |
At last! A paper in a definitive journal. My AES membership is worth the price. Reading it now. The Audio Critic Articles | CD vs. SACD/DVD-A |
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| | #2 |
| Lives for gear Joined: Nov 2005 Location: Australia
Posts: 1,323
Thread Starter |
Some more details of the experiment here. BAS Experiment Explanation page - Oct 2007 |
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| | #3 |
| Lives for gear Joined: May 2005
Posts: 798
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Hmm, sounds more like a comparison of converters. Instead of using 1 converter which is capable to convert DSD or PCM (dCS, EMMLabs, Prism Sound, Mytek) they used different converters. The more remarkable is that their did not hear differences. The conclusion then could be, all converters of different manufacturers sound the same. Strange, isn“t it? |
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| | #4 |
| Lives for gear | |
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| | #5 |
| Gear maniac Joined: Jul 2007
Posts: 293
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Seems pretty straight forward to me stating the obvious that if you want the benefits of the higher format you have to have the appropriate decoding hardware... otherwise it is CD quality. I am amazed that anyone would think (hear) differently.
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| | #6 |
| Gear nut Joined: May 2006 Location: The point of no return
Posts: 91
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I haven't read the Journal yet, but the linked article says some listeners cranked the system over 100 dB. Makes you wonder about how healthy their hearing is in the first place...
__________________ "Now you listen to me - are you gonna dither down quietly or am I gonna have to truncate you?" - scene from "A Bronx mastering Tale" |
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| | #7 | |
| Lives for gear | Quote:
That really does seem silly then. Of course people at home aren't going to buy dedicated mytek convertors (well ok some of them are). But if the issue isn't the format or rate, but the hardware itself not delivering all the information present on the disc, whats the point!. | |
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| | #8 |
| Gear maniac Joined: Jul 2007
Posts: 293
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oops - I was under the impression that SACD needed decode HW (receiver) as DVD-A. My mistake... However, given the 85-111 db sound levels "requested by some of the participants" and the poor reception of the human ear, etc... I doubt there is an audible difference to the participants of this test. I was reading tho that the higher quality signal was on the recording side and not the playback side, so maybe there is something to my original post??? Oh well... this is pure conjecture... |
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| | #9 |
| Lives for gear |
A well recorded and produced compact disc is very high fidelity.
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| | #10 |
| Super Moderator Joined: Aug 2002 Location: NYC
Posts: 7,405
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| | #11 | |
| Gear addict Joined: May 2004
Posts: 369
| Quote:
What about an ipod? Maybe even more transparent than this? I'm stunned AES Journal decided such article. My respect for Journal dropped big time. Sad Sign of the times , the pro studios are closing, pros are leaving and audio parascience is getting upper hand. Journalist and blogger is the new expert. Michal MYTEK DIGITAL USA | |
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| | #12 |
| Lives for gear |
I know nothing about Mytek other than some folks think it is great. But rather than attack the reviewer why not run the tests yourself and see if you get the same results?? And then run some tests more to your liking and let us know what the results are. This would seem the way forward toward achieving light rather than heat. I do not mean to offend, but have seen these test results start long and meaningless flame wars and hope this does not happen here. From my experience as a systems analyst my favorite quote was, "One test is worth a thousand opinions."
__________________ Nov schmoz ka pop. |
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| | #13 |
| Lives for gear Joined: Mar 2004 Location: southeast
Posts: 1,393
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Even if the test was run again with the EXACT same parameters-- room, gear, time of day, etc, etc, ad nauseum-- you could get different results. Does this make the first or second (or neither) test flawed? As a producer said to me today (as we were deciding on main mics), "you can get used to anything, eh?" And he was right. I think. Maybe some day I will try it again with a different producer! Rich |
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| | #14 | |
| Lives for gear Joined: Oct 2006 Location: Near Rome, Italy
Posts: 829
| Quote:
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| | #15 |
| Lives for gear Joined: May 2007 Location: UK
Posts: 9,574
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that made me laugh.
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| | #16 |
| Lives for gear Joined: Oct 2006 Location: Near Rome, Italy
Posts: 829
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Some CDs instead make me cry!!! |
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| | #17 | |
| Lives for gear | Quote:
What I think they said is that when they played the hi rez discs and then switched to monitor that program material through the cd recorder, they were not able to *identify* any differences. For many SACD's and DVD-A's I can certainly understand that this could EASILY be the case. | |
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| | #18 | |
| Gear addict Joined: May 2004
Posts: 369
| Quote:
The paper authors conclusion is wrong. The only thing they have proved is that their momentary ABX test method is completely flawed and which anybody with real experience in listening tests will NOT use. If I published a paper today with a revelation that actually 8 bit audio is indistingushable from 24 bit will you give me benefit of a doubt? Of course not!. This paper falls in the same category- their tests produces a result that goes against results of thousands of similar tests. This one paper changes nothing in the merit. They may as well have concluded the Earth is flat based on participants visual experience. Let's ask rhetorical question to anybody wanting to actually consider discussing this paper: Q: Do you hear or not hear a change in sound when a 16 bit CD recorder is insterted in your monitor signal path? If you do- than the paper is wrong. If you don't, a sensible thing to do would be a carreer change because you might be ruining somebody's recordings. Again- IMO it's a shame such conclusions got published by AES Journal. Regards Michal MYTEK DIGITAL USA | |
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| | #19 |
| Lives for gear |
Even the producer could tell the difference.
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| | #20 |
| Lives for gear Joined: Nov 2005 Location: Australia
Posts: 1,323
Thread Starter | |
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| | #21 |
| Gear addict Joined: May 2004
Posts: 369
| Actual sounds YOU can hear are worth thousands of published words. Why not download some samples from our website and say if you hear and if, what kind of difference? click here: MYTEK DIGITAL USA Regards, Michal |
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| | #22 |
| Gear maniac Joined: Aug 2005 Location: Germany
Posts: 186
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IMO one can read the article as a sign of the time / of the listening culture of many consumers today. There are enough people out there who are proud on their i-pod and those little good looking white docking stations with inbuilt speakers where they put it in when coming home. And I guess they really don't notice a difference, or at least hear no noticable difference. But what does that mean? Even if the authors optimized their test method - these people are not the potential buyers of SACD's, they are really happy with mp3. |
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| | #23 |
| Gear Head Joined: Oct 2007 Location: Birmingham, UK
Posts: 37
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I like system 4, however... Denon 2900 Universal Player with full PartsConnexion mods... Geesh they choose a shit sounding midrange DVD player with poor audio playback. I have this DVD player, even with SACD it sounds woeful against my Arcam CD player at 44.1k 16bit. Conrad-Johnson 17 LS line stage preamp... Oh now that is nice. Sim Audio Moon 7 monoblock power amplifiers... Fair Quad ESL 989 electrostatic speakers... Bahh, not the best, needs a good sub. Muse Model 18 subwoofer, 24 dB/octave crossover @ 50 Hz... Oh ok, let you off. Nordost SPM interconnects and speaker cable.. Should have gone Valhalla from Nordost for LOLs factor. |
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