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| Tags: advice observations enlightenment, rehearsal space, room mic |
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| | #1 |
| Lives for gear Joined: Apr 2007 Location: Mesa, AZ
Posts: 734
Thread Starter |
I'm not sure if this is a remote question or not, but I think the reinforcement people would have a good answer... I have a rehearsal studio and I'm trying to offer a simple stereo recording of the bands as they practice. Ideally, I would like to have two mics fixed in the room that would capture the whole room clearly; this would save me time vs. having to mic everything up and catch the stereo feed off of the mixer. I may not be able to take the time to do that for everyone that wants it, so I need a simpler solution. Can anyone recommend a suitable PZM or omni-mic that could do the job? I've looked at Crown PZMs, and boundary mics, but I'd like a little more input before I buy and try. Thanks! |
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| | #2 |
| Gear addict Joined: May 2005 Location: Northern NJ, USA
Posts: 484
| Naiant Studio - Home of the MSH Microphone! Hang them from the ceiling or fix them with a mount or something. They will work really well and you can't beat the price. |
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| | #3 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,259
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Avenson STO-2. They sound like where you're standing. War |
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| | #4 |
| Lives for gear Joined: Apr 2005 Location: New York Friggin' City
Posts: 2,562
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I like Warren's suggestion. PZM's tend to sound thin (zero bottom end) and lifeless, I much prefer a good pair of condenser mics and a comp/limiter on the stereo feed. if your rehearsal room is less than stellar, get CLOSE with the omni pair, or skip the omnis altogether and go cardioid. Suspend an X/Y or ORTF pair from the ceiling and you're done. JvB |
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| | #5 |
| Lives for gear Joined: Apr 2007 Location: Mesa, AZ
Posts: 734
Thread Starter |
Good suggestions... thank you. I think I'll try out a couple of condensers; it's not like I'm in a large space anyways.
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