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| | #1 |
| Moderator Join Date: May 2004 Location: Hollywood, CA
Posts: 3,143
| My buddy is touring as an electric cellist in a band. He plugs it into a solid state Roland piano amp. He says it sounds a little cold and doesn't jell with the band all the time. I told him it may not hurt to get some tubes in the chain. Does anyone have any experience with gettng a warmer fuller sound with an electric cello? What gear? What kind of setup he needs for the touring/studio? Thanks J
__________________ Vocal Asylum, 323.462.4722 6381 Hollywood Blvd. Suite 700 Los Angeles, CA 90028 http://www.JamesLugo.com http://www.WritingGiants.com http://www.myspace.com/jameslugo Clients Include: The Smashing Pumpkins, 311, A Fine Frenzy, The Veronica's, American Idol |
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| | #2 | |
| Lives for gear Join Date: Oct 2002 Location: New Milford, CT, USA
Posts: 4,834
| Quote:
The solution is EQ rather than tubes or different preamp etc. To get a warm full sound from a typical electric cello with a piezo pickup is possible but it requires extreme EQ. No way around that. Have him sweep a multi-band parametric EQ boost, one band at a time, to identify the most obnoxious midrange peaks. As he finds each, he'll then cut those frequencies. I'm thinking 500 Hz, 800 Hz, 2 KHz - stuff like that where it sounds boxy, harsh, and strident. If you or he want to hear what an electric cello can sound like when EQ'd properly, check out Jeffrey MacFarland-Johnson MP3s here: The Perfect ABC Songbook-pre-school curriculum,ABC's,kid stuff,ESL --Ethan
__________________ www.realtraps.com The acoustic treatment experts ----------------------- Amazing Telecaster guitar video | |
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| | #3 |
| Lives for gear Join Date: Aug 2004 Location: Brooklyn, New York
Posts: 1,232
| I've toured with the Yamaha Silent Cello - and it sounded "acceptable', it's just the feel of the instrument is really more like a student model. A huge help is having a good pre-amp - the LR Baggs Para-Acoustic DI is the best of the ones I've tried - www.lrbaggs.com - highly recommended. For a decent arco sound using an electric having some reverb on stage is a must so that the notes don't just sound dead and uninspiring. Any decent digital reverb will work fine - I have the Boss RV-5 for it's portability and ability to be clicked on/off (dry pizz sometimes works out better). I have a custom built 5-string acoustic/electric that uses the Barbera Transducer piezo pickups built directly into the bridge - which sounds definitely better to my ear than the Yamaha - Cello Pickups, Cello Transducers and Electric Cello Pickups by Barbera Transducer Systems ![]() Other pickup option that sounds very good is the David Gage Realist - David Gage String Instruments Shop As far as amps - SWR California or Strawberry Blonde, any of the Acoustic Image amps - Acoustic Image Home - Walter Woods (if you can find one), Fender Acoustasonic, Schertler Unico or David - Schertler USA - high fidelity acoustic transducers, speakers, mixers & velvet strings - all can give good cello sounds. Hope that helps. Best regards, Steve Berson |
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| | #4 |
| Gear maniac Join Date: Dec 2005 Location: DFW
Posts: 278
| a marshall 800 might warm it up ![]() |
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| | #5 |
| Lives for gear Join Date: Nov 2006 Location: san ramon ca
Posts: 574
| What about a Clevenger electric Cello.I heard Ivan Linz guitar player use one.It sounded incredible.Might be better to tour with than one rigged with a pickup. |
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| | #6 |
| Lives for gear Join Date: Aug 2004 Location: Brooklyn, New York
Posts: 1,232
| Actually ime it doesn't - but smaller tube amps - especially Fender black face plate models can sound awesome. Best regards, Steve Berson |
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| | #7 | |
| Lives for gear | Quote:
I can ask him next time I speak to him but I believe he went into a Marshall stack, with a DI to the house PA. They were playing big rock venues- I saw them do it in London and his tone was off the chain. Just amazing. Have a listen to his latest project (with wife, Kimberley), that I did some preproduction for, here: MySpace.com - The McCarricks - - Ambient / Classical / Electronica - www.myspace.com/themccarricksmusic There was a lot of eqing done, if I remember correctly- but that was more to mitigate the room limitations than anything else.
__________________ Regards, Jim Richmond "I don't go to mythical places with strange men." Douglas Adams | |
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| | #8 |
| Gear Head Join Date: Jul 2005 Location: Albuquerque, NM
Posts: 44
| Check out Jami Sieber I've enjoyed the live sound of this touring electric cellist - Jami Sieber. She has a website at jamisieber.com. A quick look just now didn't show me gear info right away, but she might provide it, or it might be somewhere on her site I didn't check. I saw her touring w/ Ferron (singer-songwriter, just the two of them) - and noted that her 5-string electric cello sounded very good, and that the instrument offered a lot of versatility - bass lines, solos, and accompaniment. Rob C |
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| | #9 | |
| Lives for gear Join Date: Aug 2004 Location: Brooklyn, New York
Posts: 1,232
| Quote:
Best regards, Steve Berson | |
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| | #10 |
| Lives for gear Join Date: Mar 2006 Location: Foxboro, MA
Posts: 2,102
| When asking about an electric Cello, a dude named "Cellotron" is probably the only dude you should listen to.
__________________ Sean Eldon Mercenary Audio sean@mercenary.com "Sean Eldon of Mercenary audio either has some trickery with Velcro going on or is put into his jeans surgically. 'Rock and Roll skinny jeans' begins and ends with Sean"- Jules |
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| | #11 | |
| Lives for gear Join Date: Aug 2004 Location: Brooklyn, New York
Posts: 1,232
| Quote:
Best regards, Steve Berson | |
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| | #12 |
| Lives for gear Join Date: Sep 2006
Posts: 1,732
| On the low end, I'd try running it through a SansAmp ParaDI. RBI might be cool too. If you can find a Presonus AcoustiQ around, try it. More money? Run it through an eq and then Avalon or Millenia DI. I've been happy with running most acoustic instruments through an SWR California Blonde or Strawberry Blonde for live.
__________________ I'm not a producer, but I play one on Gearslutz.com |
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| | #13 |
| Gear nut Join Date: Oct 2006 Location: Stow, Ohio
Posts: 146
| I was thinking the same thing as Sean!
__________________ Chris Nighman Audio-Technica U.S., Inc. 1221 Commerce Dr. Stow, OH 44224 Phone: (330)686-2600 x 2135 8:30 AM - 5:30 PM EST CNighman@atus.com |
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| | #14 |
| Lives for gear Join Date: Dec 2002 Location: El Lay
Posts: 1,979
| I would think that the biggest problem is the lack of body resonance, so maybe something with cabinet modelling would help. Sansamp bass Di, for instance, or one of the acousic guitar modelling bboxes or amps.
__________________ Purveyor of fine sounds since 1961. My very incomplete IMDB list: My very incomplete IMDB list I'm all ears. |
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| | #15 |
| Lives for gear | yeah i usedto know some one who had an electric violin and they ran it through a marshall stack. i thought it sounded great but i was 14 at the time...
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| | #16 |
| Gear addict Join Date: Aug 2005 Location: nyc
Posts: 383
| amplifier As far as amps go: love the little GK MB150S. Used it with different beast mind you: piezo pickuped(does that make any sense) upright bass; but that thing is super versatile, good, albeit simple, eq., the DI isn't so bad sounding either, the little guy packs a punch. Regards, jhg
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| | #17 |
| Lives for gear Join Date: May 2005 Location: Copenhagen, Denmark
Posts: 1,249
| I had a similar problem trying to get a good sound with arco and a pickup. The solution was a trace elliot bass combo with 2x12'. It colored the sound so much that the end product sounded more or less like the real thing again. |
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| | #18 |
| Lives for gear | Not Susie Beauchamp from 'Box The Jesuit' and 'Pleasure Ground'?
__________________ Regards, Jim Richmond "I don't go to mythical places with strange men." Douglas Adams |
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| | #19 |
| Gear addict Join Date: Mar 2004
Posts: 367
| Screw the pickup; use a M160! Back when I was playing cello in a celtic band, the only decent electric cello sound I ever got was from a travel cello made by Ernest Nussbaum (photo here). Since it used a standard stick-on-the-bridge piezo pickup, the real secret seemed to be in the amplifier and cabinet. Plugging it into a "foreign" DI made a lot of the magic disappear. But the instrument itself wasn't to standard measure, nor was it particularly well made. More suitable for taking on a camping trip than anything else. With my regular instrument, I used a standard Fishman pickup that wedged into the bridge. I used a direct box of my own design with a very high-Z JFET input. Anything less than 1 Megohm is too low; I think mine was 10 Megohm. After that, the signal chain included a parametric EQ and a Lexicon LXP-1 reverb. But any time I could get away with it, I'd ditch the pickup for a Beyer M160 ribbon mic in front of the bridge. Night and day, really. David L. Rick Seventh String Recording |
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| | #20 |
| Lives for gear Join Date: Apr 2005 Location: New York Friggin' City
Posts: 2,296
| I mixed one last night that was horribly cold and while it did not have enough low end body to replicate a regular cello, it had no string attack to speak of. I was horrified...the cellist said. "This is my tone." ![]() If I deal with him again, I'll insist on a Demeter, Valvotronics, or similar tube stage, maybe with a FATSO in line. I did not find out who made this cello, but I was not impressed. O course, I've dealt with a lot of really good instruments in the hands of phenomenal players, so I'm mildly biased... but they were playing a totally different kind of music. |
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| | #21 |
| Gear maniac Join Date: Jul 2005 Location: Pittsburgh, PA
Posts: 221
| I worked with a very good electric cellist a few years ago who's toured with some pretty big-name acts. He used a normal orchestral (acoustic) cello, with a pickup (Fishman, I think) into a Fender Twin amp. We mic'd the cabinet with an SM57. (He obviously wasn't going for anything resembling a naturalistic classical tone.) He used an array of guitar pedals and played both arco and pizz, frequently strumming chords as well. Despite his eshewing of a classical timbral aesthetic, I think the use of an acoustic instrument really helped to warm up the tone in a way that an "electric" cello would not. It was also a pretty cheap instrument - he prefers to save his better istruments for traditional chamber music work. |
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| | #22 |
| Gear maniac | I've been told this is THE pre to get for electric string instruments. http://www.raven-labs.com/mainframe.html ![]() I haven't used it, but it seems like it has a decent eq. This is the collest electric cello in my opinion: ![]() http://www.woodviolins.com/html/CobraCello.html if you've never seen the mark wood violin's before.... check it out. They make crazy things like 7 string fretted flying V violins.
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