![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
| Tags: advice observations enlightenment, foh, live sound |
New Reply | Thread Tools | Search this Thread |
| | #1 |
| Lives for gear Joined: Sep 2005
Posts: 1,893
Thread Starter |
Hi there, While I started in live sound like so many of us, I haven't had a FOH gig in like 12yrs and am way out of the loop. All I'm doing these days is a bit of studio stuff, which is obviously quite different. Someone that I've worked with quite a bit, is opening up a cafe that is going to specialize in live music and I've been charged with helping him source out a live PA and all the peripherals and hopefully a price for it all, as it needs to be submitted to the investors. While Mackie gets a bad rap at times, I think for what we'd need, something like an Onyx 24-4 would work out great. I personally like the Onyx pre's for eg and have used the 800r in recording apps. The board looks very easy to use and as is, is probably a little overkill, as the cafe is going to mostly host singer songwriters and very small bands, but there will be times that a full rock act will be in there, so I'd rather go high than low. The owner also wants the ability to record right off the stage and I like the D-SUB out option on the Onyx. So I thought I'd work out from the Onyx 24-4. For eg, I have no idea of what sort of poweramps I should be using. Knowing that clarity and headroom come from lots of horsepower, I'd again rather error on the high side opposed to under powered. The stage will only require 3 or 4 monitors, tops and again, I have no idea what sort of power I'd need (watts) for my monitors and mains. While on Mackie's site, the "Quad Comp" and Digital EQ kinda caught my eye, too . After that, I'll need mics, (pretty sure I have an idea of the usual suspects here.) Then snake mains and any other periphs. As for the budget, I'm sure it's going to be decent, but I don't want - or feel we need - a bunch of Midas and Martinsound etc. ![]() Any ideas or suggestions from people doing this would be appreciated. While I'm a little nervous about tackling FOH again, it's a real opportunity for me to augment my recording gigs, which have been slow lately so this would be a cool, 3 night a week gig for halfway decent cash from what I'm told. Any ideas, suggestions? thanks! |
| | |
| | #2 |
| Lives for gear Joined: Oct 2006 Location: New Jersey
Posts: 1,565
|
Where are you located? It sounds like you need to hire a local company to check out the venue, put together a system that works for your space, quote you a price, and install it. Otherwise you're going to get a lot of general opinions on a lot of random gear from some knowledgable people here.
|
| | |
| | #3 |
| Lives for gear Joined: Dec 2005 Location: Orlando
Posts: 1,231
|
the first thing that comes to mind is qsc rmx series amps. i've been very pleased with them and they're very affordable. if you want help on g.s. though, you're gonna have to give us more info about the size/shape of the place (sq. ft.age and ceiling height) and really a more specific budget wouldn't hurt. oh, and i'd personally save a few bones and switch the onyx for an a&h mix wiz. |
| | |
| | #4 |
| Lives for gear Joined: Apr 2005 Location: New York Friggin' City
Posts: 2,562
|
Also I would not rule out a small format but affordable digital mixing console, such as the Yamaha 01V/96 or similar competitor's models. It's well worth your time and effore to be able to have DSP such as compressors, gates, monitor mixes with EQ on the auxes, and reverbs. Better yet, it takes up less room and can be recalled. ![]() As far as the rest of it goes, do we play 20 questions or do you give us more info on what kind of program, how many people, size of bands, goals, space, budget.... you know, minor stuff to help us help you make some decisions? Hope this helps.. JvB |
| | |
| | #5 |
| Lives for gear Joined: Sep 2005
Posts: 1,893
Thread Starter |
thank you guys. i'll try and dig up more info. as for size all i know at this time is that the venue is pretty small. i like the idea of a digi console for the recall alone. typically, there's 5-6 acts playing a night and a soundcheck that occurs a couple of hours before hand, so recall would come in handy for sure. the a&h mix wiz doesn't look to be large enough. i was hoping for 20-24 ch's. |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| I need some help setting up a affordable FOH system with Directouts to go to protool | Jhoiberg | Remote Possibilities in Acoustic Music & Location Recording | 3 | 11th March 2007 07:00 PM |
| FOH, Monitor & Recording System...$20K?? | joaquin | Remote Possibilities in Acoustic Music & Location Recording | 6 | 16th January 2006 06:58 PM |
| Help designing permanent-install FOH system | dasbin | Remote Possibilities in Acoustic Music & Location Recording | 7 | 5th January 2006 12:51 PM |
| Built a vocal booth, need help designing an air exchange system!!! | cajonezzz | So much gear, so little time! | 16 | 24th October 2004 04:32 AM |
| Designing the no-fuss at FOH all-purpose splitter system... | JayCrouch | Remote Possibilities in Acoustic Music & Location Recording | 1 | 23rd November 2003 11:02 AM |
| |