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| Thread | Thread Starter | Forum | Replies | Last Post |
| M-Audio Octane w/ Digi 002 vs M-Audio Octane w/ M-Audio Delta 1010 | stecel | Low End Theory | 2 | 8th June 2007 10:10 PM |
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| | #31 |
| Super Moderator Join Date: Aug 2002 Location: NYC
Posts: 4,919
| Yes indeed, but you're as good as your weakest link. If your weakest link is your source then you have a problem. If you can adjust, change or fix the input source you have an excellent opportunity to make it sound fantastic.
__________________ Steve Remote AuraSonicLtd.com the home of ASL Mobile & Location Production Remoteness on the Linkedin Network Remoteness on Myspace |
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| | #32 | |
| Lives for gear Join Date: Apr 2005 Location: New York Friggin' City
Posts: 2,296
| +1 That's the real world. I'm with you 100% on this!! Oh, just finished my 7th NBC Christmas tree lighting special. I was mixing monitors for the Rink stage again this year, but instead of a house band, it was a slew of acts changing constantly. If you saw & heard it, you know what I'm talking about. Live TV production, be it sports or a specialty show like the one we finished last night, is like going to war, and all you can do is bust your butt and do your best, giving 110% constantly and trying to look ahead while listening to a director call the show instead of your audio sources. It's a tough business, but it's OUR business! Quote:
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